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• 'Whetu-Rere' - The Sea Lion and the Comet  Year: 2007 

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• Cruise-Johnston: A Blessing; computer set 

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Original music for the documentary Lands of Our Fathers – My African Legacy.

• Jonathan Besser: Lands of our Fathers - my African Legacy  Year: 2004 

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This is the second arrangement made of a song written around 1918 by Erima Maewa Kaihau (1879-1941). It follows on from E moe te ra made in 2007 – both pieces arranged at the request of David Gordon of Diocesan School for Girls. Erima Maewa Kaihau was also involved in the complex gestation of the song Now is the hour.

Akoako o te Rangi is also very much in the late Victorian tradition of ‘parlour ballads’ and owes little to traditional Maori song forms or styles. In fact the rather erratic word underlay of the Maori text suggests that the English version (hardly a translation though of the Maori) may have been te first made.

The text is short although there may have originally been further verses (the printed music, published in 1918, contains just the one verse). It is a love song – the scent of a loved one wafting on the breeze to awaken the sleeping lovelorn singer.

• Hamilton: Akoako o te Rangi; computer-set  Year: 2010 

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This song cycle for soprano and piano has texts by the composer in Maori and English.

“Awa Herea memorably evokes the physical appearance of symbolic significance of these braided rivers… cosmic weather-driven energy.” (Covell, Sydney Morning Herald).

“Its pace was shrewdly varied and the music encompassed a range of styles – from sung declamation to florid lyricism – without incongruity.” (Jack, Independent).

“The cycle displays all the characteristics of her [Gillian Whitehead’s] mature work. The vocal line is at once exultant and contemplative, the piano writing incisive or lulling; the formal shaping novel yet accessible. It is a memorable piece, filled with the energetic spirit of the natural world and finding through that spirit its own serenity.”

• Whitehead: Awa Herea; computer-set 

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• Whitehead: Awa Herea; computer-set 

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• Whitehead: Awa Herea; facsimile 

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• NZIAF: Gillian Whitehead Portrait; part 2 

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• Waikohu: Mere Boynton and Friends 

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• Tracey Chadwell's Songbook  Year: 1995 

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• Ears Wide Open Taringa Areare Education Resource CD  Year: 2000 

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• Katene: Awhimai Ra; facsimile 

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Bitter Calm is a full length opera for five principals, chorus and orchestra in two acts. It is based on an incident at Motuarohia Island in the Bay of Islands, New Zealand in the 1840s. It is a drama of human passions in the contexts of land alienation and tensions between Maori and new settlers. Premiered at the New Zealand International Festival for the Arts in 1994 and filmed for television.

• Blake: Bitter Calm; facsimile 

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• Blake: Bitter Calm; facsimile 

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• Blake: Bitter Calm (Scenes 1-3) 

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• Katene: Calling Me Home; facsimile 

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An extract from Wenceslas (1992) a cantata for choir and orchestra by Philip Norman, commissioned by the Christchurch Symphony Orchestra, setting the words of the traditional Czech carol, Carol of the Birds. First performed in the New Zealand version by The Cathedral Grammar School Choir at the Christchurch Symphony Orchestra’s 2005 Christmas Proms. Arranged for a capella SATB in 2009.

• Norman: Carol of the (New Zealand) Birds; computer-set 

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• Norman: Carol of the (New Zealand) Birds; computer-set 

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An extract from Wenceslas (1992) a cantata for choir and orchestra by Philip Norman, commissioned by the Christchurch Symphony Orchestra, setting the words of the traditional Czech carol, Carol of the Birds. First performed in the New Zealand version by the Cathedral Grammar School Choir at the Christchurch Symphony Orchestra’s 2005 Christmas Proms.

• Norman: Carol of the (New Zealand) Birds; computer-set 

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• Norman: Carol of the (New Zealand) Birds; computer-set 

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