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John Psathas Events and Performances
ConcertA comprehensive listing of performances of music by John Psathas.
Visit https://www.johnpsathas.com/events-and-performances
A comprehensive listing of performances of music by John Psathas.
Visit https://www.johnpsathas.com/events-and-performances
A comprehensive listing of performances of music by John Psathas.
Visit https://www.johnpsathas.com/events-and-performances
SOUNZ-NZCF Te Reo Māori Choral Composition Award
OpportunityThis competition, introduced in 2021, is run by the New Zealand Choral Federation in collaboration with SOUNZ Centre for New Zealand Music and awards a cash prize and taonga, Te Puoho Ki Te Rangi, created by Taonga Puoro specialist Tāmihana Kātene and kindly donated by SOUNZ, for the best choral piece in Te Reo Māori composed by a New Zealand secondary school student (or students).
The 2021 adjudicator is Robert Wiremu.
Entries must be received by 21 May 2021
Click here to download the entry form
This competition, introduced in 2021, is run by the New Zealand Choral Federation in collaboration with SOUNZ Centre for New Zealand Music and awards a cash prize and taonga, Te Puoho Ki Te Rangi, created by Taonga Puoro specialist Tāmihana Kātene and kindly donated by SOUNZ, for the best choral piece in Te Reo Māori composed by a New Zealand secondary school student (or students).
The 2021 adjudicator is Robert Wiremu.
Entries must be received by 21 May 2021
Click here to download the entry form
This competition, introduced in 2021, is run by the New Zealand Choral Federation in collaboration with SOUNZ Centre for New Zealand Music and awards a cash prize and taonga, Te Puoho Ki Te Rangi, created by Taonga Puoro specialist Tāmihana Kātene and kindly donated by SOUNZ, for the best choral piece in Te Reo Māori composed by a New Zealand secondary school student (or students).
The 2021 adjudicator is Robert Wiremu.
Entries must be received by 21 May 2021
Click here to download the entry form
Philip Neill Memorial Prize in Music
OpportunityApplications are now open for the 2021 Philip Neill Memorial Prize in Music. The competition is open to all past and present students of the universities of New Zealand and in 2021 is valued at $1500.
Topic: Compose a piece for cello and piano
- You may adopt any theme you please with the work
- Electronics or prepared piano are not permitted
- The work should be between 8-15 minutes in duration
- You should include a programme note and any performance notes necessary
- Compositions must include a computer-set musical score and should also include a MIDI recording.
Click here to read more, and to access the application form.
Applications are now open for the 2021 Philip Neill Memorial Prize in Music. The competition is open to all past and present students of the universities of New Zealand and in 2021 is valued at $1500.
Topic: Compose a piece for cello and piano
- You may adopt any theme you please with the work
- Electronics or prepared piano are not permitted
- The work should be between 8-15 minutes in duration
- You should include a programme note and any performance notes necessary
- Compositions must include a computer-set musical score and should also include a MIDI recording.
Click here to read more, and to access the application form.
Applications are now open for the 2021 Philip Neill Memorial Prize in Music. The competition is open to all past and present students of the universities of New Zealand and in 2021 is valued at $1500.
Topic: Compose a piece for cello and piano
- You may adopt any theme you please with the work
- Electronics or prepared piano are not permitted
- The work should be between 8-15 minutes in duration
- You should include a programme note and any performance notes necessary
- Compositions must include a computer-set musical score and should also include a MIDI recording.
Click here to read more, and to access the application form.
NZ Clarinet Composition Contest – University of Auckland Clarinet Weekend
OpportunityThe University of Auckland Clarinet Weekend is holding a composition contest of works for UNACCOMPANIED CLARINET!
The NZ Clarinet Composition Contest is open to all composers of any age and level of experience. Professionals, amateurs, students, and enthusiasts are encouraged to submit works. All finalists who will have their works performed are required to be in attendance at Clarinet Weekend 2021 to introduce their works and be a part of the event.
Composers have until August 16, 2021 to submit their pieces for consideration. A maximum of eight of the top pieces as chosen by the judges will be chosen for performance at Clarinet Weekend, where a panel of judges will choose one prize, and the audience will vote on the other.
Email submissions to Dr. Marie Ross at: marie.ross@auckland.ac.nz.
Click here for more information, including Rules for Submission
The University of Auckland Clarinet Weekend is holding a composition contest of works for UNACCOMPANIED CLARINET!
The NZ Clarinet Composition Contest is open to all composers of any age and level of experience. Professionals, amateurs, students, and enthusiasts are encouraged to submit works. All finalists who will have their works performed are required to be in attendance at Clarinet Weekend 2021 to introduce their works and be a part of the event.
Composers have until August 16, 2021 to submit their pieces for consideration. A maximum of eight of the top pieces as chosen by the judges will be chosen for performance at Clarinet Weekend, where a panel of judges will choose one prize, and the audience will vote on the other.
Email submissions to Dr. Marie Ross at: marie.ross@auckland.ac.nz.
Click here for more information, including Rules for Submission
The University of Auckland Clarinet Weekend is holding a composition contest of works for UNACCOMPANIED CLARINET!
The NZ Clarinet Composition Contest is open to all composers of any age and level of experience. Professionals, amateurs, students, and enthusiasts are encouraged to submit works. All finalists who will have their works performed are required to be in attendance at Clarinet Weekend 2021 to introduce their works and be a part of the event.
Composers have until August 16, 2021 to submit their pieces for consideration. A maximum of eight of the top pieces as chosen by the judges will be chosen for performance at Clarinet Weekend, where a panel of judges will choose one prize, and the audience will vote on the other.
Email submissions to Dr. Marie Ross at: marie.ross@auckland.ac.nz.
Click here for more information, including Rules for Submission
NZSO Podium Series | Fantastique (Auckland)
ConcertHolly Mathieson | conductor
Tōru Takemitsu | Dreamtime
Dorothy Ker | The Third Dream
Berlioz | Symphonie Fantastique
Dunedin-born conductor Holly Mathieson returns to Aotearoa for her debut performance with the NZSO. Mathieson worked as conducting assistant to Christoph von Dohnanyi, Esa-Pekka Salonen, and Marin Alsop, before gaining the assistant conductor position of the Royal Scottish National Orchestra. Most recently she was appointed as Music Director of Symphony Nova Scotia.
Mathieson presents a programme of dreams. Japanese composer Tōru Takemitsu frequently drew influences from outside classical music. Dreamtime is inspired by the Australian Aborigine concept of a mythical time before humans when Ancestral Spirits walked the earth. Likewise, NZ composer Dorothy Ker explores primordial dreams in The Third Dream, the work "build[ing] organically from delicate stirrings to a physicality of volcanic intensity."
Hector Berlioz's fertile imagination bursts forth in his epic Symphonie Fantastique. Famously depicting the fevered dreams of an opium eating artist, the work takes you on a hallucinatory journey through passionate fantasies, a wild masked ball, and at last to the artist’s descent into the hell of a witches’ Sabbath.
Additional performances:
May 14th (Wellington)
May 21st (Hamilton)
May 28th (Christchurch)
Holly Mathieson | conductor
Tōru Takemitsu | Dreamtime
Dorothy Ker | The Third Dream
Berlioz | Symphonie Fantastique
Dunedin-born conductor Holly Mathieson returns to Aotearoa for her debut performance with the NZSO. Mathieson worked as conducting assistant to Christoph von Dohnanyi, Esa-Pekka Salonen, and Marin Alsop, before gaining the assistant conductor position of the Royal Scottish National Orchestra. Most recently she was appointed as Music Director of Symphony Nova Scotia.
Mathieson presents a programme of dreams. Japanese composer Tōru Takemitsu frequently drew influences from outside classical music. Dreamtime is inspired by the Australian Aborigine concept of a mythical time before humans when Ancestral Spirits walked the earth. Likewise, NZ composer Dorothy Ker explores primordial dreams in The Third Dream, the work "build[ing] organically from delicate stirrings to a physicality of volcanic intensity."
Hector Berlioz's fertile imagination bursts forth in his epic Symphonie Fantastique. Famously depicting the fevered dreams of an opium eating artist, the work takes you on a hallucinatory journey through passionate fantasies, a wild masked ball, and at last to the artist’s descent into the hell of a witches’ Sabbath.
Additional performances:
May 14th (Wellington)
May 21st (Hamilton)
May 28th (Christchurch)
Holly Mathieson | conductor
Tōru Takemitsu | Dreamtime
Dorothy Ker | The Third Dream
Berlioz | Symphonie Fantastique
Dunedin-born conductor Holly Mathieson returns to Aotearoa for her debut performance with the NZSO. Mathieson worked as conducting assistant to Christoph von Dohnanyi, Esa-Pekka Salonen, and Marin Alsop, before gaining the assistant conductor position of the Royal Scottish National Orchestra. Most recently she was appointed as Music Director of Symphony Nova Scotia.
Mathieson presents a programme of dreams. Japanese composer Tōru Takemitsu frequently drew influences from outside classical music. Dreamtime is inspired by the Australian Aborigine concept of a mythical time before humans when Ancestral Spirits walked the earth. Likewise, NZ composer Dorothy Ker explores primordial dreams in The Third Dream, the work "build[ing] organically from delicate stirrings to a physicality of volcanic intensity."
Hector Berlioz's fertile imagination bursts forth in his epic Symphonie Fantastique. Famously depicting the fevered dreams of an opium eating artist, the work takes you on a hallucinatory journey through passionate fantasies, a wild masked ball, and at last to the artist’s descent into the hell of a witches’ Sabbath.
Additional performances:
May 14th (Wellington)
May 21st (Hamilton)
May 28th (Christchurch)
Chamber Music NZ | Ibell & Thomson (Lower Hutt)
ConcertRobert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 23rd (Motueka)
May 25th (Rangiora)
May 27th (Arrowtown)
May 28th (Bannockburn)
May 30th (Kerikeri)
June 1st (Rotorua)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 23rd (Motueka)
May 25th (Rangiora)
May 27th (Arrowtown)
May 28th (Bannockburn)
May 30th (Kerikeri)
June 1st (Rotorua)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 23rd (Motueka)
May 25th (Rangiora)
May 27th (Arrowtown)
May 28th (Bannockburn)
May 30th (Kerikeri)
June 1st (Rotorua)
NZSO Podium Series | Fantastique (Hamilton)
ConcertHolly Mathieson | conductor
Tōru Takemitsu | Dreamtime
Dorothy Ker | The Third Dream
Berlioz | Symphonie Fantastique
Dunedin-born conductor Holly Mathieson returns to Aotearoa for her debut performance with the NZSO. Mathieson worked as conducting assistant to Christoph von Dohnanyi, Esa-Pekka Salonen, and Marin Alsop, before gaining the assistant conductor position of the Royal Scottish National Orchestra. Most recently she was appointed as Music Director of Symphony Nova Scotia.
Mathieson presents a programme of dreams. Japanese composer Tōru Takemitsu frequently drew influences from outside classical music. Dreamtime is inspired by the Australian Aborigine concept of a mythical time before humans when Ancestral Spirits walked the earth. Likewise, NZ composer Dorothy Ker explores primordial dreams in The Third Dream, the work "build[ing] organically from delicate stirrings to a physicality of volcanic intensity."
Hector Berlioz's fertile imagination bursts forth in his epic Symphonie Fantastique. Famously depicting the fevered dreams of an opium eating artist, the work takes you on a hallucinatory journey through passionate fantasies, a wild masked ball, and at last to the artist’s descent into the hell of a witches’ Sabbath.
Additional performances:
May 14th (Wellington)
May 20th (Auckland)
May 28th (Christchurch)
Holly Mathieson | conductor
Tōru Takemitsu | Dreamtime
Dorothy Ker | The Third Dream
Berlioz | Symphonie Fantastique
Dunedin-born conductor Holly Mathieson returns to Aotearoa for her debut performance with the NZSO. Mathieson worked as conducting assistant to Christoph von Dohnanyi, Esa-Pekka Salonen, and Marin Alsop, before gaining the assistant conductor position of the Royal Scottish National Orchestra. Most recently she was appointed as Music Director of Symphony Nova Scotia.
Mathieson presents a programme of dreams. Japanese composer Tōru Takemitsu frequently drew influences from outside classical music. Dreamtime is inspired by the Australian Aborigine concept of a mythical time before humans when Ancestral Spirits walked the earth. Likewise, NZ composer Dorothy Ker explores primordial dreams in The Third Dream, the work "build[ing] organically from delicate stirrings to a physicality of volcanic intensity."
Hector Berlioz's fertile imagination bursts forth in his epic Symphonie Fantastique. Famously depicting the fevered dreams of an opium eating artist, the work takes you on a hallucinatory journey through passionate fantasies, a wild masked ball, and at last to the artist’s descent into the hell of a witches’ Sabbath.
Additional performances:
May 14th (Wellington)
May 20th (Auckland)
May 28th (Christchurch)
Holly Mathieson | conductor
Tōru Takemitsu | Dreamtime
Dorothy Ker | The Third Dream
Berlioz | Symphonie Fantastique
Dunedin-born conductor Holly Mathieson returns to Aotearoa for her debut performance with the NZSO. Mathieson worked as conducting assistant to Christoph von Dohnanyi, Esa-Pekka Salonen, and Marin Alsop, before gaining the assistant conductor position of the Royal Scottish National Orchestra. Most recently she was appointed as Music Director of Symphony Nova Scotia.
Mathieson presents a programme of dreams. Japanese composer Tōru Takemitsu frequently drew influences from outside classical music. Dreamtime is inspired by the Australian Aborigine concept of a mythical time before humans when Ancestral Spirits walked the earth. Likewise, NZ composer Dorothy Ker explores primordial dreams in The Third Dream, the work "build[ing] organically from delicate stirrings to a physicality of volcanic intensity."
Hector Berlioz's fertile imagination bursts forth in his epic Symphonie Fantastique. Famously depicting the fevered dreams of an opium eating artist, the work takes you on a hallucinatory journey through passionate fantasies, a wild masked ball, and at last to the artist’s descent into the hell of a witches’ Sabbath.
Additional performances:
May 14th (Wellington)
May 20th (Auckland)
May 28th (Christchurch)
Chamber Music NZ | Ibell & Thomson (Motueka)
ConcertRobert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 25th (Rangiora)
May 27th (Arrowtown)
May 28th (Bannockburn)
May 30th (Kerikeri)
June 1st (Rotorua)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 25th (Rangiora)
May 27th (Arrowtown)
May 28th (Bannockburn)
May 30th (Kerikeri)
June 1st (Rotorua)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 25th (Rangiora)
May 27th (Arrowtown)
May 28th (Bannockburn)
May 30th (Kerikeri)
June 1st (Rotorua)
Chamber Music NZ | Ibell & Thomson (Rangiora)
ConcertRobert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 27th (Arrowtown)
May 28th (Bannockburn)
May 30th (Kerikeri)
June 1st (Rotorua)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 27th (Arrowtown)
May 28th (Bannockburn)
May 30th (Kerikeri)
June 1st (Rotorua)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 27th (Arrowtown)
May 28th (Bannockburn)
May 30th (Kerikeri)
June 1st (Rotorua)
Chamber Music NZ | Ibell & Thomson (Arrowtown)
ConcertRobert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 25th (Rangiora)
May 28th (Bannockburn)
May 30th (Kerikeri)
June 1st (Rotorua)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 25th (Rangiora)
May 28th (Bannockburn)
May 30th (Kerikeri)
June 1st (Rotorua)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 25th (Rangiora)
May 28th (Bannockburn)
May 30th (Kerikeri)
June 1st (Rotorua)
Chamber Music NZ | Ibell & Thomson (Bannockburn)
ConcertRobert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 25th (Rangiora)
May 27th (Arrowtown)
May 30th (Kerikeri)
June 1st (Rotorua)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 25th (Rangiora)
May 27th (Arrowtown)
May 30th (Kerikeri)
June 1st (Rotorua)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 25th (Rangiora)
May 27th (Arrowtown)
May 30th (Kerikeri)
June 1st (Rotorua)
NZSO Podium Series | Fantastique (Christchurch)
ConcertHolly Mathieson | conductor
Tōru Takemitsu | Dreamtime
Dorothy Ker | The Third Dream
Berlioz | Symphonie Fantastique
Dunedin-born conductor Holly Mathieson returns to Aotearoa for her debut performance with the NZSO. Mathieson worked as conducting assistant to Christoph von Dohnanyi, Esa-Pekka Salonen, and Marin Alsop, before gaining the assistant conductor position of the Royal Scottish National Orchestra. Most recently she was appointed as Music Director of Symphony Nova Scotia.
Mathieson presents a programme of dreams. Japanese composer Tōru Takemitsu frequently drew influences from outside classical music. Dreamtime is inspired by the Australian Aborigine concept of a mythical time before humans when Ancestral Spirits walked the earth. Likewise, NZ composer Dorothy Ker explores primordial dreams in The Third Dream, the work "build[ing] organically from delicate stirrings to a physicality of volcanic intensity."
Hector Berlioz's fertile imagination bursts forth in his epic Symphonie Fantastique. Famously depicting the fevered dreams of an opium eating artist, the work takes you on a hallucinatory journey through passionate fantasies, a wild masked ball, and at last to the artist’s descent into the hell of a witches’ Sabbath.
Additional performances:
May 14th (Wellington)
May 20th (Auckland)
May 21st (Hamilton)
Holly Mathieson | conductor
Tōru Takemitsu | Dreamtime
Dorothy Ker | The Third Dream
Berlioz | Symphonie Fantastique
Dunedin-born conductor Holly Mathieson returns to Aotearoa for her debut performance with the NZSO. Mathieson worked as conducting assistant to Christoph von Dohnanyi, Esa-Pekka Salonen, and Marin Alsop, before gaining the assistant conductor position of the Royal Scottish National Orchestra. Most recently she was appointed as Music Director of Symphony Nova Scotia.
Mathieson presents a programme of dreams. Japanese composer Tōru Takemitsu frequently drew influences from outside classical music. Dreamtime is inspired by the Australian Aborigine concept of a mythical time before humans when Ancestral Spirits walked the earth. Likewise, NZ composer Dorothy Ker explores primordial dreams in The Third Dream, the work "build[ing] organically from delicate stirrings to a physicality of volcanic intensity."
Hector Berlioz's fertile imagination bursts forth in his epic Symphonie Fantastique. Famously depicting the fevered dreams of an opium eating artist, the work takes you on a hallucinatory journey through passionate fantasies, a wild masked ball, and at last to the artist’s descent into the hell of a witches’ Sabbath.
Additional performances:
May 14th (Wellington)
May 20th (Auckland)
May 21st (Hamilton)
Holly Mathieson | conductor
Tōru Takemitsu | Dreamtime
Dorothy Ker | The Third Dream
Berlioz | Symphonie Fantastique
Dunedin-born conductor Holly Mathieson returns to Aotearoa for her debut performance with the NZSO. Mathieson worked as conducting assistant to Christoph von Dohnanyi, Esa-Pekka Salonen, and Marin Alsop, before gaining the assistant conductor position of the Royal Scottish National Orchestra. Most recently she was appointed as Music Director of Symphony Nova Scotia.
Mathieson presents a programme of dreams. Japanese composer Tōru Takemitsu frequently drew influences from outside classical music. Dreamtime is inspired by the Australian Aborigine concept of a mythical time before humans when Ancestral Spirits walked the earth. Likewise, NZ composer Dorothy Ker explores primordial dreams in The Third Dream, the work "build[ing] organically from delicate stirrings to a physicality of volcanic intensity."
Hector Berlioz's fertile imagination bursts forth in his epic Symphonie Fantastique. Famously depicting the fevered dreams of an opium eating artist, the work takes you on a hallucinatory journey through passionate fantasies, a wild masked ball, and at last to the artist’s descent into the hell of a witches’ Sabbath.
Additional performances:
May 14th (Wellington)
May 20th (Auckland)
May 21st (Hamilton)
Chamber Music NZ | Ibell & Thomson (Kerikeri)
ConcertRobert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 25th (Rangiora)
May 27th (Arrowtown)
May 28th (Bannockburn)
June 1st (Rotorua)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 25th (Rangiora)
May 27th (Arrowtown)
May 28th (Bannockburn)
June 1st (Rotorua)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 25th (Rangiora)
May 27th (Arrowtown)
May 28th (Bannockburn)
June 1st (Rotorua)
Chamber Music NZ | Ibell & Thomson (Rotorua)
ConcertRobert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 25th (Rangiora)
May 27th (Arrowtown)
May 28th (Bannockburn)
May 30th (Kerikeri)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 25th (Rangiora)
May 27th (Arrowtown)
May 28th (Bannockburn)
May 30th (Kerikeri)
Robert Ibell | cello
Rachel Thomson | piano
Programme:
Manuel de Falla | Suite Populaire Espagnole
Salina Fisher | Mono no aware (物の哀れ)
Clara Schumann | Three Romances, op 22
Dmitri Shostakovich | “Adagio” & “Springtime Waltz” from The Limpid Stream
Nadia Boulanger | Three Pieces for Cello & Piano
Johannes Brahms | Sonata no 2 in F, op 99
Robert Ibell and Rachel Thomson offer a delightful programme demonstrating the breadth of expression and depth of emotion found in the cello-piano repertoire.
Since 1993 Robert has been a member of the New Zealand Symphony Orchestra. He is an experienced chamber musician, cello teacher, chamber music coach and adjudicator. Formerly the cellist of the Nevine Quartet, Robert has been a member of the Aroha Quartet since 2009. Rachel is a member of various chamber ensembles including the Koru Trio and has worked as an orchestral pianist with the NZSO, Orchestra Wellington, and the Christchurch Symphony Orchestra.
The programme, Cello Journey, undertakes a musical OE, travelling around the globe in a programme of music that explores different musical cultures, styles and periods.
Additional performances:
May 9th (Wellington)
May 15th (Waiheke Island)
May 16th (Warkworth)
May 20th (Lower Hutt)
May 23rd (Motueka)
May 25th (Rangiora)
May 27th (Arrowtown)
May 28th (Bannockburn)
May 30th (Kerikeri)
NZSO | Setting Up Camp – Town & Country (North Shore)
ConcertJames Judd | conductor
Lilburn | Drysdale Overture
Delius orch. Beecham | A Village Romeo and Juliet: The Walk to the Paradise Garden
Arnold | English Dances Set II
Maria Grenfell | Fanfare for a City
Copland | Our Town: Music from the Film Score
Bernstein | On The Town: Three Dance Episodes
The country and the city come together in this programme paying homage to two very different landscapes. Douglas Lilburn, the grandfather of New Zealand classical music, wrote his Drysdale Overture while still a young man studying at London’s Royal College of Music. The Overture nostalgically portrays the pastoral landscape of his family’s farm in the Turakina Valley.
English composer Frederick Delius’ Walk to the Paradise Garden, from his opera A Village Romeo and Juliet, is a dreamily romantic interlude, featuring the woodwind section at their most expressive. Malcolm Arnold’s English Dances, meanwhile, gathers the best of English country folk dances into a charming and colourful suite of toe-tapping tunes.
Then NZ composer Maria Grenfell sweeps us into the city with her jubilant Fanfare for a City, while Aaron Copland’s beautiful film score for Our Town is a nostalgic view of small town life in Grover’s Corner, New Hampshire. Leonard Bernstein’s Three Dance Episodes, from material composed for the musical On The Town, brings 1940s New York to life before your eyes, with its slinky jazz melodies, hopping bebop rhythms and irresistible swing.
Additional performances:
March 4th (Invercargill)
March 6th (Dunedin)
March 10th (Christchurch)
March 14th (Blenheim)
June 10th (Auckland)
June 11th (Kerikeri)
James Judd | conductor
Lilburn | Drysdale Overture
Delius orch. Beecham | A Village Romeo and Juliet: The Walk to the Paradise Garden
Arnold | English Dances Set II
Maria Grenfell | Fanfare for a City
Copland | Our Town: Music from the Film Score
Bernstein | On The Town: Three Dance Episodes
The country and the city come together in this programme paying homage to two very different landscapes. Douglas Lilburn, the grandfather of New Zealand classical music, wrote his Drysdale Overture while still a young man studying at London’s Royal College of Music. The Overture nostalgically portrays the pastoral landscape of his family’s farm in the Turakina Valley.
English composer Frederick Delius’ Walk to the Paradise Garden, from his opera A Village Romeo and Juliet, is a dreamily romantic interlude, featuring the woodwind section at their most expressive. Malcolm Arnold’s English Dances, meanwhile, gathers the best of English country folk dances into a charming and colourful suite of toe-tapping tunes.
Then NZ composer Maria Grenfell sweeps us into the city with her jubilant Fanfare for a City, while Aaron Copland’s beautiful film score for Our Town is a nostalgic view of small town life in Grover’s Corner, New Hampshire. Leonard Bernstein’s Three Dance Episodes, from material composed for the musical On The Town, brings 1940s New York to life before your eyes, with its slinky jazz melodies, hopping bebop rhythms and irresistible swing.
Additional performances:
March 4th (Invercargill)
March 6th (Dunedin)
March 10th (Christchurch)
March 14th (Blenheim)
June 10th (Auckland)
June 11th (Kerikeri)
James Judd | conductor
Lilburn | Drysdale Overture
Delius orch. Beecham | A Village Romeo and Juliet: The Walk to the Paradise Garden
Arnold | English Dances Set II
Maria Grenfell | Fanfare for a City
Copland | Our Town: Music from the Film Score
Bernstein | On The Town: Three Dance Episodes
The country and the city come together in this programme paying homage to two very different landscapes. Douglas Lilburn, the grandfather of New Zealand classical music, wrote his Drysdale Overture while still a young man studying at London’s Royal College of Music. The Overture nostalgically portrays the pastoral landscape of his family’s farm in the Turakina Valley.
English composer Frederick Delius’ Walk to the Paradise Garden, from his opera A Village Romeo and Juliet, is a dreamily romantic interlude, featuring the woodwind section at their most expressive. Malcolm Arnold’s English Dances, meanwhile, gathers the best of English country folk dances into a charming and colourful suite of toe-tapping tunes.
Then NZ composer Maria Grenfell sweeps us into the city with her jubilant Fanfare for a City, while Aaron Copland’s beautiful film score for Our Town is a nostalgic view of small town life in Grover’s Corner, New Hampshire. Leonard Bernstein’s Three Dance Episodes, from material composed for the musical On The Town, brings 1940s New York to life before your eyes, with its slinky jazz melodies, hopping bebop rhythms and irresistible swing.
Additional performances:
March 4th (Invercargill)
March 6th (Dunedin)
March 10th (Christchurch)
March 14th (Blenheim)
June 10th (Auckland)
June 11th (Kerikeri)
NZSO | Setting Up Camp – Town & Country (Auckland)
ConcertJames Judd | conductor
Lilburn | Drysdale Overture
Delius orch. Beecham | A Village Romeo and Juliet: The Walk to the Paradise Garden
Arnold | English Dances Set II
Maria Grenfell | Fanfare for a City
Copland | Our Town: Music from the Film Score
Bernstein | On The Town: Three Dance Episodes
The country and the city come together in this programme paying homage to two very different landscapes. Douglas Lilburn, the grandfather of New Zealand classical music, wrote his Drysdale Overture while still a young man studying at London’s Royal College of Music. The Overture nostalgically portrays the pastoral landscape of his family’s farm in the Turakina Valley.
English composer Frederick Delius’ Walk to the Paradise Garden, from his opera A Village Romeo and Juliet, is a dreamily romantic interlude, featuring the woodwind section at their most expressive. Malcolm Arnold’s English Dances, meanwhile, gathers the best of English country folk dances into a charming and colourful suite of toe-tapping tunes.
Then NZ composer Maria Grenfell sweeps us into the city with her jubilant Fanfare for a City, while Aaron Copland’s beautiful film score for Our Town is a nostalgic view of small town life in Grover’s Corner, New Hampshire. Leonard Bernstein’s Three Dance Episodes, from material composed for the musical On The Town, brings 1940s New York to life before your eyes, with its slinky jazz melodies, hopping bebop rhythms and irresistible swing.
Additional performances:
March 4th (Invercargill)
March 6th (Dunedin)
March 10th (Christchurch)
March 14th (Blenheim)
June 9th (North Shore)
June 11th (Kerikeri)
James Judd | conductor
Lilburn | Drysdale Overture
Delius orch. Beecham | A Village Romeo and Juliet: The Walk to the Paradise Garden
Arnold | English Dances Set II
Maria Grenfell | Fanfare for a City
Copland | Our Town: Music from the Film Score
Bernstein | On The Town: Three Dance Episodes
The country and the city come together in this programme paying homage to two very different landscapes. Douglas Lilburn, the grandfather of New Zealand classical music, wrote his Drysdale Overture while still a young man studying at London’s Royal College of Music. The Overture nostalgically portrays the pastoral landscape of his family’s farm in the Turakina Valley.
English composer Frederick Delius’ Walk to the Paradise Garden, from his opera A Village Romeo and Juliet, is a dreamily romantic interlude, featuring the woodwind section at their most expressive. Malcolm Arnold’s English Dances, meanwhile, gathers the best of English country folk dances into a charming and colourful suite of toe-tapping tunes.
Then NZ composer Maria Grenfell sweeps us into the city with her jubilant Fanfare for a City, while Aaron Copland’s beautiful film score for Our Town is a nostalgic view of small town life in Grover’s Corner, New Hampshire. Leonard Bernstein’s Three Dance Episodes, from material composed for the musical On The Town, brings 1940s New York to life before your eyes, with its slinky jazz melodies, hopping bebop rhythms and irresistible swing.
Additional performances:
March 4th (Invercargill)
March 6th (Dunedin)
March 10th (Christchurch)
March 14th (Blenheim)
June 9th (North Shore)
June 11th (Kerikeri)
James Judd | conductor
Lilburn | Drysdale Overture
Delius orch. Beecham | A Village Romeo and Juliet: The Walk to the Paradise Garden
Arnold | English Dances Set II
Maria Grenfell | Fanfare for a City
Copland | Our Town: Music from the Film Score
Bernstein | On The Town: Three Dance Episodes
The country and the city come together in this programme paying homage to two very different landscapes. Douglas Lilburn, the grandfather of New Zealand classical music, wrote his Drysdale Overture while still a young man studying at London’s Royal College of Music. The Overture nostalgically portrays the pastoral landscape of his family’s farm in the Turakina Valley.
English composer Frederick Delius’ Walk to the Paradise Garden, from his opera A Village Romeo and Juliet, is a dreamily romantic interlude, featuring the woodwind section at their most expressive. Malcolm Arnold’s English Dances, meanwhile, gathers the best of English country folk dances into a charming and colourful suite of toe-tapping tunes.
Then NZ composer Maria Grenfell sweeps us into the city with her jubilant Fanfare for a City, while Aaron Copland’s beautiful film score for Our Town is a nostalgic view of small town life in Grover’s Corner, New Hampshire. Leonard Bernstein’s Three Dance Episodes, from material composed for the musical On The Town, brings 1940s New York to life before your eyes, with its slinky jazz melodies, hopping bebop rhythms and irresistible swing.
Additional performances:
March 4th (Invercargill)
March 6th (Dunedin)
March 10th (Christchurch)
March 14th (Blenheim)
June 9th (North Shore)
June 11th (Kerikeri)
NZSO | Setting Up Camp – Town & Country (Kerikeri)
ConcertJames Judd | conductor
Lilburn | Drysdale Overture
Delius orch. Beecham | A Village Romeo and Juliet: The Walk to the Paradise Garden
Arnold | English Dances Set II
Maria Grenfell | Fanfare for a City
Copland | Our Town: Music from the Film Score
Bernstein | On The Town: Three Dance Episodes
The country and the city come together in this programme paying homage to two very different landscapes. Douglas Lilburn, the grandfather of New Zealand classical music, wrote his Drysdale Overture while still a young man studying at London’s Royal College of Music. The Overture nostalgically portrays the pastoral landscape of his family’s farm in the Turakina Valley.
English composer Frederick Delius’ Walk to the Paradise Garden, from his opera A Village Romeo and Juliet, is a dreamily romantic interlude, featuring the woodwind section at their most expressive. Malcolm Arnold’s English Dances, meanwhile, gathers the best of English country folk dances into a charming and colourful suite of toe-tapping tunes.
Then NZ composer Maria Grenfell sweeps us into the city with her jubilant Fanfare for a City, while Aaron Copland’s beautiful film score for Our Town is a nostalgic view of small town life in Grover’s Corner, New Hampshire. Leonard Bernstein’s Three Dance Episodes, from material composed for the musical On The Town, brings 1940s New York to life before your eyes, with its slinky jazz melodies, hopping bebop rhythms and irresistible swing.
Additional performances:
March 4th (Invercargill)
March 6th (Dunedin)
March 10th (Christchurch)
March 14th (Blenheim)
June 9th (North Shore)
June 10th (Auckland)
James Judd | conductor
Lilburn | Drysdale Overture
Delius orch. Beecham | A Village Romeo and Juliet: The Walk to the Paradise Garden
Arnold | English Dances Set II
Maria Grenfell | Fanfare for a City
Copland | Our Town: Music from the Film Score
Bernstein | On The Town: Three Dance Episodes
The country and the city come together in this programme paying homage to two very different landscapes. Douglas Lilburn, the grandfather of New Zealand classical music, wrote his Drysdale Overture while still a young man studying at London’s Royal College of Music. The Overture nostalgically portrays the pastoral landscape of his family’s farm in the Turakina Valley.
English composer Frederick Delius’ Walk to the Paradise Garden, from his opera A Village Romeo and Juliet, is a dreamily romantic interlude, featuring the woodwind section at their most expressive. Malcolm Arnold’s English Dances, meanwhile, gathers the best of English country folk dances into a charming and colourful suite of toe-tapping tunes.
Then NZ composer Maria Grenfell sweeps us into the city with her jubilant Fanfare for a City, while Aaron Copland’s beautiful film score for Our Town is a nostalgic view of small town life in Grover’s Corner, New Hampshire. Leonard Bernstein’s Three Dance Episodes, from material composed for the musical On The Town, brings 1940s New York to life before your eyes, with its slinky jazz melodies, hopping bebop rhythms and irresistible swing.
Additional performances:
March 4th (Invercargill)
March 6th (Dunedin)
March 10th (Christchurch)
March 14th (Blenheim)
June 9th (North Shore)
June 10th (Auckland)
James Judd | conductor
Lilburn | Drysdale Overture
Delius orch. Beecham | A Village Romeo and Juliet: The Walk to the Paradise Garden
Arnold | English Dances Set II
Maria Grenfell | Fanfare for a City
Copland | Our Town: Music from the Film Score
Bernstein | On The Town: Three Dance Episodes
The country and the city come together in this programme paying homage to two very different landscapes. Douglas Lilburn, the grandfather of New Zealand classical music, wrote his Drysdale Overture while still a young man studying at London’s Royal College of Music. The Overture nostalgically portrays the pastoral landscape of his family’s farm in the Turakina Valley.
English composer Frederick Delius’ Walk to the Paradise Garden, from his opera A Village Romeo and Juliet, is a dreamily romantic interlude, featuring the woodwind section at their most expressive. Malcolm Arnold’s English Dances, meanwhile, gathers the best of English country folk dances into a charming and colourful suite of toe-tapping tunes.
Then NZ composer Maria Grenfell sweeps us into the city with her jubilant Fanfare for a City, while Aaron Copland’s beautiful film score for Our Town is a nostalgic view of small town life in Grover’s Corner, New Hampshire. Leonard Bernstein’s Three Dance Episodes, from material composed for the musical On The Town, brings 1940s New York to life before your eyes, with its slinky jazz melodies, hopping bebop rhythms and irresistible swing.
Additional performances:
March 4th (Invercargill)
March 6th (Dunedin)
March 10th (Christchurch)
March 14th (Blenheim)
June 9th (North Shore)
June 10th (Auckland)
Mansfield – In Her Own Words
ConcertMansfield – In Her Own Words is a concert of selected poems by Katherine Mansfield, set to contemporary music composed by several of our leading songwriters and recording artists including Lawrence Arabia, Julia Deans, The Bats, Mel Parsons, and French for Rabbits.
Twelve tracks by 12 different composers with a multi-band format, on and off for a song each, linked by a curated selection of Katherine Mansfield's letters.
"Her letters show her deadly serious, warm and friendly, cynical and sarcastic, absurd and loving, morbid, though human in conforming to the recipient's wishes and expectations... one has to beware of the casual, jejune, utterances, which are merely thrown off...."
The companion album, Mansfield, is out now.
Additional performances:
Mansfield – In Her Own Words is a concert of selected poems by Katherine Mansfield, set to contemporary music composed by several of our leading songwriters and recording artists including Lawrence Arabia, Julia Deans, The Bats, Mel Parsons, and French for Rabbits.
Twelve tracks by 12 different composers with a multi-band format, on and off for a song each, linked by a curated selection of Katherine Mansfield's letters.
"Her letters show her deadly serious, warm and friendly, cynical and sarcastic, absurd and loving, morbid, though human in conforming to the recipient's wishes and expectations... one has to beware of the casual, jejune, utterances, which are merely thrown off...."
The companion album, Mansfield, is out now.
Additional performances:
Mansfield – In Her Own Words is a concert of selected poems by Katherine Mansfield, set to contemporary music composed by several of our leading songwriters and recording artists including Lawrence Arabia, Julia Deans, The Bats, Mel Parsons, and French for Rabbits.
Twelve tracks by 12 different composers with a multi-band format, on and off for a song each, linked by a curated selection of Katherine Mansfield's letters.
"Her letters show her deadly serious, warm and friendly, cynical and sarcastic, absurd and loving, morbid, though human in conforming to the recipient's wishes and expectations... one has to beware of the casual, jejune, utterances, which are merely thrown off...."
The companion album, Mansfield, is out now.
Additional performances:
Chamber Music NZ | Quartet for the End of Time (Dunedin)
ConcertJonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Chamber Music NZ | Jade String Quartet (Warkworth)
ConcertMiranda Adams | violin
William Hanfling | violin
Robert Ashworth | viola
Ethel Salzmann | cello
Programme:
Haydn | Seven Last Words (selections)
David Hamilton | new commission
Chris Adams | Proclamations, Canons and Dances
Piazzolla | Four to Tango
Schubert | Death and the Maiden
Playing an eclectic mix of music for string quartet ranging from Vivaldi to Hendrix, the Jade String Quartet have won a special place in Aotearoa’s music scene. Founded in 2003, the Quartet has recorded a CD of New Zealand works (Parlour Games, 2017, RATTLE), toured twice with Arts on Tour (AOTNZ, 2007 & 2009) and once before with Chamber Music New Zealand in 2015. They also established their own concert series titled Jade at The Pah which ran for five years from 2012–2017.
Additional performances:
June 20th (Waikanae)
June 26th (Auckland)
June 27th (Wellington)
Miranda Adams | violin
William Hanfling | violin
Robert Ashworth | viola
Ethel Salzmann | cello
Programme:
Haydn | Seven Last Words (selections)
David Hamilton | new commission
Chris Adams | Proclamations, Canons and Dances
Piazzolla | Four to Tango
Schubert | Death and the Maiden
Playing an eclectic mix of music for string quartet ranging from Vivaldi to Hendrix, the Jade String Quartet have won a special place in Aotearoa’s music scene. Founded in 2003, the Quartet has recorded a CD of New Zealand works (Parlour Games, 2017, RATTLE), toured twice with Arts on Tour (AOTNZ, 2007 & 2009) and once before with Chamber Music New Zealand in 2015. They also established their own concert series titled Jade at The Pah which ran for five years from 2012–2017.
Additional performances:
June 20th (Waikanae)
June 26th (Auckland)
June 27th (Wellington)
Miranda Adams | violin
William Hanfling | violin
Robert Ashworth | viola
Ethel Salzmann | cello
Programme:
Haydn | Seven Last Words (selections)
David Hamilton | new commission
Chris Adams | Proclamations, Canons and Dances
Piazzolla | Four to Tango
Schubert | Death and the Maiden
Playing an eclectic mix of music for string quartet ranging from Vivaldi to Hendrix, the Jade String Quartet have won a special place in Aotearoa’s music scene. Founded in 2003, the Quartet has recorded a CD of New Zealand works (Parlour Games, 2017, RATTLE), toured twice with Arts on Tour (AOTNZ, 2007 & 2009) and once before with Chamber Music New Zealand in 2015. They also established their own concert series titled Jade at The Pah which ran for five years from 2012–2017.
Additional performances:
June 20th (Waikanae)
June 26th (Auckland)
June 27th (Wellington)
Call of the Ocean | SOUNZ Community Commission Premiere
ConcertAs recipients of the 2020-2021 SOUNZ Community Commission, composer Jessie Leov and Nelson Bays Harmony Chorus have joined forces to create an original a cappella piece for women's voices. Six months down the line, what has resulted from this exciting collaboration is a new choral work that will take you on a voyage through sound and rhythm.
Join us at the internationally renowned and historical auditorium Nelson Centre of Musical Arts (formally the Nelson School of Music) for this special premiere event.
Also on the programme will be appearances by special guest artists from around the Nelson region. This event is not to be missed!
Save the date and keep an eye on our Facebook page and website for updates on ticket release dates: www.nelsonharmony.org.nz
To learn more about the SOUNZ Community Commission, visit the SOUNZ Centre for New Zealand Music website: https://sounz.org.nz/.../award.../sounz-community-commission
Ticket price $25 adults, $20 seniors/students plus booking fees
As recipients of the 2020-2021 SOUNZ Community Commission, composer Jessie Leov and Nelson Bays Harmony Chorus have joined forces to create an original a cappella piece for women's voices. Six months down the line, what has resulted from this exciting collaboration is a new choral work that will take you on a voyage through sound and rhythm.
Join us at the internationally renowned and historical auditorium Nelson Centre of Musical Arts (formally the Nelson School of Music) for this special premiere event.
Also on the programme will be appearances by special guest artists from around the Nelson region. This event is not to be missed!
Save the date and keep an eye on our Facebook page and website for updates on ticket release dates: www.nelsonharmony.org.nz
To learn more about the SOUNZ Community Commission, visit the SOUNZ Centre for New Zealand Music website: https://sounz.org.nz/.../award.../sounz-community-commission
Ticket price $25 adults, $20 seniors/students plus booking fees
As recipients of the 2020-2021 SOUNZ Community Commission, composer Jessie Leov and Nelson Bays Harmony Chorus have joined forces to create an original a cappella piece for women's voices. Six months down the line, what has resulted from this exciting collaboration is a new choral work that will take you on a voyage through sound and rhythm.
Join us at the internationally renowned and historical auditorium Nelson Centre of Musical Arts (formally the Nelson School of Music) for this special premiere event.
Also on the programme will be appearances by special guest artists from around the Nelson region. This event is not to be missed!
Save the date and keep an eye on our Facebook page and website for updates on ticket release dates: www.nelsonharmony.org.nz
To learn more about the SOUNZ Community Commission, visit the SOUNZ Centre for New Zealand Music website: https://sounz.org.nz/.../award.../sounz-community-commission
Ticket price $25 adults, $20 seniors/students plus booking fees
Chamber Music NZ | Quartet for the End of Time (Invercargill)
ConcertJonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Chamber Music NZ | Jade String Quartet (Waikanae)
ConcertMiranda Adams | violin
William Hanfling | violin
Robert Ashworth | viola
Ethel Salzmann | cello
Programme:
Haydn | Seven Last Words (selections)
David Hamilton | new commission
Chris Adams | Proclamations, Canons and Dances
Piazzolla | Four to Tango
Schubert | Death and the Maiden
Playing an eclectic mix of music for string quartet ranging from Vivaldi to Hendrix, the Jade String Quartet have won a special place in Aotearoa’s music scene. Founded in 2003, the Quartet has recorded a CD of New Zealand works (Parlour Games, 2017, RATTLE), toured twice with Arts on Tour (AOTNZ, 2007 & 2009) and once before with Chamber Music New Zealand in 2015. They also established their own concert series titled Jade at The Pah which ran for five years from 2012–2017.
Additional performances:
June 19th (Warkworth)
June 26th (Auckland)
June 27th (Wellington)
Miranda Adams | violin
William Hanfling | violin
Robert Ashworth | viola
Ethel Salzmann | cello
Programme:
Haydn | Seven Last Words (selections)
David Hamilton | new commission
Chris Adams | Proclamations, Canons and Dances
Piazzolla | Four to Tango
Schubert | Death and the Maiden
Playing an eclectic mix of music for string quartet ranging from Vivaldi to Hendrix, the Jade String Quartet have won a special place in Aotearoa’s music scene. Founded in 2003, the Quartet has recorded a CD of New Zealand works (Parlour Games, 2017, RATTLE), toured twice with Arts on Tour (AOTNZ, 2007 & 2009) and once before with Chamber Music New Zealand in 2015. They also established their own concert series titled Jade at The Pah which ran for five years from 2012–2017.
Additional performances:
June 19th (Warkworth)
June 26th (Auckland)
June 27th (Wellington)
Miranda Adams | violin
William Hanfling | violin
Robert Ashworth | viola
Ethel Salzmann | cello
Programme:
Haydn | Seven Last Words (selections)
David Hamilton | new commission
Chris Adams | Proclamations, Canons and Dances
Piazzolla | Four to Tango
Schubert | Death and the Maiden
Playing an eclectic mix of music for string quartet ranging from Vivaldi to Hendrix, the Jade String Quartet have won a special place in Aotearoa’s music scene. Founded in 2003, the Quartet has recorded a CD of New Zealand works (Parlour Games, 2017, RATTLE), toured twice with Arts on Tour (AOTNZ, 2007 & 2009) and once before with Chamber Music New Zealand in 2015. They also established their own concert series titled Jade at The Pah which ran for five years from 2012–2017.
Additional performances:
June 19th (Warkworth)
June 26th (Auckland)
June 27th (Wellington)
Mansfield – In Her Own Words
ConcertMansfield – In Her Own Words is a concert of selected poems by Katherine Mansfield, set to contemporary music composed by several of our leading songwriters and recording artists including Lawrence Arabia, Julia Deans, The Bats, Mel Parsons, and French for Rabbits.
Twelve tracks by 12 different composers with a multi-band format, on and off for a song each, linked by a curated selection of Katherine Mansfield's letters.
"Her letters show her deadly serious, warm and friendly, cynical and sarcastic, absurd and loving, morbid, though human in conforming to the recipient's wishes and expectations... one has to beware of the casual, jejune, utterances, which are merely thrown off...."
The companion album, Mansfield, is out now.
Additional performances:
Mansfield – In Her Own Words is a concert of selected poems by Katherine Mansfield, set to contemporary music composed by several of our leading songwriters and recording artists including Lawrence Arabia, Julia Deans, The Bats, Mel Parsons, and French for Rabbits.
Twelve tracks by 12 different composers with a multi-band format, on and off for a song each, linked by a curated selection of Katherine Mansfield's letters.
"Her letters show her deadly serious, warm and friendly, cynical and sarcastic, absurd and loving, morbid, though human in conforming to the recipient's wishes and expectations... one has to beware of the casual, jejune, utterances, which are merely thrown off...."
The companion album, Mansfield, is out now.
Additional performances:
Mansfield – In Her Own Words is a concert of selected poems by Katherine Mansfield, set to contemporary music composed by several of our leading songwriters and recording artists including Lawrence Arabia, Julia Deans, The Bats, Mel Parsons, and French for Rabbits.
Twelve tracks by 12 different composers with a multi-band format, on and off for a song each, linked by a curated selection of Katherine Mansfield's letters.
"Her letters show her deadly serious, warm and friendly, cynical and sarcastic, absurd and loving, morbid, though human in conforming to the recipient's wishes and expectations... one has to beware of the casual, jejune, utterances, which are merely thrown off...."
The companion album, Mansfield, is out now.
Additional performances:
Chamber Music NZ | Quartet for the End of Time (Christchurch)
ConcertJonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Chamber Music NZ | Quartet for the End of Time (Nelson)
ConcertJonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Chamber Music NZ | Quartet for the End of Time (Wellington)
ConcertJonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Chamber Music NZ | Quartet for the End of Time (Palmerston North)
ConcertJonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Chamber Music NZ | Jade String Quartet (Auckland)
ConcertMiranda Adams | violin
William Hanfling | violin
Robert Ashworth | viola
Ethel Salzmann | cello
Programme:
Haydn | Seven Last Words (selections)
David Hamilton | new commission
Chris Adams | Proclamations, Canons and Dances
Piazzolla | Four to Tango
Schubert | Death and the Maiden
Playing an eclectic mix of music for string quartet ranging from Vivaldi to Hendrix, the Jade String Quartet have won a special place in Aotearoa’s music scene. Founded in 2003, the Quartet has recorded a CD of New Zealand works (Parlour Games, 2017, RATTLE), toured twice with Arts on Tour (AOTNZ, 2007 & 2009) and once before with Chamber Music New Zealand in 2015. They also established their own concert series titled Jade at The Pah which ran for five years from 2012–2017.
Additional performances:
June 19th (Warkworth)
June 20th (Waikanae)
June 27th (Wellington)
Miranda Adams | violin
William Hanfling | violin
Robert Ashworth | viola
Ethel Salzmann | cello
Programme:
Haydn | Seven Last Words (selections)
David Hamilton | new commission
Chris Adams | Proclamations, Canons and Dances
Piazzolla | Four to Tango
Schubert | Death and the Maiden
Playing an eclectic mix of music for string quartet ranging from Vivaldi to Hendrix, the Jade String Quartet have won a special place in Aotearoa’s music scene. Founded in 2003, the Quartet has recorded a CD of New Zealand works (Parlour Games, 2017, RATTLE), toured twice with Arts on Tour (AOTNZ, 2007 & 2009) and once before with Chamber Music New Zealand in 2015. They also established their own concert series titled Jade at The Pah which ran for five years from 2012–2017.
Additional performances:
June 19th (Warkworth)
June 20th (Waikanae)
June 27th (Wellington)
Miranda Adams | violin
William Hanfling | violin
Robert Ashworth | viola
Ethel Salzmann | cello
Programme:
Haydn | Seven Last Words (selections)
David Hamilton | new commission
Chris Adams | Proclamations, Canons and Dances
Piazzolla | Four to Tango
Schubert | Death and the Maiden
Playing an eclectic mix of music for string quartet ranging from Vivaldi to Hendrix, the Jade String Quartet have won a special place in Aotearoa’s music scene. Founded in 2003, the Quartet has recorded a CD of New Zealand works (Parlour Games, 2017, RATTLE), toured twice with Arts on Tour (AOTNZ, 2007 & 2009) and once before with Chamber Music New Zealand in 2015. They also established their own concert series titled Jade at The Pah which ran for five years from 2012–2017.
Additional performances:
June 19th (Warkworth)
June 20th (Waikanae)
June 27th (Wellington)
Chamber Music NZ | Quartet for the End of Time (New Plymouth)
ConcertJonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 27th (Hamilton)
June 29th (Napier)
June 30th (Auckland)
Chamber Music NZ | Jade String Quartet (Wellington)
ConcertMiranda Adams | violin
William Hanfling | violin
Robert Ashworth | viola
Ethel Salzmann | cello
Programme:
Haydn | Seven Last Words (selections)
David Hamilton | new commission
Chris Adams | Proclamations, Canons and Dances
Piazzolla | Four to Tango
Schubert | Death and the Maiden
Playing an eclectic mix of music for string quartet ranging from Vivaldi to Hendrix, the Jade String Quartet have won a special place in Aotearoa’s music scene. Founded in 2003, the Quartet has recorded a CD of New Zealand works (Parlour Games, 2017, RATTLE), toured twice with Arts on Tour (AOTNZ, 2007 & 2009) and once before with Chamber Music New Zealand in 2015. They also established their own concert series titled Jade at The Pah which ran for five years from 2012–2017.
Additional performances:
June 19th (Warkworth)
June 20th (Waikanae)
June 26th (Auckland)
Miranda Adams | violin
William Hanfling | violin
Robert Ashworth | viola
Ethel Salzmann | cello
Programme:
Haydn | Seven Last Words (selections)
David Hamilton | new commission
Chris Adams | Proclamations, Canons and Dances
Piazzolla | Four to Tango
Schubert | Death and the Maiden
Playing an eclectic mix of music for string quartet ranging from Vivaldi to Hendrix, the Jade String Quartet have won a special place in Aotearoa’s music scene. Founded in 2003, the Quartet has recorded a CD of New Zealand works (Parlour Games, 2017, RATTLE), toured twice with Arts on Tour (AOTNZ, 2007 & 2009) and once before with Chamber Music New Zealand in 2015. They also established their own concert series titled Jade at The Pah which ran for five years from 2012–2017.
Additional performances:
June 19th (Warkworth)
June 20th (Waikanae)
June 26th (Auckland)
Miranda Adams | violin
William Hanfling | violin
Robert Ashworth | viola
Ethel Salzmann | cello
Programme:
Haydn | Seven Last Words (selections)
David Hamilton | new commission
Chris Adams | Proclamations, Canons and Dances
Piazzolla | Four to Tango
Schubert | Death and the Maiden
Playing an eclectic mix of music for string quartet ranging from Vivaldi to Hendrix, the Jade String Quartet have won a special place in Aotearoa’s music scene. Founded in 2003, the Quartet has recorded a CD of New Zealand works (Parlour Games, 2017, RATTLE), toured twice with Arts on Tour (AOTNZ, 2007 & 2009) and once before with Chamber Music New Zealand in 2015. They also established their own concert series titled Jade at The Pah which ran for five years from 2012–2017.
Additional performances:
June 19th (Warkworth)
June 20th (Waikanae)
June 26th (Auckland)
Chamber Music NZ | Quartet for the End of Time (Hamilton)
ConcertJonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 29th (Napier)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 29th (Napier)
June 30th (Auckland)
Chamber Music NZ | Quartet for the End of Time (Napier)
ConcertJonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 30th (Auckland)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 30th (Auckland)
Chamber Music NZ | Quartet for the End of Time (Auckland)
ConcertJonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
Jonathan Cohen | clarinet
Amalia Hall | violin
Ashley Brown | cello
Somi Kim | piano
Programme:
Beethoven | Piano Trio No. 4 in B flat major, op 11 “Gassenhauer Trio”
Ross Harris | There may be light
Messiaen | Quartet for the End of Time (Quatuor pour la fin du temps)
Art triumphs over adversity in the dark night of the soul. Clarinettist Jonathan Cohen joins the celebrated NZTrio for a meditative journey through one of Messiaen’s earliest masterworks.
Composed and premiered whilst Messiaen was interned at a prisoner of war camp during WWII, this evocative work transcends time and space, and is filled with the jubilant song of birds flying free from captivity.
Additional performances:
June 18th (Dunedin)
June 19th (Invercargill)
June 21st (Christchurch)
June 22nd (Nelson)
June 23rd (Wellington)
June 24th (Palmerston North)
June 26th (New Plymouth)
June 27th (Hamilton)
June 29th (Napier)
Chamber Music NZ | Liam Wooding (Gisborne)
ConcertLiam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Chamber Music NZ | Liam Wooding (Bannockburn)
ConcertLiam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Chamber Music NZ | Liam Wooding (Warkworth)
ConcertLiam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Chamber Music NZ | Liam Wooding (Rotorua)
ConcertLiam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Chamber Music NZ | Liam Wooding (Kerikeri)
ConcertLiam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Chamber Music NZ | Liam Wooding (Taihape)
ConcertLiam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Chamber Music NZ | Liam Wooding (Whanganui)
ConcertLiam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 25th (Wellington)
July 27th (Lower Hutt)
September 10th (Motueka)
Chamber Music NZ | Liam Wooding (Wellington)
ConcertLiam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 27th (Lower Hutt)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 27th (Lower Hutt)
September 10th (Motueka)
Chamber Music NZ | Liam Wooding (Lower Hutt)
ConcertLiam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
September 10th (Motueka)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
September 10th (Motueka)
Chamber Music NZ | Fantasy & Romance (Napier)
ConcertMelanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Chamber Music NZ | Fantasy & Romance (Hamilton)
ConcertMelanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Chamber Music NZ | Les Voisins (Wanaka)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Chamber Music NZ | Fantasy & Romance (Auckland)
ConcertMelanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Chamber Music NZ | Les Voisins (Arrowtown)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Chamber Music NZ | Les Voisins (Bannockburn)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Chamber Music NZ | Les Voisins (Gisborne)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Chamber Music NZ | Les Voisins (Wakatāne)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Chamber Music NZ | Les Voisins (Rangiora)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Chamber Music NZ | Les Voisins (Christchurch)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Chamber Music NZ | Les Voisins (Warkworth)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Chamber Music NZ | Les Voisins (Wellington)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Chamber Music NZ | Les Voisins (Upper Hutt)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 19th (Motueka)
August 21st (Kerikeri)
August 22nd (Whangārei)
Chamber Music NZ | Fantasy & Romance (Nelson)
ConcertMelanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Chamber Music NZ | Fantasy & Romance (Christchurch)
ConcertMelanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Chamber Music NZ | Les Voisins (Motueka)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 21st (Kerikeri)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 21st (Kerikeri)
August 22nd (Whangārei)
Chamber Music NZ | Fantasy & Romance (Dunedin)
ConcertMelanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Chamber Music NZ | Les Voisins (Kerikeri)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 22nd (Whangārei)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 22nd (Whangārei)
Chamber Music NZ | Les Voisins (Whangārei)
ConcertJustine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
Justine Cormack | violin
James Bush | cello
Simon Martyn-Ellis | theorbo & guitars
Programme:
Robert de Visée | Chaconne in G Major (Solo Theorbo)
Jean Marie Leclair | Sonata for Violin and Continuo, Op. 2, No. 1 in E minor
Robert de Visée | Prelude/Les Silvains des Mr. Couperin (Solo Theorbo)
Marin Marais | Sonnerie de Ste. Geneviève du Mont-de-Paris
Alex Taylor | Ordre (new commission for Violin, Cello and Theorbo)
Maurice Ravel | Sonata for Violin and Cello
Allégro, Très vif, Lent, Vif
Tribute to Django Reinhardt, Stéphane Grappelli and the Hot Club de France
Django Reinhardt | Nuages, Sweet Georgia Brown, Minor Swing, Daphne
A classical trio of violin, cello and theorbo/guitars, traversing the music of France. From the tender kernel of the French Baroque, through the vibrant colours of impressionism, and into the swinging jazz Hot Club de France — with a New Zealand composer’s own response — the music of France throughout the centuries has always been an emotional language of tenderness, colour and verve.
Les Voisins (translated, Neighbours) is a coming together of worlds, neighbours and friends. Violinist Justine Cormack and cellist James Bush grew up next door to each other in Christchurch and have remained close friends throughout their diverse careers: Justine nurturing and promoting the best of New Zealand music through her performances with NZTrio; James pursuing the freedom and energy of baroque performance practice with many of Europe’s top baroque groups. While performing, James met the Australian lutenist and guitarist Simon Martyn-Ellis—a sought-after theorbist who exudes musicality, warmth and positivity.
This journey begins with theorbo alone on stage. The music then unfolds as the violin and cello join to explore layers of the rich and intensely emotional world of the French baroque. This world will be New Zealand composer Alex Taylor’s source of inspiration for a new work—no doubt adding a fresh and quirky perspective.
Maurice Ravel’s unique voice is gloriously expressed in his Sonata for Violin and Cello, opening the door into the colour and vitality of French impressionism. This leads effortlessly to the Hot Club de France, offering a tribute to the irresistible swing of guitarist Django Reinhardt and the grandfather of jazz violin, Stephane Grappelli.
Additional performances:
August 2nd (Wanaka)
August 4th (Arrowtown)
August 5th (Bannockburn)
August 7th (Gisborne)
August 8th (Whakatāne)
August 11th (Rangiora)
August 12th (Christchurch)
August 14th (Warkworth)
August 15th (Wellington)
August 16th (Upper Hutt)
August 19th (Motueka)
August 21st (Kerikeri)
Chamber Music NZ | Fantasy & Romance (Invercargill)
ConcertMelanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 24th (Wellington)
August 25th (Palmerston North)
August 27th (New Plymouth)
Chamber Music NZ | Fantasy & Romance (Wellington)
ConcertMelanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 25th (Palmerston North)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 25th (Palmerston North)
August 27th (New Plymouth)
Chamber Music NZ | Fantasy & Romance (Palmerston North)
ConcertMelanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 27th (New Plymouth)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 27th (New Plymouth)
Chamber Music NZ | Fantasy & Romance (New Plymouth)
ConcertMelanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
Melanie Lançon | flute
Bede Hanley | oboe
Stephen De Pledge | piano
Programme:
Gaubert
Tarentelle
Schumann
Three Romances, op 94
Clara Wieck-Schumann
Liebst du um Schönheit
Sie liebten sich beide
Liebeszauber
Schumann
Abegg Variations, op 1
Glen Downie
new work (world premiere)
Fauré
Après un rêve
Mandoline
Fantasie, op 79
Nocturne No. 4 in E flat major, op 36
Dring
Trio for Flute, Oboe and Piano
Be transported to other worlds with the sublime marriage of flute, oboe and piano.
Breathing new life into some of Schumann and Fauré’s most beloved romantic works for chamber ensemble, Melanie Lançon and Bede Hanley partner with the inimitable Stephen De Pledge to whisk you away on flights of freedom, fantasy and romance.
Additional performances:
August 1st (Napier)
August 2nd (Hamilton)
August 3rd (Auckland)
August 18th (Nelson)
August 19th (Christchurch)
August 20th (Dunedin)
August 22nd (Invercargill)
August 24th (Wellington)
August 25th (Palmerston North)
Chamber Music NZ | Liam Wooding (Motueka)
ConcertLiam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
Liam Wooding | piano
Programme:
Douglas Lilburn | Sonata (1939)
Stuart Greenbaum | Remote Connection
Ludwig van Beethoven | Moonlight Sonata
Duke Ellington | Reflections
Claude Debussy | Images (book 1)
John Adams | Phrygian Gates
Originally from Whanganui, Liam Wooding is one of Aotearoa’s leading emerging pianists. Performing and commissioning New Zealand music is central to his musical practice.
As a chamber musician, he has participated in courses and residencies at the Banff Centre for Arts and Creativity (Canada), Skidmore College (USA), and Four Winds (Australia). In 2018 he was the recipient of the Pettman/ROSL Chamber Music Scholarship which will enable him to study and perform in the United Kingdom for one month with The Morton Trio. As part of the Morton Trio, he toured with CMNZ in 2019.
Liam was a prize winner in the National Concerto Competition where he performed with the Christchurch Symphony Orchestra, and he has also featured as a soloist with the Auckland Chamber Orchestra and the Auckland Philharmonia Orchestra.
A graduate of the Australian National Academy of Music (ANAM), he is currently a doctoral candidate at the University of Waikato where he researches New Zealand piano music.
Additional performances:
July 4th (Gisborne)
July 6th (Bannockburn)
July 10th (Warkworth)
July 13th (Rotorua)
July 17th (Kerikeri)
July 21st (Taihape)
July 22nd (Whanganui)
July 25th (Wellington)
July 27th (Lower Hutt)
Chamber Music NZ | The Noveltones (Whangārei)
ConcertJasmine Lovell-Smith | soprano saxophone
Blair Latham | bass clarinet
Tristan Carter | violin
Tom Callwood | double bass
Programme:
A minute set of music composed by the members of the group.
The Noveltones are an improvising chamber jazz quartet based in Wellington, featuring the unexpected instrumentation of violin, soprano saxophone, bass clarinet and double bass.
With a sound that is melodious, beguiling and sometimes startling, the Noveltones fuse spontaneous improvisation with the lush sonorities of chamber music. The balance of carefully designed sonic architecture and free-form textural explorations combining the individual strengths of these members of Wellington’s jazz, composition, experimental and world music scenes.
Additional performances:
September 25th (Te Awamutu)
October 4th (Bannockburn)
Jasmine Lovell-Smith | soprano saxophone
Blair Latham | bass clarinet
Tristan Carter | violin
Tom Callwood | double bass
Programme:
A minute set of music composed by the members of the group.
The Noveltones are an improvising chamber jazz quartet based in Wellington, featuring the unexpected instrumentation of violin, soprano saxophone, bass clarinet and double bass.
With a sound that is melodious, beguiling and sometimes startling, the Noveltones fuse spontaneous improvisation with the lush sonorities of chamber music. The balance of carefully designed sonic architecture and free-form textural explorations combining the individual strengths of these members of Wellington’s jazz, composition, experimental and world music scenes.
Additional performances:
September 25th (Te Awamutu)
October 4th (Bannockburn)
Jasmine Lovell-Smith | soprano saxophone
Blair Latham | bass clarinet
Tristan Carter | violin
Tom Callwood | double bass
Programme:
A minute set of music composed by the members of the group.
The Noveltones are an improvising chamber jazz quartet based in Wellington, featuring the unexpected instrumentation of violin, soprano saxophone, bass clarinet and double bass.
With a sound that is melodious, beguiling and sometimes startling, the Noveltones fuse spontaneous improvisation with the lush sonorities of chamber music. The balance of carefully designed sonic architecture and free-form textural explorations combining the individual strengths of these members of Wellington’s jazz, composition, experimental and world music scenes.
Additional performances:
September 25th (Te Awamutu)
October 4th (Bannockburn)
Chamber Music NZ | The Noveltones (Te Awamutu)
ConcertJasmine Lovell-Smith | soprano saxophone
Blair Latham | bass clarinet
Tristan Carter | violin
Tom Callwood | double bass
Programme:
A minute set of music composed by the members of the group.
The Noveltones are an improvising chamber jazz quartet based in Wellington, featuring the unexpected instrumentation of violin, soprano saxophone, bass clarinet and double bass.
With a sound that is melodious, beguiling and sometimes startling, the Noveltones fuse spontaneous improvisation with the lush sonorities of chamber music. The balance of carefully designed sonic architecture and free-form textural explorations combining the individual strengths of these members of Wellington’s jazz, composition, experimental and world music scenes.
Additional performances:
September 24th (Whangārei)
October 4th (Bannockburn)
Jasmine Lovell-Smith | soprano saxophone
Blair Latham | bass clarinet
Tristan Carter | violin
Tom Callwood | double bass
Programme:
A minute set of music composed by the members of the group.
The Noveltones are an improvising chamber jazz quartet based in Wellington, featuring the unexpected instrumentation of violin, soprano saxophone, bass clarinet and double bass.
With a sound that is melodious, beguiling and sometimes startling, the Noveltones fuse spontaneous improvisation with the lush sonorities of chamber music. The balance of carefully designed sonic architecture and free-form textural explorations combining the individual strengths of these members of Wellington’s jazz, composition, experimental and world music scenes.
Additional performances:
September 24th (Whangārei)
October 4th (Bannockburn)
Jasmine Lovell-Smith | soprano saxophone
Blair Latham | bass clarinet
Tristan Carter | violin
Tom Callwood | double bass
Programme:
A minute set of music composed by the members of the group.
The Noveltones are an improvising chamber jazz quartet based in Wellington, featuring the unexpected instrumentation of violin, soprano saxophone, bass clarinet and double bass.
With a sound that is melodious, beguiling and sometimes startling, the Noveltones fuse spontaneous improvisation with the lush sonorities of chamber music. The balance of carefully designed sonic architecture and free-form textural explorations combining the individual strengths of these members of Wellington’s jazz, composition, experimental and world music scenes.
Additional performances:
September 24th (Whangārei)
October 4th (Bannockburn)
Chamber Music NZ | Ghost Trio (Rotorua)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Chamber Music NZ | The Noveltones (Bannockburn)
ConcertJasmine Lovell-Smith | soprano saxophone
Blair Latham | bass clarinet
Tristan Carter | violin
Tom Callwood | double bass
Programme:
A minute set of music composed by the members of the group.
The Noveltones are an improvising chamber jazz quartet based in Wellington, featuring the unexpected instrumentation of violin, soprano saxophone, bass clarinet and double bass.
With a sound that is melodious, beguiling and sometimes startling, the Noveltones fuse spontaneous improvisation with the lush sonorities of chamber music. The balance of carefully designed sonic architecture and free-form textural explorations combining the individual strengths of these members of Wellington’s jazz, composition, experimental and world music scenes.
Additional performances:
September 24th (Whangārei)
September 25th (Te Awamutu)
Jasmine Lovell-Smith | soprano saxophone
Blair Latham | bass clarinet
Tristan Carter | violin
Tom Callwood | double bass
Programme:
A minute set of music composed by the members of the group.
The Noveltones are an improvising chamber jazz quartet based in Wellington, featuring the unexpected instrumentation of violin, soprano saxophone, bass clarinet and double bass.
With a sound that is melodious, beguiling and sometimes startling, the Noveltones fuse spontaneous improvisation with the lush sonorities of chamber music. The balance of carefully designed sonic architecture and free-form textural explorations combining the individual strengths of these members of Wellington’s jazz, composition, experimental and world music scenes.
Additional performances:
September 24th (Whangārei)
September 25th (Te Awamutu)
Jasmine Lovell-Smith | soprano saxophone
Blair Latham | bass clarinet
Tristan Carter | violin
Tom Callwood | double bass
Programme:
A minute set of music composed by the members of the group.
The Noveltones are an improvising chamber jazz quartet based in Wellington, featuring the unexpected instrumentation of violin, soprano saxophone, bass clarinet and double bass.
With a sound that is melodious, beguiling and sometimes startling, the Noveltones fuse spontaneous improvisation with the lush sonorities of chamber music. The balance of carefully designed sonic architecture and free-form textural explorations combining the individual strengths of these members of Wellington’s jazz, composition, experimental and world music scenes.
Additional performances:
September 24th (Whangārei)
September 25th (Te Awamutu)
Chamber Music NZ | Ghost Trio (Bannockburn)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Chamber Music NZ | Ghost Trio (Wanaka)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Chamber Music NZ | Ghost Trio (Kerikeri)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Chamber Music NZ | Ghost Trio (Lower Hutt)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 15th (Whanganui)
October 17th (Warkworth)
Chamber Music NZ | Silver. Stone. Wood. Bone. (New Plymouth)
ConcertBridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Chamber Music NZ | Ghost Trio (Whanganui)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 17th (Warkworth)
Chamber Music NZ | Ghost Trio (Warkworth)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
Chamber Music NZ | Silver. Stone. Wood. Bone. (Nelson)
ConcertBridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Chamber Music NZ | Silver. Stone. Wood. Bone. (Napier)
ConcertBridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Chamber Music NZ | Silver. Stone. Wood. Bone. (Christchurch)
ConcertBridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 5th (Wellington)
November 13th (Auckland)
Chamber Music NZ | Silver. Stone. Wood. Bone. (Wellington)
ConcertBridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 13th (Auckland)
NZTrio | Dramatic Skies: Cirrus (Auckland South)
ConcertAdditional performances:
December 15th (Auckland Town Hall)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
Additional performances:
December 15th (Auckland Town Hall)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
Additional performances:
December 15th (Auckland Town Hall)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
Chamber Music NZ | Silver. Stone. Wood. Bone. (Auckland)
ConcertBridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
NZTrio | Dramatic Skies: Cirrus (Auckland Town Hall)
ConcertAdditional performances:
November 6th (Nathan Homestead, Auckland)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
Additional performances:
November 6th (Nathan Homestead, Auckland)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
Additional performances:
November 6th (Nathan Homestead, Auckland)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
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