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John Wells  

A New Zealand Suite (Second Suite)

Duration: 25' 00" Year: 1989
for organ

Bryony Jagger  

A New Zealand Symphony

Duration: 20' 00" Year: 1980
for orchestra

Chris Cree Brown  

Alphabet

Duration: 20' 00" Year: 1983, r. 1986
music theatre for choir (22 voices), two musicians and soloist

Kenneth Young  

Brass Quintet No.1

Duration: 24' 00" Year: 1980
for 2 trumpets, horn, trombone and tuba

  • Programme Note

    Young’s Brass Quintet No. 1 was composed in 1980 to a commission from the New Zealand Symphony Orchestra and the New Zealand Brass Quintet. It was first performed (with Young himself playing tuba) in Wanganui and Wellington as part of the first half of an NZSO programme which included Stravinsky’s Petrouchka. The following year the work was recorded by the Quintet for the Kiwi Pacific label, along with John Ritchie’s Partita and Douglas Lilburn’s Quartet for Brass.

    In writing this Quintet, Young wanted to composed a more substantial work than was common in the brass quintet repertoire of the time; consequently, it has an almost symphonic breadth.

  • Availability

Gillian Whitehead  

Bright Forms Return

Duration: 25' 00" Year: 1980
for mezzo-soprano and string quartet

  • Programme Note

    Bright Forms Return written in 1980 while I was composer-in-residence for Northern Arts (UK), is one of the first pieces I wrote that is concerned with landscape (and sea-scape). I was living in Northumberland, on the moors north of Newcastle, very near the house where Kathleen Raine had spent her childhood. When I was asked to write a piece for the Cumbria Quartet and mezzo-soprano Elizabeth Lamb, Raine’s poetry was an obvious choice, as its northern imagery was very familiar to me.

    Although the piece is designed as a single entity, the quartet falls into four clearly-defined sections in its setting of the four short poems. The vocal writing is relatively simple (rhythmically at least), and the writing for the quartet sometimes reflects the poetic imagery or mood, and is sometimes derived from the formal structure of the poems. The text, which comes from The Oval Mirror published by Hamish Hamilton, is used with the kind permission of the author and her publishers.

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Martin Lodge  

Cantus Intus

Duration: 20' 00" Year: 1980
intuitive music for piano or other solo instrument

John Elmsly  

Cello Symphony

Duration: 24' 00" Year: 1986
Arranged for Cello and Piano

John Elmsly  

Cello Symphony

Duration: 22' 00" Year: 1986
for solo cello and orchestra

Andrew Perkins  

Chants Montage

Duration: 26' 00" Year: 1984
for organ

Robert Burch  

Concertino

Duration: 20' 00" Year: 1988
for solo horn, piano and string orchestra