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Martin Lodge  

After Dürer

Duration: 07' 50" Year: 1997
dance film in collaboration with One Fat Man Productions and Daniel Belton

• Programme Note

  Watch a video on YouTube here >>

  “This original music has been scored for solo cello parts by renowned New Zealand composer Martin Lodge. James Tennant is the cellist. Martin sent me a number of short melodic phrases and various texture or sound studies for cello. This work was recorded by One Fat Man Productions and some material digitally altered also. I then “re-composed” the sound to fit with my visual edit of the film. The sound for the film only exists like this and is intrinsic to the complete work."
  -Daniel Belton

Lissa Meridan  

asylum

 Year: 1996, r. 1999
electroacoustic with video and dance

John Rimmer  

Beyond the saying

Duration: 21' 00" Year: 1990
electronic music

• Availability

  • John Rimmer: Fleeting Images  Year: 1993 

    CD
    
    $30.00
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Oliver Hancock  

chor-respondent

 Year: 2009
live algorithm which interacts with an improvising human performer

• Instrumentation
  laptop, microphone
• Programme Note

  chor-respondent is a computer program that interacts with a live performer. The interaction is managed purely through sound, there is no complicated MIDI equipment or electronic sensors – just a microphone. chor-respondent listens to the sounds that the performer plays, and responds by producing sounds of its own. It builds up chords based on the performer’s recent notes, and any notes that it is currently playing. The result is swelling chords of beautiful but often unexpected harmony. A performance lasts as long as the live improviser wishes.

  The program had its first performance at the Songs for Dynamic Systems concert organized by the Live Algorithms for Music network. The performance was with Finn Peters on flute, at Café Oto in London, August 6th 2009.

• Availability

  • Hancock: chor-respondent; pure data file 

    Part - recorded | CD
    

  • Oliver Hancock: chor-respondent 

    Digital sound file - MP3
    

Philip Norman  

Concerto No.2 For Twenty Car Horns

Duration: 06' 00" Year: 1984
for 20 cars and a motorbike

John Cousins  

Devotional Equivalents

Duration: 24' 40" Year: 2007
video with soundtracks

Barry Anderson  

Domingus

 Year: 1978
tape realisation of poem cycle

• Availability

  • Barry Anderson: Domingus 

    CD
    
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John Cousins  

Eddie's Wall

for intermedia, performance sculpture and installation, a "work for eyes and ears"

• Availability

  • John Cousins: The Necessity for Consolation 

    Digital movie
    

  • John Cousins: Bowed Peace 

    Digital movie
    

  • John Cousins: Aria 

    Digital movie
    

Douglas Lilburn  

Glass Music

Duration: 06' 00"
Stereo recording of a variety of wind-chimes

• Availability

  • Lilburn: Complete Electroacoustic Works 

    CD
    
    $70.00
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Briar Prastiti  

In The Classroom

Duration: 05' 00" Year: 2012
an electroacoustic work

• Programme Note

  “In the Classroom” was inspired by what I call the ‘21st century classroom’ which is mostly comprised of laptops and the sound of typing with the occasional manic scribbling of the old fashioned pencil: The piece focuses on the percussive sounds of typing and gestural sounds of scribbling, and how one can lose their concentration for this very reason. The irony behind the piece is that the idea was conceived during a music lecture in which I simply could not concentrate on the lecture about music, but instead the music that was happening all around me. Texture provides the basic layer of the piece but within this texture, rhythms are brought out to draw attention to the musicality of classroom noises.
  —Briar Prastiti

• Availability

  • Briar Prastiti: In The Classroom - downloadable mp3 

    Digital sound file - MP3
    
    $3.00