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A Village Wedding

for string orchestra

Year:  2003   ·  Duration:  14m 5s

Year:  2003
Duration:  14m 5s

Thomas Goss

Composer:   Thomas Goss

Films, Audio & Samples

Sample Audio

Sample: 0'27" - 1'52" from 'Overture'

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Sample Score

Sample: Page 1 - 3, 18 - 19, 21, 24 - 25

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A Village Wedding combines two different conceptual approaches; that of the program piece wherein images or activity is described by music; and that of the concerto grosso, a Baroque form which both collectively and individually showcases the players of an ensemble. In the latter case, the piece would seem to fulfill many if not all of the 18th-century requirements. After an overture, movements based on dance rhythms ensue, including the Pavane, March, Gigue, and Rigadoon. Yet the material is cast in a mold that is necessarily programmatic. The Overture, with its opening solemnity, birdsong trills, and developing energy, is intended to describe the bright Sunday morning of a country village, along with the excitement and bustle of wedding preparations. The Meditation's searching cadenza and pensive sweetness exhorts the attendants to send out their blessings to the bride and groom, while the Processional calls the wedding party to the altar. The Dance at the end paints a fiddler's paradise of flying knees and elbows to jigs and reels as the whole village joins in the revelry.

The piece is dedicated to the composer's fiancée Erica, and acknowledges with gratitude and appreciation the dedication and excellence of the members of the YPCO.

Commissioned note

Commissioned by Santa Rosa Symphony Young People’s Chamber Orchestra

Difficulty note

appropriate for a wedding ceremony

Dedication note

for Erica Challis

Contents note

1. Overture
2. Meditation
3. Processional
4. Dance

Performance history

23 Nov 2003: Performed by the Santa Rosa Symphony Young People’s Chamber Orchestra, directed by Linda Ghidossi-DeLuca with solo violinist Annie Tracy at the First United Methodist Church, in Santa Rosa, California, USA

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