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cor anglais, 2 violins, viola, cello, double bass

‘faccee’ is composed as a set of loosely related, programmatic movements which portray different moods through the day. ‘faccee’ is intended as a lighter work of chamber music with elements of mystery, humor, charm and satire.

‘Dawn’ begins the work slowly, with the darkness and solitude of morning blossoming full fruit into daylight, then relaxing into the day. Movement two, ‘Boogie’, quickens the pace and is akin to experiences while walking the streets of the city. The further one travels, the more activity one encounters until reaching the heart of the city, where a rousing canon surrounds you with people and congested traffic. Then, suddenly, you arrive at your destination and with one last exclamation are in the door.

‘Daydream’ is a brief visit into the realm of nostalgia and sentiment, with a pleasant, recurring melody in the english horn and violin. What better for a finale than an old-fashioned ‘galop’ ? This ‘galop’ is, rather, a musical pun on the Viennese version. The ‘Galop’ gives way to the ‘Trio Satirico’ which pokes fun at traditional trios with a duple/triple reconfiguration of 9/8; making for a gawky feel. Then on to the ‘Finale’ where themes from earlier in the day are revisited in a whirlwind finish.

• Stabler: faccee; computer-set 

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• Stabler: faccee; computer-set 

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• Stabler: 'faccee'  Year: 2002 

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alto flute/piccolo; clarinet in A; bass clarinet/small bamboo chimes to hang on music stand; horn in F/small bamboo chimes to hang on music stand; bass trombone/small bamboo chimes tohang on music stand; percussion: 2 suspended cymbals, hihat, sizzle cymbal, 3 toms, medium bass drum, 3 woodblocks, three sets of maracas, bamboo or wood chimes; harp; violin;viola; cello and bass

In this work, cycles of accumulation and decay move in broad wave-like gestures, recalling the sea. I am fascinated by the potency of the tiniest gesture, syllable or phoneme. Having no ‘meaning’ in itself, the syllable ‘and’ is weightless and transient, yet holds enormous power to link ideas; to create anticipation/momentum. It is like a wave bearing thought towards utterance. …and…11 was composed for, and is dedicated to, Chachi and Lontano.

• Ker: [...and...11]; computer set 

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• Ker: ...and...; computer set 

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• NZ Women Composers Vol. 2 

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• Dorothy Ker: ...and...  Year: 2002 

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• diffracted terrains: Chamber Music of Dorothy Ker  Year: 2007 

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Flute doubling alto flute; clarinet doubling bass clarinet; horn; bass trombone; percussion (3 tom toms, 2 bongos, 2 suspended cymbals, crotales, vibraphone, bell tree); cello; double bass and bass clarinet solo

Au began as a series of musical reflections on the Auroroa with pitch material based on the name of bass clarinettist Andrew Uren whose initials provide the title. This title, ‘Au’ is also the abbreviation for ‘aurum’, the Latin word for gold. As I was composing I realised that I was dealing with golden qualities not only of the sounds in the piece but also of the musicians in the ensemble 175 East who would be giving its first performance. This was particularly the case with the soloist Andrew Uren whose adventurous bass clarinet playing has revolutionised the way in which composers in New Zealand think about the instrument.

The work was commissioned by Andrew Uren with funding provided by Creative New Zealand and was first performed on 15 September 2002 at The Space, Wellington, by Andrew Uren and ‘175 East’ conducted by Hamish McKeich.

• Rimmer: Au; computer-set 

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• Rimmer: Au (hire set); computer set 

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• Rimmer: Au; computer-set 

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• John Rimmer: Au; audio 

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• 175 East: Microchix and newer stuff 

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• John Rimmer: Au  Year: 2002 

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• Rimmer: 'Au' – concerto for bass clarinet and ensemble  Year: 2002 

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• Andrew Uren: Steep Steps  Year: 2011 

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Music for a romantic comedy silent film of the same title from the early 1920s

• Buchanan: Bush Cinderella; computer-set 

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• Buchanan: Bush Cinderella; computer-set 

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• Buchanan: Bush Cinderella; computer-set 

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Scored for clarinet, triangle and piano this work is a transcription of an earlier song (Lullaby) and is simple and lyrical.

• Patrick Shepherd: Canterbury Christmas 

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• Palmer: Cypress; computer set 

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• Palmer: Cypress; computer set 

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chromatic slenthem, saron, gong, bonang barung, bonang panerus, gender, sop saxophone, alto saxophone, tenor saxophone and bari saxophone

• Carlé: Each of Two; facsimile 

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• Carlé: Each of Two; facsimile 

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• Carlé: Each of Two; facsimile 

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• Compositions by Emma Carlé  Year: 2002 

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flute, violin I, violin II, viola, cello

Flute Quintet was composed as the major work for my Honours project in Composition. While some of the movements are programmatic, others have no program whatsoever attached to them.

• McKenzie: Flute Quintet; computer-set 

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• McKenzie: Flute Quintet; computer-set 

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• McKenzie: Flute Quintet; computer 

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• Music by Lachlan McKenzie 

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flute, clarinet, bass clarinet, horn, trumpet, piano, percussion, 2 violins, viola, cello, double bass

• Lardelli: Four Fragments; computer set 

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• Lardelli: Four Fragments; computer set 

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• Waiteata Collection of New Zealand Music Vol. 7 - Emerging Composers  Year: 2003 

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piano, bass, gamelan (2 players), electric violin, electric guitar

• Besser: Music for Peace Volume One  Year: 2002 

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