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Dorothy Buchanan  

Carnival of New Zealand Creatures

Duration: 20' 00" Year: 1999
for narrator, singer, flute, clarinet, cello, guitar, percussion

Annea Lockwood  

Ear-Walking Woman

Duration: 22' 00" Year: 1996
for prepared piano with amplification

  • Programme Note

    For prepared piano and exploring pianist, uses the classic piano piano preparations: coins (to detune the strings), screws, wiring insulation sheathing, plus bubble wrap, a rubber ball and small wooden balls, two round stones, a bowl gong, mallets and a water glass. The piece was commissioned by Lois Svard, to whom it is dedicated and who has given many superb performances of it.

    When I started experimenting with these objects on my own piano, I found that even slight changes in the method of producing a sound evoked striking variants in sonic details, for example: rocking a stone gently between two sets of strings brins out several pitches and their overtones, iterating in unpredictable rhythms. Getting the stone to rock really hard adds higher pitches and at times the stone will turn over, setting of a new set of strings and pitches, which gradually fade away as the stone comes to rest.

    The work is set up as an open-ended exploration, in which have determined which ‘tools’ are to be used in each section, and the pianist is asked to listen closely to the sounds created by each action, and to explore further the variants which arise when she or he uses a little more pressure and change of speed, a slightly different wrist position, a different make of piano. I think of this experience as “ear-walking”, like a hiker exploring a landscape.

    Annea Lockwood

  • Availability

Anthony Ritchie  

Music for The Revengers Tragedy

Duration: 25' 00" Year: 1995
Incidental music for the play by Tournier

  • Instrumentation
    Descant, Alto, and Tenor voices; Harpsichord, Bass Recorders, Flute, Viola, 'Cello, Percussion

Denis Betro  

Rosin the Bows

Duration: 20' 00" Year: 1994
Work for String Orchestra in four movements

Leonie Holmes  

Scenes

Duration: 20' 00" Year: 1990
suite for youth orchestra

  • Instrumentation
    flexible instrumentation, min: 2122;1110;2 perc (guiro, shaker, glock, xylo, temple block, tamb., tri., bongos, woodblock, tomtoms,woodslap),pf;strs (vln.1,2,3, vla opt.).
  • Availability

Helen Caskie  

Seven Songs of the Spirit

Duration: 20' 00" Year: 1993
for SATB soloists, SATB choir, flute and piano

Philip Norman  

The Park

Duration: 20' 00" Year: 1996
a suite for orchestra

  • Instrumentation
    3222; 4331; timpani; 2 percussion; strings. Percussion: 25" and 28" timpani, tanmbourine, suspended cymbal, chinese blocks (or 2 temple blocks), cowbell, trinagle, cymbals, agogo bell, snare drum, xylpohone.
  • Programme Note

    This suite for orchestra is a light-hearted collection of 8 sections with a sting in the tail, which has already had more than seven performances by three orchestras. It is within the capabilities of amateur orchestras.

  • Availability

Christopher Marshall  

Tihei, Mauri Ora!

Duration: 25' 00" Year: 1999
a cycle of settings of Maori texts for male choir and clarinet