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• Jonathan Besser: Danceabout 

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• decadence - celebrating 10 years of Besser and Bravura 

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Literally, ‘Horizon in the Ear’. A title intended to gently direct attention towards the possibility of a soundscape in which the organism, listening and/or embodied in the sounding materials of the work, is positioned in labile relationship to a horizon. ‘There would appear to be a landscape whenever the mind is transported from one sensible matter to another, but retains the sensorial organisation of the first, or at least a memory of it. The earth seen from the moon for a terrestrial; the city for a farmer. ESTRANGEMENT would appear to be a necessary precondition for landscape’. (Jean Francois Lyotard, The Inhuman: Reflections on Time. Trans. Geoffrey Bennington and Rachel Bowlby. Polity Press: Cambridge, 1991, p.183). Horizont im Ohr was composed in the Electroacoustic Music Studios of the University of Birmingham, and is dedicated to BEAST.

• New Zealand Sonic Art 2000  Year: 2000 

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• David Downes: Death Defying  Year: 1997 

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• Ears Wide Open Taringa Areare Education Resource CD  Year: 2000 

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• Sound Barrier  Year: 2006 

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• Lilburn: Complete Electroacoustic Works 

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• Soundscape - Electronic Works by Lilburn  Year: 1977 

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• NZ Women Composers Vol. 3 

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• New Zealand Sonic Art 2000  Year: 2000 

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• Scullion: Springsound  Year: 2001 

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  $34.00
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