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• Adams: A Song Cycle; computer-set 

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• Adams, C.: A Song Cycle; computer-set 

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• Caskie: Five Polish Christmas Carols; computer-set 

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These three pieces were composed as homage to the great music of the baroque era. They represent conservatively modern interpretations of venerable old musical forms.

• Twomey: Music for Harpsichord (Opus16b); computer-set 

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• Twomey: Music for Harpsichord; computer-set 

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• Reflections - Music Composed by Ray Twomey 

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• Ray Twomey: A Child is Born  Year: 1999 

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• A New Dawning  Year: 1999 

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These three pieces were composed as homage to the great music of the baroque era. They represent conservatively modern interpretations of venerable old musical forms.

• Twomey: Music for Organ (Opus 16a); computer-set 

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• Twomey: Music for Organ (Opus 16a); computer-set 

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• Reflections - Music Composed by Ray Twomey 

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• Ray Twomey: Gloria in Excelsis Deo 

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• A New Dawning  Year: 1999 

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Seven little melodies for a melody instrument, concluding with a Gigue.

Several of these pieces received their first performance in a lunchtime recital of contemporary pieces for solo bass clarinet given by Andrew Uren at the Dunedin Public Art Gallery in October 2000.

• Carey: Seven Little Pieces; facsimile 

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‘small blue’ was written memory of Sir Michael Tippett who died in 1998. A simple tolling bell ostinato provides the base for a repeated blues motif, echoed by poignant fragments of whistling and knocking on the piano. (From Atoll A9806)

• de Castro-Robinson: Small blue; facsimile 

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• de Castro-Robinson: Small blue; facsimile 

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• A Chaos of Delight: music by Eve de Castro-Robinson  Year: 1998 

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• Jagger: Sonnets II; facsimile 

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For four-part recorder consort, these improvisations on well-known French carols are of moderate to advanced difficulty.

• Caskie: Three improvisations on French Christmas Carols; computer-set 

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• Caskie: Three improvisations on French Christmas Carols; computer-set 

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A rearrangement for piano solo of ‘Douze Petites Chorales’ by Erik Satie (the original pieces are also for piano solo). My arrangements allow at different times for rhythmic augmentation (sometimes of only one or two of the voices of the Chorale at a time, creating a displacement of the original voices), octave transposition, octave doubling, and crossed hands (so that the soprano and alto voices occur in the lower register and vice-versa).

• Carey: Twelve Little Chorales by Erik Satie; facsimile 

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• Carey: Twelve Little Chorales by Erik Satie; facsimile 

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