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John Psathas Events and Performances
ConcertA comprehensive listing of performances of music by John Psathas.
Visit https://www.johnpsathas.com/events-and-performances
A comprehensive listing of performances of music by John Psathas.
Visit https://www.johnpsathas.com/events-and-performances
A comprehensive listing of performances of music by John Psathas.
Visit https://www.johnpsathas.com/events-and-performances
Compose Aotearoa! | National Choral Composition Competition 2021
OpportunityCompose Aotearoa! is a new national initiative to stimulate the creation of new and diverse New Zealand music for choirs. Designed as an annual competition facilitated by the national body managing our three national choirs, Choirs Aotearoa New Zealand Trust, Compose Aotearoa! will be a rewarding pathway for young as well as established composers to produce new work.
- Open category – prize $2,000
- Composers aged 25 years and under – prize $2,000
- Waiata Tira with substantial Te Reo Māori content (70%-100%) – prize $2,000
An additional prize valued at $1,000 will be awarded to a category winner in form of travel, per diems and other costs associated with the invitation to join one of the national choirs as Composer in Residence to progress the work for performance.
Category winners will become SOUNZ Composers. A SOUNZ composer has a profile page on www.sounz.org.nz which lists their works, commissions, performances, films/audio, etc. and provides worldwide visibility.
Click here for Competition Requirements and to submit your entry
Deadline for submission 30 September 2021.
For any enquiries please contact Anna Bowron, anna@choirsnz.co.nz
Compose Aotearoa! is a new national initiative to stimulate the creation of new and diverse New Zealand music for choirs. Designed as an annual competition facilitated by the national body managing our three national choirs, Choirs Aotearoa New Zealand Trust, Compose Aotearoa! will be a rewarding pathway for young as well as established composers to produce new work.
- Open category – prize $2,000
- Composers aged 25 years and under – prize $2,000
- Waiata Tira with substantial Te Reo Māori content (70%-100%) – prize $2,000
An additional prize valued at $1,000 will be awarded to a category winner in form of travel, per diems and other costs associated with the invitation to join one of the national choirs as Composer in Residence to progress the work for performance.
Category winners will become SOUNZ Composers. A SOUNZ composer has a profile page on www.sounz.org.nz which lists their works, commissions, performances, films/audio, etc. and provides worldwide visibility.
Click here for Competition Requirements and to submit your entry
Deadline for submission 30 September 2021.
For any enquiries please contact Anna Bowron, anna@choirsnz.co.nz
Compose Aotearoa! is a new national initiative to stimulate the creation of new and diverse New Zealand music for choirs. Designed as an annual competition facilitated by the national body managing our three national choirs, Choirs Aotearoa New Zealand Trust, Compose Aotearoa! will be a rewarding pathway for young as well as established composers to produce new work.
- Open category – prize $2,000
- Composers aged 25 years and under – prize $2,000
- Waiata Tira with substantial Te Reo Māori content (70%-100%) – prize $2,000
An additional prize valued at $1,000 will be awarded to a category winner in form of travel, per diems and other costs associated with the invitation to join one of the national choirs as Composer in Residence to progress the work for performance.
Category winners will become SOUNZ Composers. A SOUNZ composer has a profile page on www.sounz.org.nz which lists their works, commissions, performances, films/audio, etc. and provides worldwide visibility.
Click here for Competition Requirements and to submit your entry
Deadline for submission 30 September 2021.
For any enquiries please contact Anna Bowron, anna@choirsnz.co.nz
Glamaphones Composition Commission 2022
OpportunityWellington's gay, lesbian, bisexual, transgender, intersex community SATB choir The Glamaphones are currently seeking Expressions of Interest for a commissioning project for their 2022 season. This commission is an opportunity for a composer to create a short choral work for 4–8 parts, connecting with the themes of Matariki and hopes for the future.
The composer will receive a commission fee to be agreed based on their level of experience and the length of the work. The composer will be expected to work closely with the choir.
It is important for our community to have music that reflects our diverse experiences. We particularly welcome expressions of interest from queer women, non-binary people, and takatāpui composers.
Expressions of Interest are due by 10 October 2021
Wellington's gay, lesbian, bisexual, transgender, intersex community SATB choir The Glamaphones are currently seeking Expressions of Interest for a commissioning project for their 2022 season. This commission is an opportunity for a composer to create a short choral work for 4–8 parts, connecting with the themes of Matariki and hopes for the future.
The composer will receive a commission fee to be agreed based on their level of experience and the length of the work. The composer will be expected to work closely with the choir.
It is important for our community to have music that reflects our diverse experiences. We particularly welcome expressions of interest from queer women, non-binary people, and takatāpui composers.
Expressions of Interest are due by 10 October 2021
Wellington's gay, lesbian, bisexual, transgender, intersex community SATB choir The Glamaphones are currently seeking Expressions of Interest for a commissioning project for their 2022 season. This commission is an opportunity for a composer to create a short choral work for 4–8 parts, connecting with the themes of Matariki and hopes for the future.
The composer will receive a commission fee to be agreed based on their level of experience and the length of the work. The composer will be expected to work closely with the choir.
It is important for our community to have music that reflects our diverse experiences. We particularly welcome expressions of interest from queer women, non-binary people, and takatāpui composers.
Expressions of Interest are due by 10 October 2021
NZTrio | Dramatic Skies: Cumulus (Wellington)
ConcertAdditional performances:
September 5th (Auckland Town Hall)
September 9th (Christchurch)
October 10th (Greytown)
October 13th (Pah Homestead, Auckland)
Grieg | Andante Con Moto in C minor
Schifrin | Hommage a Ravel
Jenny McLeod | Clouds (new commission)
Alex Taylor | burlesques mécaniques – ten miniatures for piano trio
Smetana | Piano Trio in G minor, Op. 15
Cumulus maps a dramatic voyage, from deep melancholy touched with hints of hope in the Grieg, through a quirky reflection of Ravel’s life and music from Schifrin’s unique point of view, and deep into Smetana’s mournful response to the death of his daughter.
These billowing global masterpieces come to surround and embrace the eminent locals at the heart of the programme – two edgy works by Kiwi composers at the peak of creativity: a rediscovery of Alex Taylor’s remarkable set of rugged miniatures burlesques mécaniques, and the premiere of a mist-covered new work from Jenny McLeod.
Additional performances:
September 5th (Auckland Town Hall)
September 9th (Christchurch)
October 10th (Greytown)
October 13th (Pah Homestead, Auckland)
Grieg | Andante Con Moto in C minor
Schifrin | Hommage a Ravel
Jenny McLeod | Clouds (new commission)
Alex Taylor | burlesques mécaniques – ten miniatures for piano trio
Smetana | Piano Trio in G minor, Op. 15
Cumulus maps a dramatic voyage, from deep melancholy touched with hints of hope in the Grieg, through a quirky reflection of Ravel’s life and music from Schifrin’s unique point of view, and deep into Smetana’s mournful response to the death of his daughter.
These billowing global masterpieces come to surround and embrace the eminent locals at the heart of the programme – two edgy works by Kiwi composers at the peak of creativity: a rediscovery of Alex Taylor’s remarkable set of rugged miniatures burlesques mécaniques, and the premiere of a mist-covered new work from Jenny McLeod.
Additional performances:
September 5th (Auckland Town Hall)
September 9th (Christchurch)
October 10th (Greytown)
October 13th (Pah Homestead, Auckland)
Grieg | Andante Con Moto in C minor
Schifrin | Hommage a Ravel
Jenny McLeod | Clouds (new commission)
Alex Taylor | burlesques mécaniques – ten miniatures for piano trio
Smetana | Piano Trio in G minor, Op. 15
Cumulus maps a dramatic voyage, from deep melancholy touched with hints of hope in the Grieg, through a quirky reflection of Ravel’s life and music from Schifrin’s unique point of view, and deep into Smetana’s mournful response to the death of his daughter.
These billowing global masterpieces come to surround and embrace the eminent locals at the heart of the programme – two edgy works by Kiwi composers at the peak of creativity: a rediscovery of Alex Taylor’s remarkable set of rugged miniatures burlesques mécaniques, and the premiere of a mist-covered new work from Jenny McLeod.
Chamber Music NZ | The Noveltones (Bannockburn)
ConcertJasmine Lovell-Smith | soprano saxophone
Blair Latham | bass clarinet
Tristan Carter | violin
Tom Callwood | double bass
Programme:
A minute set of music composed by the members of the group.
The Noveltones are an improvising chamber jazz quartet based in Wellington, featuring the unexpected instrumentation of violin, soprano saxophone, bass clarinet and double bass.
With a sound that is melodious, beguiling and sometimes startling, the Noveltones fuse spontaneous improvisation with the lush sonorities of chamber music. The balance of carefully designed sonic architecture and free-form textural explorations combining the individual strengths of these members of Wellington’s jazz, composition, experimental and world music scenes.
Additional performances:
September 24th (Whangārei)
September 25th (Te Awamutu)
Jasmine Lovell-Smith | soprano saxophone
Blair Latham | bass clarinet
Tristan Carter | violin
Tom Callwood | double bass
Programme:
A minute set of music composed by the members of the group.
The Noveltones are an improvising chamber jazz quartet based in Wellington, featuring the unexpected instrumentation of violin, soprano saxophone, bass clarinet and double bass.
With a sound that is melodious, beguiling and sometimes startling, the Noveltones fuse spontaneous improvisation with the lush sonorities of chamber music. The balance of carefully designed sonic architecture and free-form textural explorations combining the individual strengths of these members of Wellington’s jazz, composition, experimental and world music scenes.
Additional performances:
September 24th (Whangārei)
September 25th (Te Awamutu)
Jasmine Lovell-Smith | soprano saxophone
Blair Latham | bass clarinet
Tristan Carter | violin
Tom Callwood | double bass
Programme:
A minute set of music composed by the members of the group.
The Noveltones are an improvising chamber jazz quartet based in Wellington, featuring the unexpected instrumentation of violin, soprano saxophone, bass clarinet and double bass.
With a sound that is melodious, beguiling and sometimes startling, the Noveltones fuse spontaneous improvisation with the lush sonorities of chamber music. The balance of carefully designed sonic architecture and free-form textural explorations combining the individual strengths of these members of Wellington’s jazz, composition, experimental and world music scenes.
Additional performances:
September 24th (Whangārei)
September 25th (Te Awamutu)
Chamber Music NZ | Ghost Trio (Rotorua)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Chamber Music NZ | Ghost Trio (Bannockburn)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Chamber Music NZ | Ghost Trio (Wanaka)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Chamber Music NZ | Ghost Trio (Kerikeri)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 13th (Lower Hutt)
October 15th (Whanganui)
October 17th (Warkworth)
NZTrio | Dramatic Skies: Cumulus (Greytown)
ConcertAdditional performances:
September 5th (Auckland Town Hall)
September 9th (Christchurch)
October 1st (Wellington)
October 13th (Pah Homestead, Auckland)
Grieg | Andante Con Moto in C minor
Schifrin | Hommage a Ravel
Jenny McLeod | Clouds (new commission)
Alex Taylor | burlesques mécaniques – ten miniatures for piano trio
Smetana | Piano Trio in G minor, Op. 15
Cumulus maps a dramatic voyage, from deep melancholy touched with hints of hope in the Grieg, through a quirky reflection of Ravel’s life and music from Schifrin’s unique point of view, and deep into Smetana’s mournful response to the death of his daughter.
These billowing global masterpieces come to surround and embrace the eminent locals at the heart of the programme – two edgy works by Kiwi composers at the peak of creativity: a rediscovery of Alex Taylor’s remarkable set of rugged miniatures burlesques mécaniques, and the premiere of a mist-covered new work from Jenny McLeod.
Additional performances:
September 5th (Auckland Town Hall)
September 9th (Christchurch)
October 1st (Wellington)
October 13th (Pah Homestead, Auckland)
Grieg | Andante Con Moto in C minor
Schifrin | Hommage a Ravel
Jenny McLeod | Clouds (new commission)
Alex Taylor | burlesques mécaniques – ten miniatures for piano trio
Smetana | Piano Trio in G minor, Op. 15
Cumulus maps a dramatic voyage, from deep melancholy touched with hints of hope in the Grieg, through a quirky reflection of Ravel’s life and music from Schifrin’s unique point of view, and deep into Smetana’s mournful response to the death of his daughter.
These billowing global masterpieces come to surround and embrace the eminent locals at the heart of the programme – two edgy works by Kiwi composers at the peak of creativity: a rediscovery of Alex Taylor’s remarkable set of rugged miniatures burlesques mécaniques, and the premiere of a mist-covered new work from Jenny McLeod.
Additional performances:
September 5th (Auckland Town Hall)
September 9th (Christchurch)
October 1st (Wellington)
October 13th (Pah Homestead, Auckland)
Grieg | Andante Con Moto in C minor
Schifrin | Hommage a Ravel
Jenny McLeod | Clouds (new commission)
Alex Taylor | burlesques mécaniques – ten miniatures for piano trio
Smetana | Piano Trio in G minor, Op. 15
Cumulus maps a dramatic voyage, from deep melancholy touched with hints of hope in the Grieg, through a quirky reflection of Ravel’s life and music from Schifrin’s unique point of view, and deep into Smetana’s mournful response to the death of his daughter.
These billowing global masterpieces come to surround and embrace the eminent locals at the heart of the programme – two edgy works by Kiwi composers at the peak of creativity: a rediscovery of Alex Taylor’s remarkable set of rugged miniatures burlesques mécaniques, and the premiere of a mist-covered new work from Jenny McLeod.
NZTrio | Dramatic Skies: Cumulus (Pah Homestead, Auckland)
ConcertAdditional performances:
September 5th (Auckland Town Hall)
September 9th (Christchurch)
October 1st (Wellington)
October 10th (Greytown)
Grieg | Andante Con Moto in C minor
Schifrin | Hommage a Ravel
Jenny McLeod | Clouds (new commission)
Alex Taylor | burlesques mécaniques – ten miniatures for piano trio
Smetana | Piano Trio in G minor, Op. 15
Cumulus maps a dramatic voyage, from deep melancholy touched with hints of hope in the Grieg, through a quirky reflection of Ravel’s life and music from Schifrin’s unique point of view, and deep into Smetana’s mournful response to the death of his daughter.
These billowing global masterpieces come to surround and embrace the eminent locals at the heart of the programme – two edgy works by Kiwi composers at the peak of creativity: a rediscovery of Alex Taylor’s remarkable set of rugged miniatures burlesques mécaniques, and the premiere of a mist-covered new work from Jenny McLeod.
Additional performances:
September 5th (Auckland Town Hall)
September 9th (Christchurch)
October 1st (Wellington)
October 10th (Greytown)
Grieg | Andante Con Moto in C minor
Schifrin | Hommage a Ravel
Jenny McLeod | Clouds (new commission)
Alex Taylor | burlesques mécaniques – ten miniatures for piano trio
Smetana | Piano Trio in G minor, Op. 15
Cumulus maps a dramatic voyage, from deep melancholy touched with hints of hope in the Grieg, through a quirky reflection of Ravel’s life and music from Schifrin’s unique point of view, and deep into Smetana’s mournful response to the death of his daughter.
These billowing global masterpieces come to surround and embrace the eminent locals at the heart of the programme – two edgy works by Kiwi composers at the peak of creativity: a rediscovery of Alex Taylor’s remarkable set of rugged miniatures burlesques mécaniques, and the premiere of a mist-covered new work from Jenny McLeod.
Additional performances:
September 5th (Auckland Town Hall)
September 9th (Christchurch)
October 1st (Wellington)
October 10th (Greytown)
Grieg | Andante Con Moto in C minor
Schifrin | Hommage a Ravel
Jenny McLeod | Clouds (new commission)
Alex Taylor | burlesques mécaniques – ten miniatures for piano trio
Smetana | Piano Trio in G minor, Op. 15
Cumulus maps a dramatic voyage, from deep melancholy touched with hints of hope in the Grieg, through a quirky reflection of Ravel’s life and music from Schifrin’s unique point of view, and deep into Smetana’s mournful response to the death of his daughter.
These billowing global masterpieces come to surround and embrace the eminent locals at the heart of the programme – two edgy works by Kiwi composers at the peak of creativity: a rediscovery of Alex Taylor’s remarkable set of rugged miniatures burlesques mécaniques, and the premiere of a mist-covered new work from Jenny McLeod.
Chamber Music NZ | Ghost Trio (Lower Hutt)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 15th (Whanganui)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 15th (Whanganui)
October 17th (Warkworth)
Chamber Music NZ | Silver. Stone. Wood. Bone. (New Plymouth)
ConcertBridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Chamber Music NZ | Ghost Trio (Whanganui)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 17th (Warkworth)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 17th (Warkworth)
Chamber Music NZ | Ghost Trio (Warkworth)
ConcertMonique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
Monique Lapins | violin
Ken Ichinose | cello
Gabriela Glapska | piano
Programme:
Brahms | Piano Trio No. 3 in C minor, Op 101
Kelly-Marie Murphy | Give Me Phoenix Wings To Fly
Eve de Castro-Robinson | At Water’s Birth
Schumann | Piano Trio No. 1 in D minor, Op 63
Named for Beethoven’s famous work for piano trio, Ghost Trio is made up of Gabriela Glapska (piano), Ken Ichinose (cello) and Monique Lapins (violin). The group was founded in mid-2019 as one of Gabriela’s PhD recital projects.
Having quickly realised that they immensely enjoy playing together, they decided to continue working as a trio. All three are accomplished soloists and chamber musicians with diverse backgrounds. Despite their recent formation as a trio, they have already gained reputation as one of the most refreshing and enjoyable chamber groups in Aotearoa.
The trio has focused on exploring a new approach to the greatest music written for piano trio, as well as the discovery of less-known contemporary treasures of the piano trio repertoire.
Additional performances:
October 4th (Rotorua)
October 6th (Bannockburn)
October 7th (Wanaka)
October 9th (Kerikeri)
October 13th (Lower Hutt)
October 15th (Whanganui)
Chamber Music NZ | Silver. Stone. Wood. Bone. (Nelson)
ConcertBridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Chamber Music NZ | Silver. Stone. Wood. Bone. (Napier)
ConcertBridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
November 3rd (Christchurch)
November 5th (Wellington)
November 13th (Auckland)
Chamber Music NZ | Silver. Stone. Wood. Bone. (Christchurch)
ConcertBridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 5th (Wellington)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 5th (Wellington)
November 13th (Auckland)
Chamber Music NZ | Silver. Stone. Wood. Bone. (Wellington)
ConcertBridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 13th (Auckland)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 13th (Auckland)
NZTrio | Dramatic Skies: Cirrus (Auckland South)
ConcertAdditional performances:
November 19th (Wellington)
December 12th (Auckland Town Hall)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
Additional performances:
November 19th (Wellington)
December 12th (Auckland Town Hall)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
Additional performances:
November 19th (Wellington)
December 12th (Auckland Town Hall)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
Chamber Music NZ | Silver. Stone. Wood. Bone. (Auckland)
ConcertBridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
Bridget Reweti | moving image
Alistair Fraser | ngā taonga puoro
Bridget Douglas | flutes
Programme:
John Psathas | Irirangi
Gillian Whitehead | Hineraukatauri
Rosie Langabeer | Drawing Fire From The Well
Gareth Farr | Silver Stone Wood Bone
Phil Brownlee | Te Hau o Tāwhirimātea
Josiah Carr | new work
Briar Prastiti | new work
Bridget Douglas, principal flute in the New Zealand Symphony Orchestra joins with Alistair Fraser, renowned taonga pūoro researcher and artist, to weave their two musical worlds across one magical night. Western flutes and traditional Māori instruments come together in both celebrated and new pieces by New Zealand composers including John Psathas, Gillian Whitehead and Gareth Farr.
Rounding out the collaboration, the performance is set against the striking backdrop of a specially commissioned video work by visual artist Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi), illustrating our country’s unique landscapes that have literally shaped the sounds of these instruments over generations.
Silver, stone, wood, bone. Enduring materials that weather the storm. Beaten, hollowed carved, and polished to sing songs of the past and breathe life into the future. This is music of and for Aotearoa.
Additional performances:
October 15th (New Plymouth)
October 18th (Nelson)
October 21st (Napier)
November 3rd (Christchurch)
November 5th (Wellington)
NZTrio | Dramatic Skies: Cirrus (Wellington)
ConcertAdditional performances:
November 6th (Auckland South)
December 12th (Auckland Town Hall)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
Additional performances:
November 6th (Auckland South)
December 12th (Auckland Town Hall)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
Additional performances:
November 6th (Auckland South)
December 12th (Auckland Town Hall)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
NZTrio | Dramatic Skies: Cirrus (Auckland Town Hall)
ConcertAdditional performances:
November 6th (Auckland South)
November 19th (Wellington)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
Additional performances:
November 6th (Auckland South)
November 19th (Wellington)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
Additional performances:
November 6th (Auckland South)
November 19th (Wellington)
Schubert | Sonatensatz, D. 28
Rachel Clement | shifting states
Panufnik | Piano Trio Op. 1
Gillian Whitehead | tba (new commission)
Rachmaninoff | Trio élégiaque No. 2 in D minor, Op. 9
Cirrus sweeps us into the heights of Schubert’s musical charm, shifting us into Rachel Clement’s glassmaking inspired sound world. Through passionate mood changes and luscious melodies reminiscent of the late French Romantics, Panufnik’s piano trio takes us into the depths of the nebulous glow of the clouds of Aotearoa in our new commission by Gillian Whitehead. Rachmaninoff’s masterpiece reflects on the huge journey of the whole series and brings the year to a dramatic close with a sense of pathos and heightened emotion.
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