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- Duration:
- 18' 00"
- Instrumentation:
- E flat clarinet, bass clarinet, bass trombone, cello and double bass
Samples
| Recording (467k) | P: 1:25 - 2:25 | © Waiteata Music Press | |
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Availability
- This work has 2 scores, 1 Media on Demand and 5 recordings
External Media on Demand
Programme Note
The sound is of whirlwind underground
Earthquake, and fire, and mountains cloven;
The shape is awful like the sound,
Clothed in dark purple, star-inwoven.
Thus Panthea, an ocean nymph, describes the appearance of the Phantasm of Jupiter, or the ‘Tremendous Image’, summoned in anguish by Prometheus in Shelley’s Prometheus Unbound.
Prometheus is seen here as a symbol of those who challenge tyranny for the sake of mankind. By stealing fire from Olympus to give to humans, Prometheus incurred the wrath of Jupiter. He was chained to a rock where, each day, an eagle tore out his liver, and each night it grew whole again. He cursed Jupiter and was hounded by the Furies.
Maui stole fire from his grandmother Mahuika to give to humans and changed himself into an eagle to escape the flames.
It is the energy of the curses, the hounding, the wrath of Jupiter, the flight of the eagle, the gift of fire, as well as the compassion of Prometheus and Maui that I have sought to reflect in the music.
Of Whirlwind Underground is in one continuous movement comprising eighteen merging sections incorporating various combinations of instruments and solo breaks. The quintet grows from two musical ideas, one rhythmic, first stated by the double bass at the very beginning; and the other melodic, introduced straight after by the Eb clarinet. These ideas are juxtaposed, combined, protracted, contracted and variously transformed throughout the piece, while other accompanying and punctuating particles develop and take on greater significance as the music progresses.
- Text Note:
- Based on a Shelley Text from Prometheus Unbound
- Commissioned:
- Commissioned by 175 East with funding from Creative New Zealand
- Difficulty:
- Advanced
- Influences:
- Funders:
Performance History
| 21 Nov 1999 |
Performed by Gretchen La Roche (Eb clarinet); Katherine Hebley (cello); Daniel Stabler (double bass); Tim Sutton (bass trombone); Andrew Uren (bass clarinet) |
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| 175 East | ||
| 30 Apr 2000 |
Performed by 175 East: Gretchen La Roche (clar.), Katherine Hebley (cello), Daniel Stabler (d. bass), Tim Sutton (tromb.), Andrew Uren (b. clar.), Hamish McKeich (cond.) |
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| 175 East Hamish McKeich | ||
| 11 Aug 2010 |
Performed by 175 East as part of a Waikato University Lunchtime Concert in Hamilton |
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| 175 East | ||
| 14 May 2011 |
Performed by 175 East in Auckland |
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| 175 East | ||
| 20 May 2011 |
Performed by 175 East in Wellington |
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| 175 East Hamish McKeich |
Awards
- SOUNZ Contemporary Award (2000)
Of Whirlwind Underground was a finalist in the 2000 SOUNZ Contemporary Award.




