Sub Navigation

Search Music:

Search for music by typing a word or phrase in the box below or by selecting one or more categories from the list on the side.

Reset

Or search for products by selecting an option below, and typing a word or phrase in the box above

  • Scores
  • CDs and DVDs
  • Downloads
  • Education Resources

Anthony Ritchie  

24 Preludes

Duration: 49' 00" Year: 2002
preludes for solo piano

Score Sample
Audio Sample
  • Programme Note

    It is impossible not to feel inspired when playing some of Bach’s 48 Preludes and Fugues, Chopin’s 24 Preludes, Debussy’s two books of preludes, or Shostakovich’s 24 Preludes and Fugues. As a composer I wanted to make a small mark of respect to these greats with some dedications. I have also taken a cue from Bach and Shostakovich and included contrapuntal forms within these preludes. While not wanting to restrict myself to the form of a fugue, there are several preludes which are close in spirit to fugues: Nos.17 and 19 for instance, are what I would call my ‘prelugues’. There is also a passacaglia (No.16) which owes a debt to Shostakovich. I have conceived these pieces as a unified whole. Within them I have attempted to cover a whole variety of characters and moods, from the improvisational and experimental to the lyrical and gentle, from the wild and gestural to the calm and peaceful, from the quirky and ‘black’ to the light and sunny, from the depressive to the resolved. The extensive technical planning and preparation behind these pieces has been fun for me as the composer, but in the end it is the sound and musical expression that matters. I would like to think this voyage of discovery has led to something new and interesting to listen to.

  • Availability
Add to Wishlist

Full information

Philip Norman  

A Factory Opera

Duration: 30' 00" Year: 2002
a chamber opera for 6 principals, SATB chorus and 2 pianos

Add to Wishlist

Full information

Gillian Whitehead  

Alice

Duration: 36' 00" Year: 2002
an eight movement monodrama for mezzo-soprano and orchestra

Score Sample
Score Sample
  • Instrumentation
    3343, 3310, harp, timp., 3 perc., strings, mezzo-soprano
  • Programme Note

    In 1909 Alice Adcock, a lively and adventurous young woman from Manchester, was on her way to New Zealand. She was 23, and had recently developed TB, for which there was then no cure. Somehow she persuaded her widowed father to let her travel alone to the other side of the world in case a healthy climate would save her life. (It worked – she lived for another 50 years). The family kept her entertaining letter describing shipboard life, and a few postcards from her have also survived, but most of what we know about her time in New Zealand comes from her father’s letters to her, of which he kept copies, or from family tradition. On her arrival in New Zealand, Alice went into service, travelling widely, much to the consternation of her father. As housekeeper (and the only woman) on a farm in Makarora (a remote settlement on Lake Wanaka) she became pregnant to an unknown man, but was ‘rescued’ by marriage to a local farmer, Charles Pipson, shortly before the birth of her daughter. In 1911, her beloved father died; in 1912, Alice and Charles had a son and the following year, pregnant again, Alice took her children back to England to visit her family. Tragically, while she was away, her husband died suddenly of typhoid fever. Alice hurried back to Makarora to claim her inheritance, but left the two babies with her brother Sam and his wife (who were shortly to emigrate to New Zealand) and took only her eldest child, the illegitimate one, with her. This outraged her sisters-in-law, who saw it as an insult to their dead brother; they sent her away from the farm empty-handed. Once again she had to take a housekeeping job, this time in the North Island. In 1914, Alice and her brother’s family met up again, and Alice began a new life. (Fleur Adcock – abridged) The music of Alice is text-driven, ranging between a language at times extremely simple, as was the basic musical language of the settlers, and at times quite complex, evoking a storm at sea, or the unease of the settlers in a new environment, or Alice’s reaction to the problems which beset her. The piece is held together by various referential motifs. The initial idea, which perhaps suggests the instability of the sea, is also present in the bell-like sounds marking Charles’ death, music associated with a storm at sea is later associated with mental stress, while music suggestive of the movement of shipboard lice later underlies Alice’s traumatic encounter with her sisters-in-law.

    There are eight sections, which often merge into one another: 1. in a letter to her father, Alice describes shipboard life; 2. in New Zealand, she compares her past life and hopes for the future; 3. a dialogue between father and daughter, expressed through their letters; 4. in Makarora, Alice discovers she is pregnant; 5. Alice hears of her father’s death; 6. in England, she learns of her husband’s death; 7. back in Makarora, Alice is turned away by her sisters-in-law; 8. turning her back on the South Island, Alice looks forward to her new life with her brother’s family in the north.

    While writing this piece, I was drawn again and again into the thought that, although this is a true story, set in a particular place at a certain time, it has the resonances of a universal myth, known to all of us who live here. Our forebears, or we ourselves, have crossed the seas to begin a new life, with unforeseen and unimaginable difficulties and felicities, whether ten years, a century or a millennium or so ago.

  • Availability
Add to Wishlist

Full information

Dorothy Buchanan  

Bush Cinderella

Duration: 1h 10' 00" Year: 2002
for clarinet, cello and piano

Score Sample
Add to Wishlist

Full information

Juliet Palmer  

Cypress

Duration: 35' 00" Year: 2002
for double bass and bass clarinet

Score Sample
Search image for Cypress
Add to Wishlist

Full information

Samuel Gray  

Free composition, Oslo

Duration: 30' 09" Year: 2002
solo prepared grand piano and solo voice, both through electronic effects and amplifier; metal and wooden percussive objects

Audio Sample
Add to Wishlist

Full information

Juliet Palmer  

Inland

Duration: 1h 30' 00" Year: 2002
a dance-theatre work for violin and CD

Video Sample
  • Programme Note

    Using animal imagery to take us into the heart of the human condition, Inland charts the fragile equilibrium between shepherd, flock, dog and hawk. Inland is a dance-theatre work conceived and choreographed by Douglas Wright. The work was commissioned by the 2002 New Zealand Festival with funding from Creative New Zealand.

  • Availability
Add to Wishlist

Full information

Victoria Kelly  

Leah

Duration: 1h 20' 00" Year: 2002
incidental music for adaptation of Shakespeare's King Lear

  • Instrumentation
    for clarinet, cello, percussion, piano and electric media
Add to Wishlist

Full information

John Psathas  

Orpheus in Rarohenga

Duration: 46' 00" Year: 2002
for soprano, tenor and bass soloists, SATB choir and orchestra

Add to Wishlist

Full information

Anthony Ritchie  

Quartet

Duration: 1h 10' 00" Year: 2002
comic chamber opera for soprano, mezzo soprano, tenor, bass, and string quartet

  • Programme Note

    Quartet is based around the trials and tribulations of a touring string quartet, the Ithaca String Quartet, with the action being set on the West Coast of NZ before moving to the capital, Wellington, for the tour finale. The seven scenes are continuous, and explore the relationships of Penelope and Buddy (New Zealanders), Nadezhda (a moody Russian violinist) and Julian (a new-age American cellist).

  • Availability
Add to Wishlist

Full information