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David Hamilton  

Passacaglia

Duration: 09' 00" Year: 1987, r. 1995
for flute and chamber orchestra

Ross Harris  

Piano Piece 1987

Duration: 05' 00" Year: 1987

Anthony Ritchie  

She is singing for Peace

Duration: 05' 00" Year: 1987
for SSAATTBB unaccompanied choir

David Hamilton  

Slides 8

Duration: 05' 00" Year: 1987
for solo flute

  • Programme Note

    Returning to the medium of solo flute, this piece was written during 1986 for Elizabeth Hirst who was at that time a sixth form student of the composer at Epsom Girls Grammar School. The piece acts as a kind of summary of the series and angain features the overblowing/tremolo technique extensively. This piece was subsequently absorbed into Passacaglia – a work for flute and strings written for the same soloist.

  • Availability

Anthony Ritchie  

Sonatina

Duration: 06' 00" Year: 1987
for 7-8 percussionists and bass guitar

  • Instrumentation
    Percussion: glockenspiel, xylophone, marimba, vibraphone, timpani, side drum, bass drum, suspended cymbal, hi-hat, triangle, wood block, chimes (untuned)

Martin Setchell  

St. Barnabas Service

Duration: 06' 15" Year: 1987
for SATB choir and organ with optional congregation part

Michael Vidulich  

String Quartet 'On Themes Of Benjamin Franklin'

Duration: 05' 00" Year: 1987
for 2 violins, viola and cello; or 3 violins and cello.

Noel Sanders  

Two Goethe Songs

Duration: 08' 00" Year: 1987
For high voice and piano

  • Programme Note

    “Very strange. Listening to Busoni (songs and sonatinas) and dealing with unbelievable domestic horror, Blue Mountains, Sydney, at night.”

Eve de Castro-Robinson  

Undercurrents

Duration: 09' 00" Year: 1987
for clarinet in B flat

Anthony Ritchie  

Variations

Duration: 09' 00" Year: 1987
for youth orchestra

  • Instrumentation
    4222;4331;timp, 3perc (xylo, cym, bs-dr, sd-dr, wd-bl, glock, sus-cym, cast); strs.
  • Programme Note

    This is a lively and colourful piece for youth orchestra, based on a quasi-Hungarian folk tune. After a slow introduction, a rhythmic melody springs to life, leading to a rumbustious second theme. This work is scored for a full orchestra, and is designed for good high school players and tertiary students.

  • Availability