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Ars Moriendi investigates the wide range of the bass clarinet through a four-part chorale texture with microtonal inflections and elaborations. From the tentative material at the beginning flowers more assertive proclamations in the dying moments of the piece.

• Norris: Ars Moriendi; computer set 

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• Michael Norris: Ars Moriendi 

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• Rimmer: At the Base of the Whirlpool; computer set 

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• Rimmer: At the Base of the Whirlpool; computer set 

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• Rimmer: At the Base of the Whirlpool; computer set 

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• Rimmer: At the Base of the Whirlpool; computer-set 

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• Rimmer: At the Base of the Whirlpool; computer-set 

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• 175 East vol. 5 

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This work was composed in May 2008 especially for the Duo Stump-Linshalm which visited the ‘Ark in the Park’, our Waitakere (Auckland) sanctuary, during their stay a year ago.

Chaos of Delight IV continues my series of works inspired by NZ birdsong (Chaos of Delight I for bass clarinet, Chaos of Delight II for soprano, Chaos of Delight III for women’s voices) and in this case is a short, theatrical duo written especially for the talents of my colleagues Luca Manghi and Ben Hoadley. Some more recognizable birdcalls are: the thrush calls played by piccolo; the Paradise Duck in the bassoon; the Kokako played by both in unison and the Little Blue Penguin in the fluttertongued basson.

The work was premiered by the duo on October 22nd, 2008 in Auckland.

• de Castro-Robinson: Chaos of Delight IV; facsimile 

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• Schulz: Clarinet Duos Talk; facsimile 

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• Schulz: Clarinet Duos Talk; facsimile 

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• James: Aeolus; computer set 

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• James: Cryptogram; facsimile 

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• John Elmsly (ed.): Canzona Vol 7 No 23  Year: 1985 

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• Little Dancings - a selection of flute music by New Zealand composers  Year: 1998 

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‘Duo for Clarinet and Bassoon’ is a short student work by Hugh Dixon written in a quasi-serial style.

• Dixon: Duo; computer set 

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• Dixon: Duo; computer set 

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• Dixon: Duo; computer set 

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These canons date from my student days at Cambridge University (England) and were first performed by fellow students there. One of these was Stanley Sadie, now editor of the New Grove Dictionary of Music. I have always enjoyed writing canonic textures.

• Farquhar: Five canons for two clarinets; facsimile  Year: 1988 

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• Farquhar: Five canons for two clarinets; facsimile  Year: 1998 

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• David Farquhar: Five Canons for Two Clarinets; audio 

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• David Farquhar: Five Canons  Year: 1988 

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• Thomson: Flaught; facsimile 

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