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voice and piano

Away with the Fairies is a string of kitsch songs about fairies and pixies, animals and children. They are linked by recitatives which, like the songs, include quotations from other composers’ music.

• William Dart: Song Book; computer-set 

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• Whitehead: Eleanor of Aquitaine; facsimile 

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• Whitehead: Eleanor of Aquitaine; facsimile 

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for 3 sopranos, 3 altos, male speaker, alto fl, piccolo ,E-flat clarinet ,B-flat clarinet , bass-clarinet, horn, percussion (xylophone, timpani, 5 temple blocks, tambourine, 15 maracas, windchime, clicker,marimba, cymbals, balloons, pingpong balls) hp,pf. Extras: 13 balloons (with pins); brick (for piano pedal); 100 plus table tennis balls

This work for mixed ensemble and female voices drew its inspiration from a series of paintings by Ken Robinson which were hung up behind the performers. “Drawing on Spanish texts from Pablo Neruda and St John of the Cross, Eve de Castro-Robinson has produced some wonderfully exotic music. Timbres are perfectly judged, from the vibrant exoticism of alto flute in Edged to the mysterious ceremony of horn and timpani in Black Drop and solo lines have a tremendous sense of tautness and cohesion.” William Dart, Music in NZ

• de Castro-Robinson: Five Responses; facsimile 

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• de Castro-Robinson: Five Responses; facsimile 

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• Eve de Castro Robinson: Works 3 

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8 actor-singers (4f,4m) and piano, drums, bass, reeds.

• Footrot Flats - Songs of the Musical 

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soprano, alto, baritone and solo piano

A song-drama exploring gay rights, written at the time when there were moves around New Zealand to pass the Homosexual Law Reform Bill. Many of the songs are based on true incidents and are presented in a cabaret format. The show toured the country in 1982 under the auspices of the New Zealand Student Arts Council.

• William Dart: Song Book; computer-set 

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clarinet, clarinet/bass-clarinet, violin/viola, cello, percussion (marimba, 9 drums in high to low sequence, drum of fluctuating pitch, bass drum, 5 suspended cymbals, ching - Thai finger cymbals, bell tree, rasp, 2 woodblocks, 3 temple blocks, wood chimes)

This monodrama for mezzo soprano and chamber sextet, commissioned by Northern Arts UK, tells of the 14th century North of England warrior Henry Percy (Hotspur), seen through the eyes of Elizabeth Mortimer, in a striking ballad sequence written by Fleur Adcock.

Whitehead’s imaginative score combines exotic and arresting instrumental colours, a strong dramatic vocal line (often with flamboyant flourishes) and an admirable overall conception of the mood changes and tonal graduation of the work. (William Dart, NZ Listener)

She has the rare gift of knowing when to us nightmarish vehemences and when to be utterly straightforward and calm. (Roger Covell, Sydney Morning Herald).

• Whitehead: Hotspur; facsimile 

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• Whitehead: Hotspur; facsimile 

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• Gillian Whitehead: selected works 

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• Anthology of Australian music - Dramatic vocal music  Year: 1997 

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312(1)1;2421;perc,2timp,pf/org;strs

flute, clarinet, trumpet, cello, percussion, keyboard

“Out of this Nettle, Danger is intimate, acute, fleet, with a fascinating sensitivity to the deep implications of the text. There is a big range of percussion instruments, used with the greatest economy and power of suggestion so that no sound or thematic fragment is perfunctory, each has a voluptuous, expressive, original shape. The piece moves forward in small episodes, held together partly by text, partly by the sheer consistent quality of the imagination.” (Oakes, The Independent)

• Whitehead: Out of this nettle, danger; facsimile 

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• Whitehead: Out of this nettle, danger; facsimile 

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• Gillian Whitehead: Out of this Nettle, Danger; audio 

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Main roles for bari, ten; smaller roles for sop, m-sop, alto, ten, 3 bari, 2 bass; additional roles for sop, 2m-sop, alto, ten, bari; 6 children (1 solo); accomp for pf, 2 synth.

• Drummond: Plague upon Eyam; computer-set 

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• John Drummond: Mr Polly at the Potwell Inn   Year: 2000 

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