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2003
for orchestra with Pacific Island drums

By:

Duration:
10' 00"
Instrumentation:
(1),2,2,2,2; 4,3,3,1; hp, timp., 3 perc. (side drum, bass drum, hand drum, log drum, sus. cymbals, crash cymbals, tambourine, xylophone, rain tree, wind chimes, tam tam, glock.); strings

Samples

application/pdf,132k Score (132k) Page 48 - 50© Gary Daverne
application/pdf,157k Score (157k) Page 12 - 14© Gary Daverne
audio/mpeg,394k Recording (394k) Excerpt a - 24 seconds© Gary Daverne
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audio/mpeg,782k Recording (782k) Excerpt b - 50 seconds© Gary Daverne
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Availability

Programme Note

Composed over 9 days in 2003, the idea of writing a piece of music with such a title developed while writing, over a ten year period, an opera based on the life and hardships of Wesleyan and Anglican missionaries in the South Pacific. The setting for this opera is mainly in the northern region of New Zealand in the 1830s, leading up to the signing of the Treaty of Waitangi in 1840. The main theme based on the expression Tribal Ritual and Pacific Island drum rhythms (Tongan) are the major features in the structure of the composition.

Influences:

Performance History

World Premiere for P: Tribal Ritual; Moravian Phil 091005 09 Oct 2005 Performed by the Moravian Philharmonic Orchestra, Olomouc, Czech Republic