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Going Like Mad

for piano (four hands)

Year:  2008

Year:  2008

Composer:   Chris Gendall

Films, Audio & Samples

Sample Score

Sample: Pages 2-6 of score

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The title of this piece was taken from the end of James Joyce’s Ulysses, inspired by the text’s rhythmic continuity and exuberance. It is designed to turn the piano into a kind-of deranged machine, flirting with total pandemonium.

Commissioned note

Commissioned by New York’s Continuum ensemble

Dedication note

for Joel Sachs and Cheryl Seltzer