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Samuel Gray


Born: 1977 Website  


Born in New Zealand, Samuel Gray (b. 1977) is a graduate of the Universities of Oslo and Vienna. Musically, his often highly political works draw upon his background as a classical and jazz pianist, percussionist, noise artist and alternative rock guitarist; conceptually they reference his studies in modern languages and international humanitarian law, his human rights advocacy, and years spent living in Europe. Studying piano under Glenys Carson as a child, Samuel has toured both as a jazz ensemble member and a soloist across two continents.

Though he is predominantly an autodidact in the realm of composition, Samuel has attended master classes under established composers such as Sergey Nevski, David Lang, Richard Ayres and Martijn Padding. His works have been performed in Austria, Finland, Latvia, Lithuania, the Netherlands and Norway by groups such as Ensemble Mosaik and the Orkest de Ereprijs. Since 2014, Samuel has been a member of the executive board of the Upper Austrian Composers' Association.

Samuel has also released a lauded singer-songwriter LP, Songs About Humans, under the name Sam Gray Singing.

Samuel is based in Austria and Switzerland, yet firmly identifies himself as a New Zealand composer. Here, he has also worked as a freelance translator since 2007, subsequently specialising in medical translations since starting medical school in Innsbruck in 2015.

Samuel’s often highly political works reference his interest in languages, modern history and human rights. Noted for his unconventional and rawly emotional aesthetic, his conceptual works treat the musicians as actors as well as musical performers.

Composed (12)

Du, Nachbar Gott

for baritone, string quartet and piano, 6m

Ethnic Conflict for String Ensemble

for thirteen string players, 9m 30s


for SATB choir, string sextet, mezzo soprano and tenor, 6m


for female voices and instrumental ensemble, 3m 1s


for two performers, 7m

Songs About Humans

for chamber ensemble, 55m 12s

Symphony for Sigulda

for orchestra, 20m

The Door

for chamber octet, 5m

the future?

for piano trio

Trio for flute, harp and viola

for flute, harp and viola, 9m 15s

маўчанне – the silence

for string quartet, 5m