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About
I simply wanted to write a cantabile piece in A-B-A form which gave an evenly spread consideration to both hands, the most important aspect being the contrasting dynamic between the melody and the quaver accompaniment. I had not come up with a title until Rae de Lisle suggested it was rather a melancholy piece. Perfect.
Commissioned note
Composed on request from Rae De Lisle for publication in her pedagogical volume of New Zealand piano music entitled Fit 4 Piano Etudes: 12 etudes by New Zealand composers.