About
A meditation arising from the initial chromatic motives in the piano’s middle register; following on from these clouds of sound lyrical lines of thirds and sixths over tenuto chords.
First performed at the 1991 Asia-Pacific Contemporary Music Forum and Festival, at the University of the Philippines in Manila.
The original version was published by Wia-te-ata Press Editions, Wellington.
Dedication note
Dedicated to Michele Binnie
Contents note
Single movement