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Aria is based around a long melodic line in the middle register of the piano.

• Harris: Aria; computer set 

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Cantus uses many of the visual elements in the poem The Voice by John Paisley. His watery images – the sea, surf, tides, fountains, beaches and singing in the untroubled depths – are underlined by many of the melodic shapes in the music. Surging, falling and echoing motions are used in keeping with the ebb and flow of the poem, nad solo voices move in and out of the main chorus as in the poem. The light notes mingle with the darkened air.

Cantus was written in 1993 and modified in 1995 for the NZ Secondary Schools Choir. Its first public performance was given by Bel Canto Vocal Ensemble at the 1996 NZ International Festival of the Arts.

(Bronwyn Thomson 1996)

• Jagger: Two Epithalamiums; facsimile 

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• Jagger: Epithalamium 1; facsimile 

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• Marshall: Faleula E!; computer set 

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• Marshall: Faleula E!; computer set 

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• Marshall: Songs of Samoa; computer-set 

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• 1993/94 New Zealand Secondary Students' Choir  Year: 1994 

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• de Castro-Robinson: Tingling Strings; facsimile 

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• de Castro-Robinson: Tingling Strings; facsimile 

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• Eve de Castro-Robinson: Tingling Strings; video 

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• A Chaos of Delight: music by Eve de Castro-Robinson  Year: 1998 

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’Who’s Afraid of Red, Yellow and Blue’ is a short, condensed piece. There is no background, only the bright foreground music of primary colours divided up by loud percussive chords. “The zip (vertical stripe) acts as a divider, marks off intervals, and by regulation of its color intensity indicates stresses, as a species of visual music” (Harold Rosenberg – ‘Barnett Newman’). Primary colours have always provided a challenge for painters. Barnett Newman faced this challenge with four paintings – Who’s Afraid of Red Yellow and Blur I, II, III and IV. ’Who’s Afraid of Red, Yellow and Blue’ was written for Ananda Sukarlan in 1993.

• Cresswell: Who's afraid of red, yellow and blue; computer-set  Year: 1996 

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• Lyell Cresswell: Who's Afraid of Red, Yellow and Blue?; audio 

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