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This music was commissioned by Daniel Belton and Good Company for his dance film, entitled Line Dances. It was written for performances in the Otago Festival of Arts, October 2010. The recording and first performances were played by the composer, in collaboration with Daniel Belton. The premiere took place in the Metro Cinema, Dunedin. The music is for 6 short films, each informed by an art work by Paul Klee. The music to these dances is intended to be performed as concert music, or prior to a screening of the films. The films themselves contain elements of the music, crafted into a soundscape by Belton. See www.goodcompanyarts.com.

• Anthony Ritchie: CONCERTINA  Year: 2012 

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5 Singers - Sop (Bubbles), Sop/Mezzo (River), Mezzo (Monica), Bari (Sam), Bass (Billy) 1 Actor (Joe - spoken role) Flute, Clarinet (Bb/A), 2 Violins, Viola, Cello, Double Bass, Sound Effect Operator, 1 or 2 additional typewriter players.

• Adams: River Lavalle; computer set 

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• Adams: River Lavalle; computer set 

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• Chris Adams: River Lavalle; video 

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two violins, cello and piano

Time is cut open. Time is dismantled. It is this gateway that we open and close to really observe movement, and to glimpse Spirit. In this work it is the reunion of separated or broken parts that finds fluidity and wholeness. The compass of the dance is given full articulation in this state – we can appreciate the elegance and the mastery of the human form in space.

Time Dance is in one sense a study of the dancer in action. Sinews of time – this is the algebra. It is not only examining but also restoring – reuniting from fragments of time – these pieces of time are coalescing to make the dance. When the figure pauses, the cascading echoes created through dance catch up with it. These are the monuments. When we catch up with ourselves we create a harmonic in space time. It is another way of celebrating being human. In the work we observe the relationship and sense of belonging to our home planet, Earth. This is geological, and thalassic – like a great cloak of emotion, the geometric grids and moving point maps are energetic prints containing our stories, our journeys, our pain, fear, beauty, love and joys. They are rippling beyond time, across time with the emotional frequencies that make up what it is to be human. This is also a dance. Time will quiver. I want to magnify silence and distort stillness. The geometry is a field of consciousness. Ultimately our physical bodies are the products of wave actions. The shadow is going into a wave space – and that alters the way we see everything.

Source: http://www.michaelnorris.info

• Norris: TIMEDANCE; computer set 

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• Norris: TIMEDANCE; computer set 

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• Michael Norris: TIMEDANCE; video (excerpt) 

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• Michael Norris: TIMEDANCE; video (excerpt) 

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• Michael Norris: TIMEDANCE; video (excerpt) 

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• Michael Norris: TIMEDANCE; video (excerpt) 

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• Michael Norris: TIMEDANCE; video (excerpt) 

  Media on Demand | Embedded