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Work

1998
Duration:
18' 00"
Instrumentation:
2*2*2*1, alto saxophone, 2220, 3 perc., 8 solo strings: 3221

Samples

application/pdf,6821k Score (6821k) Pages 5-7© Philip Brownlee

Availability

Programme Note

The music draws on images of the natural environment, and in particular New Zealand’s coastal landscape. One might imagine the sounds of wind and water, and birdsong, and the dim outlines of rugged coastlines and bush-covered hills. These shadows come in and out of focus, against the backdrop of the work’s technical explorations. Formally, there is an emphasis organisation at the sonic level, and particularly the way in which accumulations of timbres, densities and textures change over time. Each player is a soloist, while at the same time ever-changing instrumental groupings fuse into composite sound-masses. There is a constant tension between these shifting masses and the virtuosic individual lines which scatter around them.

Difficulty:
Advanced
Influences:

Performance History

21 Mar 2002 Performed in a rehearsed reading by the New Zealand Symphony Orchestra conducted by Hamish McKeich as part of the NZSO-SOUNZ Readings
Hamish McKeich    New Zealand Symphony Orchestra

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