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also available in SSA version

The Maori text for this Christmas season choral work is drawn from the Gospel of Luke (Ch.2. verses 10,14) and also Isaiah Ch. 9. verse 6). It was originally commissioned by Ros Emeleus for the Chilton St James Choir ( S. A.A ) with funding provided by the Queen Elizabeth II Arts Council (now Creative New Zealand). The work was revised for SATB choir in 1997.

• Fisher: Te Whakaaro pai ki nga tangata; computer-set 

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• Fisher: Te Whakaaro pai ki nga tangata; computer-set 

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• Fisher: Te Whakaaro pai ki nga tangata; computer-set 

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The Maori text for this Christmas season choral work is drawn from the Gospel of Luke (Ch.2. verses 10,14) and also Isaiah Ch. 9. verse 6). The work was revised for SATB choir in 1997.

Accurate Maori pronunciation is required for this work

• Fisher: Te Whakaaro Pai ki Nga Tangata; computer-set 

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• Helen Fisher: Te Whakaaro Pai Ki Nga Tangata; video 

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• Te Whakaaro pai Ki Nga Tangata - Helen Fisher 

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• Helen Fisher: Works 1  Year: 1992 

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sopranos divide for final six bars

This short and lively Maori welcoming song has been much performed, nationally and internationally, by children’s choirs. Arranged for sopranos, altos and piano (with optional parts for flute and cello) it is not difficult to learn and has bright and rhythmic parts for the instruments. The lyrics are by Canon Wi Huata to a traditional tune.

• Ritchie, A.: Two Maori Songs; facsimile 

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• Ritchie A.: Two Maori Songs; facsimile 

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• Ritchie A: Tutira Mai; facsimile 

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• Ritchie, A.: Tutira Mai; computer set 

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• Ritchie A.: Tutira Mai; computer-set  Year: 2000 

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• Ritchie A.: Tutira Mai; computer-set  Year: 2006 

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• Anthony Ritchie: Tutira Mai; audio 

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Tutira Mai is a song of solidarity – it is included in the album Four NZ Maori Songs.

• Hamilton: Four New Zealand Maori Songs; computer-set 

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• Hamilton: Four New Zealand Maori Songs; computer-set  Year: 2001 

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‘Voices of Tane’ (1976) was the first piece I wrote on my first return to New Zealand after nine years away. It was written for my sister, Joyce Whitehead, to play at the Registered Music Teachers’ Conference in Auckland that year. A series of seven short piano pieces, written with children in mind (although some of them are difficult for children to play), was written for my godson, Kit Boyes. There is little to say about the pieces themselves except that the last repeats the first, the third has to do with birdsong, the fifth with the wind, and the sixth consists of nine ideas that the pianist plays in whatever sequence she or he wishes.

• Whitehead: Voices of Tane; computer-set 

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• Gillian Whitehead: Voices of Tane; audio 

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2221; 4320; timpani; harp; piano; percussion (bass drum, snare drum, triangle, glockenspiel, gong, cymbal, vibraslap, xylophone, ratchet, bongos, metal rim, tambourine, woodblock, jingles, guiro); strings

• Williams, F.: Waikaremoana - A Story; facsimile 

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