Upcoming Events

When the natural environment and the human imagination combine.

A celebration of Barry Brickell's legacy and the realisation of his extraordinary dream, Driving Creek Railway, a productive pottery with numerous kilns, a railway, a native bird sanctuary, and a lively creative hub drawing artists from around the globe.

The film reflects the sensual attachment Brickell felt to the land and human form, as expressed in the ceramic sculptures that defined his creativity. It is a paean to all Barry held dear: the bush, the railway, the company of friends, conversation, and song. A cinematic montage of historical stills and film from present-day Driving Creek is woven with a spirited, poetic narration by Greg O'Brien, with a sumptuous soundtrack performed by Wellington group Palliser Viols, including compositions by Gillian Whitehead and Ross Harris.

Screening at the Roxy Cinema (Wellington), and the Capitol Cinema (Auckland). Also available to stream on-demand via the Virtual Cinema (15–31 July).

Step into a world where whimsy and classical grace collide in our dynamic concert lineup.

Albert Schnelzer's "A Freak in Burbank" blends Tim Burton's quirkiness with Haydn's ingenuity, offering a thrilling opener. The concert then softens with one of NZ’s only solo harp concertos in Gillian Whitehead's "Karohirohi," a piece echoing eighteenth-century poise. Post-intermission, the harp continues to enchant in Debussy's "Danses Sacrées et Profanes," before we close with the rhythmic elegance of Haydn's "Symphony No.101, ‘The Clock’," a playful masterpiece of timing and wit.

Conducted by Vincent Hardaker and featuring harp soloist Ingrid Bauer.

Step into a world where whimsy and classical grace collide in our dynamic concert lineup.

Albert Schnelzer's "A Freak in Burbank" blends Tim Burton's quirkiness with Haydn's ingenuity, offering a thrilling opener. The concert then softens with one of NZ’s only solo harp concertos in Gillian Whitehead's "Karohirohi," a piece echoing eighteenth-century poise. Post-intermission, the harp continues to enchant in Debussy's "Danses Sacrées et Profanes," before we close with the rhythmic elegance of Haydn's "Symphony No.101, ‘The Clock’," a playful masterpiece of timing and wit.

Conducted by Vincent Hardaker and featuring harp soloist Ingrid Bauer.

Leila Adu-Gilmore (NZL) | Alyssum
R Murray Schafer (CAN) | String quartet No. 2: Waves
Nicholas Denton Protsack (NZL/CAN) | A Gleaming Thing (PREMIERE)
John Luther Adams (CAN) | The Light Within
Daniela Terranova (ITA) | Rainbow Dust in the Sky
Bree Van Ryk (AUS) | Light for the First Time
Kaija Saariaho (FIN) | Grammaire des reves (Grammar of Dreams)

Kaleidoscopes of refracted colour burst from the page, in this prismatic concert of luminous music. A world premiere by NZ/Canadian composer Nicholas Denton Protsack sits alongside meditative music by his compatriots R Murray Schafer and John Luther Adams, renowned for capturing the shifting colours of their wild northern landscapes. Other works in the light-themed programme are by NZ composer Leila Adu-Gilmore, Daniela Terranova (Italy) and Bree Van Ryk (Australia), rounded out by the dazzling final work Grammar of Dreams by Finnish composer Kaija Saariaho.

Telemann | Don Quixote Suite
JS Bach | Brandenburg Concerto No. 2
Rod Biss | Four New Zealand Bird Songs
Haydn | Symphony No. 83, ‘La Poule’ (‘The Hen’)

Telemann 's skills as a composer of programmatic music are well demonstrated in this highly entertaining suite which depicts Don Quixote’s adventures.

JS Bach’s iconic and joyful Brandenburg Concerto No. 2 is unique in its use of solo oboe, violin, recorder (or flute) and trumpet, and these will be performed by four DSO Principal players.

The bird-themed second half opens with Four NZ Bird Songs. The work was initially inspired by the threat of development of the main nesting site of the Tara-iti (NZ fairy tern). The work also depicts the pukeko and the karearea (NZ falcon). Of a recent performance by NZ soprano Rebecca Ryan, the Otago Daily Times wrote: “Ryan’s performances were stupendous!”

Haydn’s La Poule (The Hen) gained its nickname from the first movement’s humorous hen-like quirky exchange between violin and oboe.

Principal Guest Conductor James Judd is also the NZSO’s Music Director Emeritus, and he conducts extensively in the USA, the UK, Europe and Asia.

‘Something old, something new, something borrowed – our debut!’

Award-winning local chamber music ensemble Morton Trio celebrate the release of their self-titled debut album with not one but two Brahms horn trios.

Featuring his iconic Horn Trio in Eb Major op. 40, the album also includes Brahms’ Piano Trio in B Major op. 8, arranged by trio violinist Arna Morton, alongside her brand-new composition for the ensemble, Summer.

Composed of husband and wife duo, Alex and Arna Morton, and pianist Liam Wooding, Morton Trio has been delighting and engaging audiences with charismatic performances throughout Aotearoa New Zealand and abroad for close to eight years.

The evening celebrations include a performance from the trio featuring highlights from the album, a conversation led by MC Dr. Hannah Darroch, and a post-concert catered function. Attendees will also receive a free drink on arrival, a goody bag, and a signed album (applicable ticket holders only), with extra albums & beverages available for purchase on the night.

We gratefully acknowledge the support of The Piano and Creative New Zealand in making this event possible.

Telemann | Don Quixote Suite
JS Bach | Brandenburg Concerto No. 2
Rod Biss | Four New Zealand Bird Songs
Haydn | Symphony No. 83, ‘La Poule’ (‘The Hen’)

Telemann 's skills as a composer of programmatic music are well demonstrated in this highly entertaining suite which depicts Don Quixote’s adventures.

JS Bach’s iconic and joyful Brandenburg Concerto No. 2 is unique in its use of solo oboe, violin, recorder (or flute) and trumpet, and these will be performed by four DSO Principal players.

The bird-themed second half opens with Four NZ Bird Songs. The work was initially inspired by the threat of development of the main nesting site of the Tara-iti (NZ fairy tern). The work also depicts the pukeko and the karearea (NZ falcon). Of a recent performance by NZ soprano Rebecca Ryan, the Otago Daily Times wrote: “Ryan’s performances were stupendous!”

Haydn’s La Poule (The Hen) gained its nickname from the first movement’s humorous hen-like quirky exchange between violin and oboe.

Principal Guest Conductor James Judd is also the NZSO’s Music Director Emeritus, and he conducts extensively in the USA, the UK, Europe and Asia.

Claire Cowan, Celestia > < Terralia
Beethoven, String Quartet No. 16, Op. 135 in F major
Debussy, String Quartet in G minor, Op. 10

New Zealand String Quartet at Depot Artspace.

Surrounded by the exhibition, Sponge City, the New Zealand String Quartet (NZSQ) will perform a programme of fresh and familiar classical works. As part of their 2024 season, Soundscapes, the NZSQ is taking chamber music outside of the traditional concert hall to explore the way music connects us with our surroundings. From eco-sanctuaries to art galleries, to community centres, imaginative programmes collide headfirst with unique spaces creating epic, multi-sensory experiences.

The New Zealand String Quartet recently welcomed a wonderful new musician to the ensemble, violinist Peter Clark. This concert is one of his first performing with the Quartet as second violinist. Come along to give Peter a big NZSQ welcome!

Tickets $50 each and will include admittance to the concert and a glass of wine, provided by Toi Toi Wines. (Non-alcoholic beverages available)

Whether you're a classical music fan, an art enthusiast, or simply looking for a memorable night out, this concert is not to be missed.

Concert Programme Claire Cowan, Celestia > < Terralia Beethoven, String Quartet No. 16, Op. 135 in F major Debussy String Quartet in G minor, Op. 10

No Need to be an Expert The concert programme, crafted in the NZSQ’s signature style, aims to engage audiences of all levels of familiarity with chamber music. Each piece of music is preceded by a lively and informative introduction delivered by the Quartet members themselves. These introductions seek to shed light on the stories behind the music, making it an enriching experience suitable for all audiences.

Haydn - String Quartet No. 3, Op. 71 in E flat major
Janáček - String Quartet No. 1 "The Kreutzer Sonata"
Leonie Holmes - Fragment II
Shostakovich - String Quartet No. 2, A major, Op. 68

The New Zealand String Quartet bring a programme of fresh and familiar works to Pah Homestead. As part of their 2024 season, Soundscapes, the NZSQ is taking chamber music outside of the traditional concert hall to explore the way music connects us with our surroundings. From eco-sanctuaries to art galleries, to community centres, imaginative programmes collide headfirst with unique spaces creating epic, multi-sensory experiences.

The New Zealand String Quartet recently welcomed a wonderful new musician to the ensemble, violinist Peter Clark. This concert is one of his first performing with the Quartet as second violinist. Come along to give Peter a big NZSQ welcome!

Concert Programme Haydn - String Quartet No. 3, Op. 71 in E flat major Janáček - String Quartet No. 1 "The Kreutzer Sonata" Interval Leonie Holmes - Fragment II Shostakovich - String Quartet No. 2, A major, Op. 68

Get your art fix across an entire Sunday afternoon! Arrive early for the concert to grab a bite to eat at Hill Café, wander the picturesque gardens of Monte Cecilia Park and explore the exhibitions filling the galleries inside the Homestead.

Whether you're a classical music fan, an art enthusiast, or simply looking for a memorable night out, this concert is not to be missed.

No Need to be an Expert The concert programme, crafted in the NZSQ’s signature style, aims to engage audiences of all levels of familiarity with chamber music. Each piece of music is preceded by a lively and informative introduction delivered by the Quartet members themselves. These introductions seek to shed light on the stories behind the music, making it an enriching experience suitable for all audiences.

Claire Cowan, Celestia > < Terralia
Beethoven, String Quartet No. 16, Op. 135 in F major
Debussy, String Quartet in G minor, Op. 10

The New Zealand String Quartet bring a programme of fresh and familiar classical works to Paeroa. We'll be returning to the same intimate and cozy venue after a sold out concert as part of our tour with Arts on Tour in 2023. Generous canapes will be served and all profits from a cash bar will go to the Paeroa Community Support Trust.

As part of their 2024 season, Soundscapes, the NZSQ is taking chamber music outside of the traditional concert hall to explore the way music connects us with our surroundings. From eco-sanctuaries to art galleries, to cozy and eclectic music venues, imaginative programmes collide headfirst with unique spaces creating epic, multi-sensory experiences.

The New Zealand String Quartet recently welcomed a wonderful new musician to the ensemble, violinist Peter Clark. This concert is one of his first performing with the Quartet as second violinist. Come along to give Peter a big NZSQ welcome!

Concert Programme:

Claire Cowan, Celestia > < Terralia
Beethoven, String Quartet No. 16, Op. 135 in F major
Debussy String Quartet in G minor, Op. 10

Whether you're a classical music fan or looking to try something new this concert is not to be missed.

No Need to be an Expert:

The concert programme, crafted in the NZSQ’s signature style, aims to engage audiences of all levels of familiarity with chamber music. Each piece of music is preceded by a lively and informative introduction delivered by the Quartet members themselves. These introductions seek to shed light on the stories behind the music, making it an enriching experience suitable for all audiences.

The New Zealand String Quartet bring a programme of fresh and familiar classical works to the Jam Factory. As part of their 2024 season, Soundscapes, the NZSQ is taking chamber music outside of the traditional concert hall to explore the way music connects us with our surroundings. From eco-sanctuaries to art galleries, to cozy and eclectic music venues, imaginative programmes collide headfirst with unique spaces creating epic, multi-sensory experiences.

Concert Programme
Haydn - String Quartet No. 3, Op. 71 in E flat major
Janáček - String Quartet No. 1 The Kreutzer Sonata
Leonie Holmes - Fragment II
Shostakovich - String Quartet No. 2, A major, Op. 68

The New Zealand String Quartet recently welcomed a wonderful new musician to the ensemble, violinist Peter Clark. This concert is one of his first performing with the Quartet as second violinist. Come along to give Peter a big NZSQ welcome!

Whether you're a classical music fan or looking to try something new this concert is not to be missed.

No Need to be an Expert: The concert programme, crafted in the NZSQ’s signature style, aims to engage audiences of all levels of familiarity with chamber music. Each piece of music is preceded by a lively and informative introduction delivered by the Quartet members themselves. These introductions seek to shed light on the stories behind the music, making it an enriching experience suitable for all audiences.

The New Zealand String Quartet bring a programme of fresh and familiar classical works to Cambridge. Plus, a special performance with young musicians from Youth Orchestra Waikato.

As part of their 2024 season, Soundscapes, the NZSQ is taking chamber music outside of the traditional concert hall to explore the way music connects us with our surroundings. From eco-sanctuaries to art galleries, to cozy and eclectic community centres, imaginative programmes collide headfirst with unique spaces creating epic, multi-sensory experiences.

The New Zealand String Quartet recently welcomed a wonderful new musician to the ensemble, violinist Peter Clark. This concert is one of his first performing with the Quartet as second violinist. Come along to give Peter a big NZSQ welcome!

The Quartet regularly mentor young musicians in Youth Orchestra Waikato. Leading up to this concert, the Quartet will have spent the weekend in masterclasses and workshops with these talented young musicians, so why not show you all what they can do? The concert will begin with a special performance of Mascagani, Intermezzo from Cavalleria Rusticana performed by musicians from YOW alongside the Quartet.

Concert Programme
Mascagani, Intermezzo from Cavalleria Rusticana (performed with YOW)
Claire Cowan, Celestia > < Terralia
Beethoven, Op. 135 in F major
Debussy, String Quartet in G minor, Op. 10

Whether you're a classical music fan or looking to try something new this concert is not to be missed.

No Need to be an Expert The concert programme, crafted in the NZSQ’s signature style, aims to engage audiences of all levels of familiarity with chamber music. Each piece of music is preceded by a lively and informative introduction delivered by the Quartet members themselves. These introductions seek to shed light on the stories behind the music, making it an enriching experience suitable for all audiences.

Art meets string quartet at Webb’s Auction House.

Surrounded by a curated exhibition, the New Zealand String Quartet (NZSQ) will bring the art into a new dimension with a programme of fresh and familiar classical works. As part of their 2024 season, Soundscapes, the NZSQ is taking chamber music outside of the traditional concert hall to explore the way music connects us with our surroundings. From eco-sanctuaries to art galleries, to community centres, imaginative programmes collide headfirst with unique spaces creating epic, multi-sensory experiences.

Concert Programme
Leonie Holmes - Fragment II
Beethoven - String Quartet No. 16 in F major, Op. 135
Janáček - String Quartet No. 1 'The Kreutzer Sonata'
Schulhoff - Five Pieces for String Quartet

The New Zealand String Quartet recently welcomed a wonderful new musician to the ensemble, violinist Peter Clark. This concert is one of his first performing with the Quartet as second violinist. Come along to give Peter a big NZSQ welcome!

Whether you're a classical music fan, an art enthusiast, or simply looking for a memorable night out, this concert is not to be missed.

No Need to be an Expert: The concert programme, crafted in the NZSQ’s signature style, aims to engage audiences of all levels of familiarity with chamber music. Each piece of music is preceded by a lively and informative introduction delivered by the Quartet members themselves. These introductions seek to shed light on the stories behind the music, making it an enriching experience suitable for all audiences.

Benjamin Northey | Conductor
Emma Eden | Horn

Isaac Shatford | Open
Strauss | Horn Concerto No. 1 in Eb Major Op. 11
Mozart | Symphony No. 40 in G minor K. 550

This musical curation is a celebration of youthful talent. We welcome you to open your ears to the sound world of Ōtautahi-born composer Isaac Shatford. He says of this new commission: “Open is such a fabulous word. It’s exciting – an opening is a beginning, an opportunity. It’s terrifying – openness is uncertainty, vulnerability. This piece balances, fleetingly, on that precarious tipping point.”

Our very own Principal Horn Emma Eden takes centre stage in Richard Strauss’ ebullient Horn Concerto No. 1. Strauss may have only been 18 when he began work on this concerto, but his childhood had included a particularly full immersion into the world of the horn – his father was the Principal Horn of the Munich Court Orchestra.

Mozart wrote his first symphony at the age of eight, and had stacked up many more before his death at the age of just 35. His penultimate No. 40 is one of his most popular symphonies, full of dark passion and swagger. The themes are often used in film, television, and popular culture including the opening phrase becoming one of the most iconic ringtones of the earliest mobile phones.

This collaboration between the Auckland Philharmonia and the University of Auckland School of Music provides young composers at tertiary level the opportunity to workshop, perform and record their original works with Auckland Philharmonia musicians. Not only do students get to hear their pieces performed live by a professional orchestra, but they also receive feedback and advice from the musicians, providing them with invaluable insight into the unique relationship between composer and performer in a professional environment.

By popular request we have a return visit from this exciting piano duo of Nicole Chao and Beth Chen who are touring their programme “Fan Favourites” – music by Bach, Schubert, Ravel, Rachmaninoff & Psathas.

Fanny Mendelssohn | Trio in D minor
Joan Tower | Trio Cavany
Eva Bedggood | New Work (commissioned by Christopher’s Classics)
Ethel Smyth | Trio in D minor

We begin in 19th Century Germany with Fanny Mendelssohn’s ‘Trio in D minor’, a magnificent work by the renowned German composer. With melodies that soar and emotions that run deep, this piece offers a glimpse into the turbulent emotional landscape of its creator. Next, we venture into the contemporary realm with the power and subtlety of Joan Tower’s ‘Trio Cavany’. We proudly present a new commission by kiwi composer Eva Bedggood, offering a fresh perspective and intrinsically relevant voice. Our musical odyssey concludes with Ethel Smyth’s impassioned piano trio, a powerful and evocative composition that showcases the depth of emotions and creative brilliance of the British composer at the beginning of her career.

Fanny Mendelssohn | Trio in D minor
Joan Tower | Trio Cavany
Eva Bedggood | New Work (commissioned by Christopher’s Classics)
Ethel Smyth | Trio in D minor

We begin in 19th Century Germany with Fanny Mendelssohn’s ‘Trio in D minor’, a magnificent work by the renowned German composer. With melodies that soar and emotions that run deep, this piece offers a glimpse into the turbulent emotional landscape of its creator. Next, we venture into the contemporary realm with the power and subtlety of Joan Tower’s ‘Trio Cavany’. We proudly present a new commission by kiwi composer Eva Bedggood, offering a fresh perspective and intrinsically relevant voice. Our musical odyssey concludes with Ethel Smyth’s impassioned piano trio, a powerful and evocative composition that showcases the depth of emotions and creative brilliance of the British composer at the beginning of her career.

Fanny Mendelssohn | Trio in D minor
Joan Tower | Trio Cavany
Eva Bedggood | New Work (commissioned by Christopher’s Classics)
Ethel Smyth | Trio in D minor

We begin in 19th Century Germany with Fanny Mendelssohn’s ‘Trio in D minor’, a magnificent work by the renowned German composer. With melodies that soar and emotions that run deep, this piece offers a glimpse into the turbulent emotional landscape of its creator. Next, we venture into the contemporary realm with the power and subtlety of Joan Tower’s ‘Trio Cavany’. We proudly present a new commission by kiwi composer Eva Bedggood, offering a fresh perspective and intrinsically relevant voice. Our musical odyssey concludes with Ethel Smyth’s impassioned piano trio, a powerful and evocative composition that showcases the depth of emotions and creative brilliance of the British composer at the beginning of her career.

Muriwai is a new musical collaboration of Ariana Tikao and Bob Bickerton.

The name refers to a confluence of two rivers, and their music is a convergence of Māori and Celtic musical traditions through celtic harp, vocals, and taonga puoro. Long-time collaborators, the pair have now developed a major work which journeys through time and place starting with a Kāi Tahu creation story relating to water, through to the arrival of people in Te Waipounamu, our impact on the environment, and imagined consequences of our actions.

Art meets string quartet at Creative Arts Napier.

Surrounded by the exhibition Warhol & Friends, the New Zealand String Quartet (NZSQ) will bring pop art into a new dimension with a programme of fresh and familiar classical works. As part of their 2024 season, Soundscapes, the NZSQ is taking chamber music outside of the traditional concert hall to explore the way music connects us with our surroundings. From eco-sanctuaries to art galleries, to community centres, imaginative programmes collide headfirst with unique spaces creating epic, multi-sensory experiences.

The New Zealand String Quartet recently welcomed a wonderful new musician to the ensemble, violinist Peter Clark. This concert is one of his first performing with the Quartet as second violinist. Come along to give Peter a big NZSQ welcome!

Drinks and nibbles will be available to purchase on the night. Whether you're a classical music fan, an art enthusiast, or simply looking for a memorable night out, this concert is not to be missed.

Full concert programme to be announced soon.

No Need to be an Expert:
The concert programme, crafted in the NZSQ’s signature style, aims to engage audiences of all levels of familiarity with chamber music. Each piece of music is preceded by a lively and informative introduction delivered by the Quartet members themselves. These introductions seek to shed light on the stories behind the music, making it an enriching experience suitable for all audiences.

Photo by Latitude Creative, taken at Zealandia Te Māra a Tāne.

Fanny Mendelssohn | Trio in D minor
Joan Tower | Trio Cavany
Eva Bedggood | New Work (commissioned by Christopher’s Classics)
Ethel Smyth | Trio in D minor

We begin in 19th Century Germany with Fanny Mendelssohn’s ‘Trio in D minor’, a magnificent work by the renowned German composer. With melodies that soar and emotions that run deep, this piece offers a glimpse into the turbulent emotional landscape of its creator. Next, we venture into the contemporary realm with the power and subtlety of Joan Tower’s ‘Trio Cavany’. We proudly present a new commission by kiwi composer Eva Bedggood, offering a fresh perspective and intrinsically relevant voice. Our musical odyssey concludes with Ethel Smyth’s impassioned piano trio, a powerful and evocative composition that showcases the depth of emotions and creative brilliance of the British composer at the beginning of her career.

Fanny Mendelssohn | Trio in D minor
Joan Tower | Trio Cavany
Eva Bedggood | New Work (commissioned by Christopher’s Classics)
Ethel Smyth | Trio in D minor

We begin in 19th Century Germany with Fanny Mendelssohn’s ‘Trio in D minor’, a magnificent work by the renowned German composer. With melodies that soar and emotions that run deep, this piece offers a glimpse into the turbulent emotional landscape of its creator. Next, we venture into the contemporary realm with the power and subtlety of Joan Tower’s ‘Trio Cavany’. We proudly present a new commission by kiwi composer Eva Bedggood, offering a fresh perspective and intrinsically relevant voice. Our musical odyssey concludes with Ethel Smyth’s impassioned piano trio, a powerful and evocative composition that showcases the depth of emotions and creative brilliance of the British composer at the beginning of her career.

Nature lovers and music aficionados alike will have the rare opportunity to immerse themselves in a magical fusion of music and the natural world. This October the New Zealand String Quartet – Te Rōpu Tūrū o Aotearoa brings Sounds of the Sanctuary to Rosewood Cape Kidnappers - an unforgettable experience that evokes the beauty of nature and birdsong.

Encircled by Cape Sanctuary’s predator-proof fencing, Rosewood Cape Kidnappers provides a lucky few with this immersive experience in the gorgeous setting of one of the world’s most revered luxury lodges.

The carefully curated programme begins with Gareth Farr's Te Kōanga, a celebration of life and regeneration that echoes the rejuvenation of Aotearoa’s lush flora and fauna. Haydn's opus 64, no.5, famously known as The Lark, follows, with its melodies that soar like the bird, echoing the vibrant avian life that thrives within the nearby protected haven of Cape Sanctuary. Gillian Whitehead's Poroporoaki pays homage to the cultural and natural heritage of New Zealand, weaving a sonic tapestry that bridges the past and present. The concert concludes with Dvořák's String Quartet no. 12, opus 96, the beloved American Quartet. Its sweeping melodies evoke the spirit of exploration and adventure, mirroring the diverse ecosystems found within Aotearoa.

Tickets for the performance are available for $99 per person, which includes a welcome drink and gourmet canapés prepared by the culinary team at Rosewood Cape Kidnappers. For a truly indulgent experience, consider extending your visit to include a luxurious five-course tasting menu at the lodge. Tickets for the concert with dinner included are priced at $299 per person.

Sounds of the Sanctuary promises an extraordinary experience, celebrating New Zealand's breathtaking natural world and the power of music to connect with the beauty that surrounds us.

Carlo Antonioli | Conductor
Julian Bliss | Soloist

Ligeti | Romanian Concerto
Ross Harris | Clarinet Concerto (world premiere)
Artie Shaw | Clarinet Concerto
Dvořák | Symphony No. 8 in G Major Op. 88

We welcome two international guests to CSO for the first time: conductor Carlo Antonioli, 2023 Assistant Conductor of the Melbourne Symphony Orchestra who is rapidly establishing himself across Australia; and versatile British clarinettist Julian Bliss.

This concert puts the clarinet on display, with the world premiere of a new clarinet concerto by Aotearoa composer Ross Harris written especially for our soloist; paired with the toe-tapping Clarinet Concerto of famous 1930s American jazz clarinettist and band leader Artie Shaw.

Audiences are also treated to music by two composers who had a great affinity with the folk music of their respective regions. Dvořák wrote nine symphonies, with much of his music infused with the flavours of Czech folk music – his bubbly eighth symphony from 1889 will conjure up a birdfilled forest walk near Dvořák’s country home. Fast-forward 60 years to György Ligeti’s Romanian Concerto, which brings to life a range of Romanian folk music that Ligeti loved, through instrumental colours and lively rhythms.

Nature lovers and music aficionados alike will have the rare opportunity to immerse themselves in a magical fusion of music and the natural world. This October the New Zealand String Quartet – Te Rōpu Tūrū o Aotearoa brings 'Sounds of the Sanctuary' to Pūkaha National Wildlife Centre - an unforgettable experience that evokes the beauty of nature and birdsong.

Audiences will enjoy a concert of classical works for string quartet, nibbles and a drink on arrival and stunning views over Pūkaha National Wildlife Centre, all in one ticket.

The carefully curated programme begins with Gareth Farr's 'Te Kōanga,' a celebration of life and regeneration that echoes the rejuvenation of Aotearoa’s lush flora and fauna. Haydn's Op. 64, No.5, famously known as 'The Lark,' follows, with its melodies that soar like the bird, echoing the vibrant avian life that thrives within Pūkaha's protected haven. Gillian Whitehead's 'Poroporoaki' pays homage to the cultural and natural heritage of New Zealand, weaving a sonic tapestry that bridges the past and present. The concert concludes with Dvořák's String Quartet No. 12, Op. 96, the beloved 'American Quartet.' Its sweeping melodies evoke the spirit of exploration and adventure, mirroring the diverse ecosystems found within Aotearoa.

'Sounds of the Sanctuary' promises an extraordinary audience experience, celebrating New Zealand's breathtaking natural world and the power of music to connect with the beauty that surrounds us.

“Wonderful, impressive and spirited performance against a glorious backdrop of cloud forest and sunset." - Otago Daily Times (Review of 'Sounds of the Sanctuary' at Orokonui Ecosanctuary, May 2024)

Musicians: Helene Pohl, Violin I; Peter Clark, Violin II; Gillian Ansell, Viola; Rolf Gjelsten, Cello.

Photo by Latitude Creative, taken at Zealandia Te Māra a Tāne.

Fanny Mendelssohn | Trio in D minor
Joan Tower | Trio Cavany
Eva Bedggood | New Work (commissioned by Christopher’s Classics)
Ethel Smyth | Trio in D minor

We begin in 19th Century Germany with Fanny Mendelssohn’s ‘Trio in D minor’, a magnificent work by the renowned German composer. With melodies that soar and emotions that run deep, this piece offers a glimpse into the turbulent emotional landscape of its creator. Next, we venture into the contemporary realm with the power and subtlety of Joan Tower’s ‘Trio Cavany’. We proudly present a new commission by kiwi composer Eva Bedggood, offering a fresh perspective and intrinsically relevant voice. Our musical odyssey concludes with Ethel Smyth’s impassioned piano trio, a powerful and evocative composition that showcases the depth of emotions and creative brilliance of the British composer at the beginning of her career.

Byrd The Earl of Oxford’s March
Gabrieli Sonata pian’ e forte
Giazotto Adagio in G minor
Clarke The Prince of Denmark’s March
Gemma Peacocke New work for Brass and Percussion (world premiere)

The majesty and grandeur of brass instruments has been celebrated since the Renaissance. Not just for their power, either. They’re thrilling when played softly, too, and indeed the title of Giovanni Gabrieli’s piece means ‘Quiet and Loud Sonata’ because it was one of the first pieces to specify the level of volume with which the instruments should be played.

This programme explores brass music from Elizabethan England to the present day, with New Zealander Gemma Peacocke being the latest composer to fall under its spell.

Notes Fund - Music for this concert has been supported by Anne Norris & Anne Stewart and Neil Cording

Fanny Mendelssohn | Trio in D minor
Joan Tower | Trio Cavany
Eva Bedggood | New Work (commissioned by Christopher’s Classics)
Ethel Smyth | Trio in D minor

We begin in 19th Century Germany with Fanny Mendelssohn’s ‘Trio in D minor’, a magnificent work by the renowned German composer. With melodies that soar and emotions that run deep, this piece offers a glimpse into the turbulent emotional landscape of its creator. Next, we venture into the contemporary realm with the power and subtlety of Joan Tower’s ‘Trio Cavany’. We proudly present a new commission by kiwi composer Eva Bedggood, offering a fresh perspective and intrinsically relevant voice. Our musical odyssey concludes with Ethel Smyth’s impassioned piano trio, a powerful and evocative composition that showcases the depth of emotions and creative brilliance of the British composer at the beginning of her career.

Carl Maria von Weber | Overture from the Opera “Der Freischütz“
Carl Maria von Weber | Clarinet Concerto No. 1 in F minor op.73
Gareth Farr (NZ) | Waipoua for clarinet and strings
Antonin Dvořák | Symphony No. 9 in E minor, "From the New World"

Join the Trust Waikato Symphony Orchestra and Jonathan Cohen, principal clarinet with the Auckland Philharmonia in an afternoon of sumptuous music exploring the bold and beautiful world around us.

SOUNZ Commission for Orchestra and Arohanui Strings

Porgy and Bess | George Gershwin (1898 – 1937), arr. Russ Garcia (1916 – 2011)
Deborah Wai Kapohe
Eddie Muliaumaseali'í
Siliga Sani Muliaumaseali'í
Signature Choir

Gershwin based his opera on a 1925 novel by DuBose Heyward about a crippled Charleston man who got around on a goat-cart. The novel, turned into a play by DuBose and his wife, became a tremendously successful play. In 1934, Gershwin was invited to the Heyward’s summer house at Folly Beach, near Charleston. Catfish Row, the fictional location of Porgy and Bess, is based on a street in nearby James Island mostly inhabited by the Gullahs, descendants of the African coastal towns who made their living as fishermen and stevedores. Gershwin immersed himself in the Gullah’s musical and speech rhythms, and attended their religious revivals, which had their own unique vocal patterns. The result, which Gershwin called a folk opera, blended classical, jazz, gospel, spirituals and blues in a completely new way. The story of between Porgy, a crippled beggar blessed with optimism, and Bess, an outcast woman cursed with a violent jailbird boyfriend, is rich with drama, danger, love, danger and compassion.

Russ Garcia arranged the opera in 1956 for the second complete recording of the opera and the first to use, instead of classically-trained performers, jazz singers (in this case Mel Torme and Frances Faye) and musicians drawn from, among other groups, the Duke Ellington Band. Garcia recorded it again in 1957 with Ella Fitzgerald and Louis Armstrong in the lead roles, and a big orchestra of strings, horns and woodwinds. The album won a Grammy Hall of Fame award.

Carl Maria von Weber | Overture from the Opera “Der Freischütz“
Carl Maria von Weber ** | Clarinet Concerto No. 1 in F minor op.73
**Gareth Farr (NZ) | Waipoua for clarinet and strings
Antonin Dvořák | Symphony No. 9 in E minor, "From the New World"

Join the Trust Waikato Symphony Orchestra and Jonathan Cohen, principal clarinet with the Auckland Philharmonia in an afternoon of sumptuous music exploring the bold and beautiful world around us.

Fanny Mendelssohn | Trio in D minor
Joan Tower | Trio Cavany
Eva Bedggood | New Work (commissioned by Christopher’s Classics)
Ethel Smyth | Trio in D minor

We begin in 19th Century Germany with Fanny Mendelssohn’s ‘Trio in D minor’, a magnificent work by the renowned German composer. With melodies that soar and emotions that run deep, this piece offers a glimpse into the turbulent emotional landscape of its creator. Next, we venture into the contemporary realm with the power and subtlety of Joan Tower’s ‘Trio Cavany’. We proudly present a new commission by kiwi composer Eva Bedggood, offering a fresh perspective and intrinsically relevant voice. Our musical odyssey concludes with Ethel Smyth’s impassioned piano trio, a powerful and evocative composition that showcases the depth of emotions and creative brilliance of the British composer at the beginning of her career.

Fanny Mendelssohn | Trio in D minor
Joan Tower | Trio Cavany
Eva Bedggood | New Work (commissioned by Christopher’s Classics)
Ethel Smyth | Trio in D minor

We begin in 19th Century Germany with Fanny Mendelssohn’s ‘Trio in D minor’, a magnificent work by the renowned German composer. With melodies that soar and emotions that run deep, this piece offers a glimpse into the turbulent emotional landscape of its creator. Next, we venture into the contemporary realm with the power and subtlety of Joan Tower’s ‘Trio Cavany’. We proudly present a new commission by kiwi composer Eva Bedggood, offering a fresh perspective and intrinsically relevant voice. Our musical odyssey concludes with Ethel Smyth’s impassioned piano trio, a powerful and evocative composition that showcases the depth of emotions and creative brilliance of the British composer at the beginning of her career.

Fanny Mendelssohn | Trio in D minor
Joan Tower | Trio Cavany
Eva Bedggood | New Work (commissioned by Christopher’s Classics)
Ethel Smyth | Trio in D minor

We begin in 19th Century Germany with Fanny Mendelssohn’s ‘Trio in D minor’, a magnificent work by the renowned German composer. With melodies that soar and emotions that run deep, this piece offers a glimpse into the turbulent emotional landscape of its creator. Next, we venture into the contemporary realm with the power and subtlety of Joan Tower’s ‘Trio Cavany’. We proudly present a new commission by kiwi composer Eva Bedggood, offering a fresh perspective and intrinsically relevant voice. Our musical odyssey concludes with Ethel Smyth’s impassioned piano trio, a powerful and evocative composition that showcases the depth of emotions and creative brilliance of the British composer at the beginning of her career.

Fanny Mendelssohn | Trio in D minor
Joan Tower | Trio Cavany
Eva Bedggood | New Work (commissioned by Christopher’s Classics)
Ethel Smyth | Trio in D minor

We begin in 19th Century Germany with Fanny Mendelssohn’s ‘Trio in D minor’, a magnificent work by the renowned German composer. With melodies that soar and emotions that run deep, this piece offers a glimpse into the turbulent emotional landscape of its creator. Next, we venture into the contemporary realm with the power and subtlety of Joan Tower’s ‘Trio Cavany’. We proudly present a new commission by kiwi composer Eva Bedggood, offering a fresh perspective and intrinsically relevant voice. Our musical odyssey concludes with Ethel Smyth’s impassioned piano trio, a powerful and evocative composition that showcases the depth of emotions and creative brilliance of the British composer at the beginning of her career.

Hour of Lead | Eve de Castro Robinson (1956-)
War Requiem | Benjamin Britten (1913 – 1976)
Morag Atchison - soprano
Benson Wilson - baritone
The Orpheus Choir of Wellington

Britten was steeped in the English choral tradition and its liturgical music. In 1962, he was able to fulfil his long-held desire to compose a large‑scale choral work when he was asked to provide music for the dedication of Coventry Cathedral, rebuilt after Luftwaffe bombs Coventry’s beloved 14th-century Cathedral. An important symbolic occasion, it allowed Britten to air in public his pacifist beliefs and his faith in humanity’s capacity for compassion. In a break from tradition, he blended the traditional Latin mass for the dead with nine of Wilfred Owens’ poems from WW1. In Britten’s own words, he offered the War Requiem as “an act of reparation”. On the title page of the score, he quoted the poet, "My subject is War, and the pity of War. The Poetry is in the pity …All a poet can do today is warn.”

The Requiem requires huge forces: a very large orchestra, a smaller chamber orchestra which accompanies the soloists, two organs, three soloists, main chorus, and boys’ choir. When it was first recorded, the Requiem sold 200,000 copies within five months — a rare example of a contemporary work that was immediately embraced by the public.

Stravinsky noticed, and sniped, "Behold the critics as they vie in abasement before the wonder of native-born genius. Kleenex at the ready, and feeling as though one had failed to stand up for God Save The Queen, one goes from the critics to the music…”

Britten could give as well as take, saying of Stravinsky’s The Rake’s Progress, "I liked the opera very much. Everything but the music."