Commissioned for the 50th anniversary of Sigulda School of Music and dedicated to the town of Sigulda, this is the first symphony ever known to have been wri...

These pieces were written to commemorate the passing of John Ritchie, composer and musician, and father of Anthony. They were commissioned by Margaret Nielse...

A Tribute to Bert Kaempfert (born Berthold Kämpfert; 16 October 1923–21 June 1980), a German orchestra leader and songwriter. He made easy listening and jazz...

This is the largest orchestra I have written for, and after writing film music for some years for small and medium-sized orchestras, I decided that a full sy...

Written and composed by Toni Huata Co-composed with Maaka McGregor

Electroacoustic music for film.

This concert overture was commissioned by Auckland's Academy Youth Orchestra and first performed in 1994. The two main themes were originally written by the...

Chimes for Regensburg for piano four hands was written in September 2019 in response to the call for scores for keyboard for the final concert of the Tage ...

The 'Piece for Judith Clark' was commissioned by the Wellington Branch of the Institute of Registered Music Teachers in honour of the much-loved and respecte...

Robyn Ravlich is a poet and executive producer of the Radiophonic Unit of ABC Radio National in Australia. The three poems are from ‘Songs for Salome’, publ...

Written for the Continuum Ensemble of Toronto for the first concert of their 2006–07 season in October 2006, this piece appeared in the program along with _M...

Scored for 11 violins, 3 violas, 3 cellos, and 1 double bass, this work was commissioned by the School of Music, University of Canterbury with Arts Council f...

Counting through the tones of In a Landscape by John Cage, in the manner of counting a rosary. The title means an offering to Buddha; this is not so much a...

In Soliloquy for Guitar, the tuning of the strings is always changing. The basis is the relationship between the harmonics of the lowest string with the tu...

This work was written for a group of students at New Plymouth Boys' High School. All were brass band players, hence the unusual combination of instruments. T...

The piece is the first work in which I adopted the formal proportions and organic unfolding of the spiral to shape multiple dimensions of the music. This exp...

This is a vignette for double reed trio experimenting with post-tonality and interplay between the instruments. I wanted to make this to be a 'journey' of so...

Winner of the First Prize and Audience Award in the 2018 New Zealand Double Reed Society Chamber Music Competition

This piece is based on Einstein's famous saying about religion and science:

"Religion without science is blind
Science without religion is lame." ...

These miniatures are an exploration of musical geometries: space, time, line, synchronicity and movement. The collection is a juxtaposition of shapes: fluid ...

The machinery of Concertino for Five Instruments operates like the switching on and off of a light. When the light turns on the music is illuminated. When ...

These pieces were composed while Ritchie was a second year student at Canterbury University, in 1980. They received their first performance at the Cambridge ...

Ants: Sextet was commissioned by Christopher Marshall on request from violinist, Donald Armstrong for his group Amici, for inclusion in the Christopher’s Cla...

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an arrangement for piano of Birthday Music for Sheila