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• Childs, D.N.: A Blessing; computer set  Year: 2003 

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the soloists can be choir members (no need for extra soloists) and it might be possible for the solos to be divided amongst several singers. The written keyboard part, although intended for rehearsal only could be performed with the choir, but on an organ only

• Hamilton: A New Commandment; computer-set 

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• Hamilton: A New Commandment; computer-set 

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• Hamilton: A New Commandment; computer-set 

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Written in response to Bartok’s ‘44 Violin Duos’(1931) which were based on traditional East European melodies. Bartok was concerned that such tunes would become extinct and wanted to preserve them. ‘Birds Reply’ is also intended as an educational resource although the pieces are original compositions with Celtic, English, Balkan and Klezmer influences. On this recording Chris Prosser plays both violin parts.

• Prosser: Birds Reply to Bartok; computer-set 

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  $27.00
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• Prosser: Birds Reply to Bartok: 44 Violin Duos; computer-set 

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  $31.50
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• Accordatura Violin - Chris Prosser 

  CD
  
  $60.00
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• Prosser: Birds Reply to Bartok - 44 Violin Duos  Year: 2003 

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• Childs, D.N.: Cantate Domino, Benedicamus Domino; computer set 

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3333; 4231; timpani, celeste, 3 perc.; strings

Cycles that hop is the literal translation for ‘ccycclohhopps’. ‘ccycclohhopps’ is a musical escapade portraying a carnival atmosphere. Using the brilliance of the glockenspiel, the transparency of the celeste, and a collage of mixed timbres, themes and styles, ‘ccycclohhopps’ takes the listener through an eccentric orchestral landscape.

• Stabler: Ccycclohhopps; computer-set 

  Full score | Pdf - computer set
  

• Stabler: Ccycclohhopps; computer-set 

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  $12.50
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• Stabler: Ccycclohhopps; midi 

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Brass: horn (2), trumpet (2), trombone (2)

• Parker: Credo; computer set 

  Vocal score | Pdf - computer set
  

• Parker: Credo; computer-set 

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  $15.00
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• Parker: Credo; computer-set 

  Parts - written | Pdf - computer set
  

• Parker: Credo; computer-set 

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• Parker: Credo; computer-set 

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• Brent Parker: Credo 

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• Brent Parker: Credo, Guitar Concertinos, En France 

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• Harris: Eight Duets for French Horns; computer-set 

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• Harris: Eight Duets for French Horns; computer set 

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• Jagger: Epithalamium 2; facsimile 

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• Jagger: Two Epithalamiums; facsimile 

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full symphony, harp 4 perc

Gallipoli was composed in memory of the World War I battle that took place between Turkey and Anzacs, symbolizing as a whole, the mutual good relations of the countries of Turkey, Australia and New Zealand, which are in friendly relations in our day. The message given by Turkey’s leader Ataturk after the war was one of humanism and friendship. This is still commemorated by both the ANZACs and the Turks with great importance every year.

The idea of writing this solo work for trumpet was born when Erden Bilgen met the composer in Auckland. It became formalized with the composer’s visit to Gallipoli in 2001 and a subsequent meeting between the two in Istanbul. Written in rhapsodic form in one movement, the music is not intended to interpret the horrors and negative aspects of war, but more the emotions and reflective times of the young ANZAC (Australian and New Zealand Army Corp.) and Turkish troops summoned to war on Turkish ground.

The opening trumpet fanfare is the call to war. In the middle section the composer uses a traditional folk theme from the Turkish region of Canakkale. There is a short cadenza and the orchestration requires a large symphony orchestra.

• Daverne: Gallipoli; computer-set 

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• Gary Daverne: Gallipoli 

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  $30.00
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• Russell: God's Grandeur; computer set 

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• Russell: God's Grandeur; computer set 

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  $8.50
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