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Red Contributor


Andrew Perkins

Composer

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Born: 1961

Biography

Andrew Perkins was born in Warkworth, New Zealand, 31 December, 1961.

He attended Auckland University from 1980 till 1985, graduating with the degree of Bachelor of Music (1983) then the degree of Master of Music (Hons) 1985 majoring in Composition. His Composition teachers were Dr John Rimmer and Dr Douglas Mews (Senior) and visiting Fellow Lou Harrison. His other Masters papers were Advanced Analysis and Criticism (with Dr Fiona McAlpine), Advanced Orchestration (John Rimmer), and Fugue Writing (Douglas Mews). As a fully trained teacher, Andrew Perkins has taught Music in England (St Bedes School, Eastbourne), and was one of the foundation staff members of ACG Senior College of New Zealand as Director of Music Studies from 1995 till 2004. He was Head of Music at Baradene College of the Sacred Heart, Auckland from 2005-2008. He currently resides in Melbourne, Australia where he completed his PhD in music composition in December 2013 at the Conservatoire of Music, Melbourne University. He is also a sessional lecturer and tutor at the VCA/Conservatorium of Music.

Andrew Perkins has appeared as guest lecturer at Auckland University, at the School of Music, Mathematics Department (on the relationship Music has with Mathematics), and to the School of Architecture (on Proportion in Music and Buildings). During 1986 he was elected as NZIAA’s cultural ambassador, representing New Zealand at the Eleventh General Assembly, Baghdad, Iraq, on the subject of Peace and the Artist. Andrew was Music Director and Cantor of the Auckland Catholic Schola for 13 years; the group specializes in the performance of sacred music from the Medieval, Renaissance and early Baroque periods. All the music is performed within the context of the Roman Catholic Mass. Andrew has written many psalm settings and motets for the Schola.

In July 2012 his major work Christchurch Vespers was performed by Pita Paczian and Bach Musica New Zealand at Holy Trinity Cathedral in Parnell, Auckland. Its musical language – a fusion of the ancient (Greek, Byzantine, Middle Eastern, Hebrew, Indian), the liturgical (Perkins sets seven texts from the Vespers for Pentecost liturgy) and the idiosyncratic (a duel between the harp and the vibraphone in The Announcement of the Eternal Gospel) is both academic and passionate.

During November 2012, the New Zealand Symphony Orchestra recorded his Waltz-Fantasia as part of the NZSO-RNZ Concert-SOUNZ Recordings. Under this project they also recorded his The Radish and the Shoe for narrator and orchestra in 2014. It was recorded in three languages: English, French, and Japanese.

Andrew Perkins’ compositions are highly exotic and colourful, focussing on the weaving of melodic strands similar to the concepts behind Renaissance polyphony. He employs non-Western scales and complex rhythmic structures. His recent works have utilised scalar formations that share characteristics with those of ancient cultures.


Composed (38)

Arioso

for solo pianoforte (or other keyboard instrument), 3m


Ave Maria, gratia plena

for SATB unaccompanied choir, 2m


Ave Maris Stella

for string orchestra, 4m


Ave Maris Stella

for pipe organ, 4m


Ave Verum Corpus - Fantasia

for pipe organ, 7m


Butterfly

for voice and piano


Chants Montage

for organ, 26m


Christchurch Vespers

for solo soprano, SATB choir and orchestra, 40m


Cogitationes Fantasia

for school orchestra and unison choir, based on the plainchant 'Cogitationes'


Composition In Red

for mezzo-soprano, flute, viola and cello, 8m


Concertino for Flute and String Orchestra

For solo flute and string orchestra, 20m


Concerto Grosso

for flute (doubling alto flute), harpsichord and strings


Coventry Carol Fantasia

for pipe organ


Date in Ao Bao

for school orchestra


Dies Sanctificatus

for SATB Choir with brass quartet, 5m


I Prayed, and Understanding was Given Me

for a cappella SATB choir and solo soprano, 4m


It is the Lord who Gives Sight to the Blind

for a cappella SATB choir, 3m


Loquebantur

for SATB unaccompanied choir


Lord, Teach us to Number our Days

for a cappella SATB choir, 3m


Lord, You brought a Vine out of Egypt

for a cappella SATB choir, 3m


Love is Come Again

for unison choir and orchestra with pipe organ


Marian Triptych

for full orchestra, 12m


O Crux Splendidor

for a cappella SATB choir, 7m


O Little One Sweet

for organ


Psalm 73

for SATB choir


Sinfonietta di Dieci

for string orchestra, 18m


Song to the Lord Jesus

for SATB choir and organ, 4m


Symphony - Der Bote

for mezzo soprano and orchestra, 30m


The Flying Gardens

for solo cello, 10m


The Radish and the Shoe

for narrator and orchestra, 16m


Three Bohemian Sketches

Three pieces for string quartet, each based on a Bohemian Folksong, 15m


Three Spanish Songs

for mezzo-soprano and chamber orchestra


Veni Sancte Spiritus - Fantasia

for pipe organ, 6m


Waltz-Fantasia

for symphony orchestra, 8m 40s


Ways of Light and Life

a song cycle for baritone and instrumental ensemble, 21m



Recordings (1)