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Programme Note
Three experiences from a visit to France in 1997 remained imprinted in my mind, leaving traces in this work: the vast, almost abstract, Nympheas murals by Monet in Musee de l’Orangerie, Paris; the different church bells in the small hill villages of Provence; the dazzling shimmering whiteness and sublime silence of the Mer de Glace, Mont Blanc, as seen suspended in a small cable-car, hundreds of feet above the ice.
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