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Available in variable interpretations including DJ/tape; with male voice or female voice

• Blair: "Harp" and "Cry" from Accordian; computer set 

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2 fl. (dbl. alto flute, 2 players), oboe (dbl. cor anglais, 1 player), clarinets (1), piano, percussion (1 player: vibraphone, triangle, maracas, rainsticks, 3 gongs of different sizes, small tambourine), drumkit, violins (2), viola, cellos (2), bass, taonga puoro: wooden koauau, iwi kuri, iwi maire, large putorino, putatara, porotiti, birdcalls; 1-2 baroque sopranos, 1 chamber soprano, 1 Maori female voice (alto range)

• Bisley: In Memoriam; facsimile 

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• Bisley: In Memoriam; facsimile 

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eight multiple loudspeakers

• Drummond: Impersonating Maurice and Marriage a la Mode  Year: 2004 

  CD
  
  $35.00
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Soundtrack to the second half of New Zealand School of Dance 2004 choreographic season Intimate Space at Te Whaea Theatre, Newtown, where it was electronically defused through the sound system.

• New Zealand Selection 1 

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• Premieres 2004, Vol. 7  Year: 2003 

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• Stephen Gallagher: Mathematical Geography  Year: 2004 

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eight multiple loudspeakers

SATB with organ

Requiem For An Unknown Soldier was written in 2004, as a salute to those who have fallen in so many wars. It is also a statement about the barbaric futility of such conflicts, and the dishonesty of nations who sacrifice their young men, on the pretext that ‘it is a good and noble thing to give one’s life for one’s country.’ ‘Dulce et decorum est pro patria mori.’

The work uses traditional Latin texts from various parts of the Requiem Mass, and also settings of words by Wilfred Owen, the First World War poet. The short Requiem takes just over thirty minutes to perform, and requires a four-part choir, soprano and bass/baritone soloists, and organ.

Three movements are a cappella, including the ‘Pie Jesu’ and ‘Agnus Dei’ which have been widely sung in other contexts. The Latin text is well known and gives the work universal acceptance throughout the choral world. The work has been available on the internet since late 2004, and well over a hundred copies have been downloaded. Requiem will be performed in Wanganui on or about Anzac Day 2007; in the northern hemisphere it would usually be performed on or about Remembrance Day 11 November.

Benjamin Britten’s great War Requiem, commissioned for the consecration of Coventry Cathedral in 1962, and secondly by Helen Clark’s determination to have New Zealand’s own Tomb of the Unknown Warrior in Wellington. The work’s bitterest moments recall the waste of so many young lives on foreign battlefields. It is not a comfortable work, but the many performances of ‘Pie Jesu’ and ‘Agnus Dei’ show that its quieter and more contemplative moments have general appeal. In contrast, the ‘Dies Irae’ for male voices uses vigorous repeated notes and tumultuous scale passages to conjure up the dreadful Day of Judgement. The ‘Sanctus’ presents unison voices with an opportunity to make a glorious declamation of “Hosanna in excelsis!” Owen’s harrowing words are the most touching moments of the work, and the bass/baritone has the task of communicating the horror of young men thrown into a situation of ‘kill, or be killed’.

• Cruise-Johnston: Requiem for an Unknown Soldier; computer-set 

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0000; 2020; strings; also sampled timpani, perc., hp, cel., piano

10 characters (7 singers) and children's chorus; 2 violins, viola, cello, double bass, flute, oboe, clarinet (in A), trumpet (in C), percussion, keyboard (playing piano and organ)

• Ritchie A.: The God Boy; Computer Set 

  Vocal score | Pdf - computer set
  

• Ritchie A: The God Boy; computer-set 

  Vocal score | Hardcopy - computer set
  
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• Ritchie, A.: The God Boy; computer-set 

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• Ritchie A.: The God Boy  Year: 2004 

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• Anthony Ritchie and Jeremy Commons: The God Boy  Year: 2004 

  CD
  
  $30.00
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• Opera Otago: The God Boy by Anthony Ritchie  Year: 2004 

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eight multiple loudspeakers