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Concert

Clarity
SOUNZ Virtual Concert

Michael Norris’s Claro (meaning ‘light’ or ‘clear’) begins with a transparent texture of percussion, piano and harp. The orchestra catches resonances from th...
Podcast

Sounds of the Moana
Episode 2: The Origin of Sounds

What is the indigenous sound of Moana-Nui-ā-Kiwa (Oceania)? What has been lost and gained over the course of history, and how can the musical identity of the...
Sounds of the Moana podcast
Article

Victoria Kelly
SOUNZ Contemporary Award Finalist 2023

Victoria Kelly is a finalist for the 2023 SOUNZ Contemporary Award | Te Tohu Auaha for her work, Requiem. We caught up with Victoria to find out more about t...
Article

On Music, Relationships, and Making Music Spaces Safer for Everyone
Part IV: Restorative approaches to musical-relational conflict (continued)

For the final part of this series, I wanted to provide a personal example of working through the three steps of restorative response to conflict:What happene...
Article

Composer Spaces
Alex Taylor

In our Composer Spaces series, we ask composers to share a bit about their working environment and to give us a brief insight into their process. This week w...
Concert

Words

These three pieces use found sounds and the spoken word. Jack Bewley splices together parliamentary proceedings in a rhythmic ‘trio’ with oboe and marimba. G...
Concert

Creatures
SOUNZ Virtual Concert

Lyell Cresswell’s absurdist Das Lied von dem Fisch is a setting of short poems about fishy topics, including one about a constipated goldfish! Janet Jennings...
Creatures - SOUNZ virtual concert
Article

Composer Spaces
Claire Cowan

In our Composer Spaces series, we ask composers to share a bit about their working environment and to give us a brief insight into their process. This week w...

Borrow/Hire:

To borrow items or hire parts please email SOUNZ directly at info@sounz.org.nz.