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Work

1982
  • for soprano, mezzo-soprano, voice, and a dancer
  • By:
Duration:
13' 00"
Contents:
Seven songs

Samples

application/pdf,602k Score (602k) Page 1© Waiteata Music Press
application/octet-stream,2113k Recording (2113k) Excerpt: Michael Parmenter, Jack Body and Linden Loader© Jack Body
audio/mpeg,467k Recording (467k) No description
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External Media on Demand

Programme Note

The Love Sonnets of Michelangelo I wrote for Michael Parmenter, with whom I worked on a programme entitled Between Two Fires (also included was a dance-theatre work I created collaboratively with Michael, using his voice as well as his body, with imagery extracted from the diaries of Franz Kafka.) At the time I was focused on different styles of melody, having just completed my Five Melodies for Piano. Inspired by the lovely voices of some of the then current students in our School of Music, I felt that women’s voices gave the expressive quality I wanted, as well as providing a useful ‘cover’ for the overtly homo-erotic tenor of the texts. The original production used film, shot by my good friend Bayley Watson, showed the dancer’s prostrate figure, swathed in bandages. As the performance unfolded the cloth was gradually cut and pealed back by hands belonging to an old man whose face we never saw, the intended metaphor being of the sculptor cutting away marble to reveal the male form that he sensed already existed within the stone.

The work has since had other performances that have discarded the theatrical elements, most successfully when each setting is prefaced by a reading of the poem in translation.

These settings of some of Michelangelo Buonarroti’s most personal sonnets articulate the anguish of love and desire, as well as the despair of old age. The musical style combines the theatricality of Italian bel canto with the direct expressivity of folksong.

Text Note:
Texts by Michelangelo
Difficulty:
Advanced
Influences:

Performance History

09 May 2015 Performed by Baroque Voices, director Pepe Becker, at St Joseph’s Church, Wellington.
Baroque Voices
24 May 2015 Arrangement for string quartet performed by Martin Riseley (violin), the NZSQ, and Alexander Gunchenko (double bass), at the Jack Body Memorial Concert, at St Andrews on the Terrace, in Wellington.
III only.

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