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Chris Cree Brown  

'Cello

 Year: 1979
an electroacoustic soundscape (tape-loop) to go with photographs

Mark Langford  

21 Graphic Scores

 Year: 1991
A2 graphic scores printed on kinwashi white (Japanese paper)

• Programme Note

  Created for the exhibition ‘Music in the Eye’, curated by Philip Dadson, City of Edinburgh Music Library, George IV Bridge, Edinburgh, 2001.

• Availability

  • Sauer, Theresa (ed.): Notations 21  Year: 2009 

    Graphic score - full score | Hardcopy - computer set
    
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Chris Cree Brown  

8kms

 Year: 1984, r. 1992
an installation work involving electro-acoustic music

• Programme Note

  A cello is encircled by 8 kilometres of cotton, leaving only a diffuse and distorted outline of the instrument. A soundscape of aural gestures, created from digitally altered cello sounds, enable the instrument to adopt a persona. The expressive meaning of the work is obtained not only by obscuring the clarity of both the visual and aural aspects of the instrument, but also by removing any human causality, and (perhaps) allowing the cello itself to speak.

Chris Cree Brown  

A Black Painting

 Year: 1979
an electroacoustic soundscape

• Instrumentation
  tape loop
• Programme Note

  This work, a tape loop, is an electroacoustic soundscape to go with paintings and a banner by New Zealand artist Ralph Hotere. It is a protest work concerning the New Zealand’s sporting (rugby) contact with South Africa.

Juliet Palmer  

A Guided Viewing

 Year: 1998
sound installation

Annea Lockwood  

A Sound Map of Danube

Duration: 2h 47' 00" Year: 2005
5.1 sound installation

Annea Lockwood  

A Sound Map of the Hudson River

Duration: 2h 00' 00" Year: 1982
a tape installation

• Programme Note

  This work is a tape installation, “tracing the course of the mighty Hudson by way of taped sound and interviews about the river. It was a work of simple natural beauty.” Kerr, The Listener.

• Availability

  • Lockwood: A Sound Map of the Hudson River  Year: 1989 

    CD
    
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Chris Cree Brown  

Aeolian Harp

 Year: 1981
a design for a giant music sculpture

• Programme Note

  A design for a giant music sculpture, the composer worked with Nicholas Cree Brown, structural engineer and lan Athfield, architect on this project.

  [Ed. More information is available here.]

Chris Cree Brown  

Aeolian Harps

 Year: 1984
exhibition of two Aeolian Harps at the Auckland City Art Gallery

Martin Lodge  

After Dürer

Duration: 07' 50" Year: 1997
dance film in collaboration with One Fat Man Productions and Daniel Belton

• Programme Note

  Watch a video on YouTube here >>

  “This original music has been scored for solo cello parts by renowned New Zealand composer Martin Lodge. James Tennant is the cellist. Martin sent me a number of short melodic phrases and various texture or sound studies for cello. This work was recorded by One Fat Man Productions and some material digitally altered also. I then “re-composed” the sound to fit with my visual edit of the film. The sound for the film only exists like this and is intrinsic to the complete work."
  -Daniel Belton