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1968
for orchestra

By:

Duration:
25' 00"
Instrumentation:
222(1)2; 2220; timp, 4perc, hp, pf; strs. Perc: snare drum, tambourine, 3 tom toms, 2 bongos, large and small suspended cymbals, maracas, claves and xylophone

Samples

application/pdf,247k Score (247k) Pages 1-8© John Rimmer

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Programme Note

In many ways Symphony (1968) which was composed in Toronto while I was studying with John Weinzweig, encapsulates what I wanted to achieve stylistically as a composer in this and in subsequent works.

I was interested in exploring a high degree of subtlety in tone colours and dramatic contrasts in rhythm and texture.

I wanted to achieve a string characterisation in the music by contrasting melodic, soloistic writing and contrapuntally inspired textures both fuelled by a lyrical impulse. In addition I wanted to lead my listeners through the delightful complexity of a sonic maze by the repetitions and extensions of clearly defined musical ideas.

These aspects can be heard in the Finale in the contrast between angular, jagged full orchestra textures and the soloist and ensemble sections. The percussion instruments are particularly prominent in this movement and the final climax features several percussive rhythmic layers.

Difficulty:
Advanced

Performance History

13 Feb 2001 Performed in a rehearsed reading by the New Zealand Symphony Orchestra conducted by Kenneth Young as part of the NZSO-SOUNZ Readings
Third Movement, Manifesto, from Symphony (1968)
Kenneth Young    New Zealand Symphony Orchestra
03 May 2010 Performed as part of the 18th NZSO-SOUNZ Readings by the New Zealand Symphony Orchestra and conducted by Tecwyn Evans at the Wellington Town Hall, in Wellington
Finale movement only
New Zealand Symphony Orchestra    Tecwyn Evans

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