Your cart

Total
NZD
Shipping and discount codes are added at checkout.

Contributor


Ben Hoadley

Composer, Performer

Biography

Born in Auckland, Ben Hoadley holds degrees in bassoon performance from the Sydney Conservatorium of Music and the New England Conservatory in Boston. He received a Master of Music in composition with First Class Honours from the University of Waikato where he was awarded the Lilburn Composition Prize. Ben has held fellowships to the Australian National Academy of Music, Tanglewood Music Centre and the Weill Music Institute at Carnegie Hall.

Ben lectured at the University of Auckland from 2007 to 2022. Since 2019 he has tutored at the Sydney Conservatorium of Music, and since 2022 at the School of Music of the Australian National University where he also serves as principal bassoonist with the Canberra Symphony Orchestra. He is regularly invited to teach at institutions throughout Australasia and abroad, including residencies at the University of Louisville, Miami University, University of New Hampshire and the University of Canterbury.

Ben’s special interest in New Zealand repertoire has led to a number of collaborations and new works for bassoon. These include a collection of pieces by Gillian Whitehead which he has recorded on the Atoll CD "Arapātiki", which was a finalist in the 2014 NZ Music Awards. Ben is heard on several other Atoll CD’s including, "Southern Invention" featuring Australasian music for bassoon and piano.

Among the many concerts that Ben has presented of music by NZ composers are recitals at the International Double Reed Society Conferences in Melbourne, California and Bangkok, and an annual series in Wellington and Auckland that he curated for over a decade. Ben premiered Alex Taylor's bassoon concerto in 2014 with the Auckland Chamber Orchestra, subsequently performing and recording it with the New Zealand Symphony Orchestra. Also with the Auckland Chamber Orchestra, Ben gave the Australasian premiere of Sofia Gubaidulina's "Concerto for Bassoon and Low Strings" in 2017.


Composed (20)

Cave Dances

for chamber sextet, 23m


Concerto for Double Bass

for double bass and orchestra, 21m 10s


Evening, Marlborough

for flute and spoken voice


Four Preludes

for cello and piano, 10m


Haratua

for trombone and piano


Huia

for organ and orchestra


Lurch

for bassoon


Manaia

for two flutes, 5m


Manaia (II)

for flute and oboe


Manaia (IV)

for bass clarinet and bassoon, 9m


Midsummer Night's Music

for clarinet, viola and piano, 8m


Snakes and Ladders

for solo piano, 1m 12s


Suite from "Miss Brill"

for four bassoons


Three Sketches for a Nocturne

for alto flute and piano, 7m


Trio

for two oboes and cor anglais, 13m


Turakirae

for clarinet and orchestra


Two Short Duets

for two clarinets or two bass clarinets


Waharoa

for oboe, bassoon and piano


Winter I Was

for alto flute and spoken voice, 4m



Commissioned (15)

Bassoon Concerto

for bassoon and chamber orchestra


Body and Soul

for solo amplified dulcian, 4m


Chaos of Delight IV

for piccolo/flute and bassoon


Double

for solo bassoon, 7m


double duo

for bassoon, violin, viola and cello, 6m


eight pieces for wind quartet

for wind quartet, 9m


Etude II

for bass clarinet and bassoon, 2m


Hall of Mirrors

for basson and live electronics


is there anybody in there?

for flute, clarinet/bass clarinet, bassoon and piano


loose knots

for bassoon


Ngā hā o neherā

for bassoon, 16m


quasi concertino

for bassoon and string trio


Seven Point Zero

for wind trio, 7m


Stolen Time

for recorder and dulcian


The Effect of Bundled Sticks on Sound

for amplified bassoon and live electronics