Programme Note
TS Eliot;s poem suite ‘The Hollow Men’ has long since gripped me in both an aesthetic and an expressive sense. For some time I toyed with the idea of writing a piece that responded in some way to the poem. In fact, ‘Our dried voices’ didn’t begin life as that piece, but during the planning process I quickly realised that the suite of poems might provide both a starting point for my sonic ideas for the piece, and a reference for the political and social ideas I was struggling to express in an essentially abstract art. Eliot’s references to dryness and deadness (‘our dried voices, when/We whisper together/Are quiet and meaningless/As wind in dry grass’) provided ideas for a strong sonic world in which to work, while the last two lines of paradox (‘Shape without form, shade without colour/Paralysed force, gesture without motion’) offered a structural and gestural concept with which to battle musically; the work is set up around gestures that dissipate into clouds of sound, act against, and bury each other, and eventually become so intermingled that they lose any individual potency and are important only as part of the general barrage of voices.
- Text Note:
- Inspired by T.S. Eliot's poem suite 'The Hollow Men'
- Commissioned:
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Commissioned by the New Zealand School of Music Orchestra as part of the David Farquhar Award, 2005.
- Difficulty:
- Advanced
- Influences
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