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• Rimmer: A dialogue of Opposites; facsimile 

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• Rimmer: A dialogue of Opposites; facsimile 

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• Under the Southern Cross: works for cello 

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• Meridan: blood roses; computer set 

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• Meridan: blood roses; computer-set 

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• Lissa Meridan: blood roses; audio 

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• Rimmer: Bowed Insights; Computer-set 

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• Rimmer: Bowed Insights; computer-set 

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Dialogue V for violin and piano was commissioned by Miranda Adams and Ingrid Wahlberg for performance in the Auckland Chamber Music Society Concert Series in the Sky City Theatre, May 1997. Subsequent performances have included one by Miranda Adams and Tatiana Lanchtchikova in the International Festival of the Arts in Wellington.

These are pieces for dreaming and contemplative enjoyment, so I simply state the titles as suggestions and leave the rest to the imagination: my images need not be those of the listener.

• Elmsly: Dialogue V; computer-set 

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• Elmsly: Dialogue V; computer-set 

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• Elmsly: Dialogue V; computer set 

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• Elmsly: Dialogue V; computer set 

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The ‘Elgin Marbles’, taken from the Parthenon, lie at the centre of a long-standing property dispute between Greece and the British Government. Encountering these sculptures in the British Museum for the first time, I was intrigued to learn that one of the decorative motifs adorning its carved stone form was known as ‘egg and tongue’. The sensuously rounded forms of eggs and tongues alternate and repeat along the borders of the monumental sculptures, an ancient pattern combining symbols of virility and fertility. The motif is widespread: several years later, walking through the ruined architecture of the Syrian city of Apamea, I found tumbled-down stones of Roman structures bearing this same pattern, rain-washed stones in a field of crocuses. In the music of Egg and Tongue, I play with ideas of patterning and fragmentation, cultural property and style. Familiar motifs repeat, adorn, are lost and take new shapes.

Juliet Palmer

• Palmer: Egg & Tongue; computer set 

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• Palmer: Egg & Tongue; computer set 

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• Palmer: Egg & Tongue; computer set 

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• NZ Women Composers Vol. 1 

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• NZ Women Composers Vol. 3 

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• SOUNZfine Volume 5: New Zealand Women Composers 

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• Palmer, Juliet Kiri: Selected Works II 

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• Mix-up - various works by Juliet Palmer 

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• Egg & Tongue  Year: 1997 

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The title “Equali” expresses the idea of sharing between two similar instruments. This happens in a variety of ways in the eight duos, but I was particularly interested in exploring the interweaving and crossing of the two violin lines and the idea of dividing ideas between them. I have always been drawn to the idea of duos, whether for equal or unequal instruments clarinets or keyboard. But the warmth and expressiveness of stringed instruments has a special appeal, which I hope comes across in this set. They also exist in a version for two violins.

• Farquhar: Equali for Two Cellos; facsimile 

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• Farquhar: Equali for two celli; facsimile 

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The title Equali expresses the idea of sharing between two similar instruments. This happens in a variety of ways in the eight duos, but I was particularly interested in exploring the interweaving and crossing of the two violin lines and the idea of dividing ideas between them. I have always been drawn to the idea of duos, whether for equal or unequal instruments, clarinets or keyboard. But the warmth and expressiveness of stringed instruments has a special appeal, which I hope comes across in this set. They also exist in a version for two cellos.

• Farquhar: Equali for two violins; facsimile 

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• Farquhar: Equali for two violins; facsimile 

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• David Farquhar: Equali; audio 

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• Isadora: Germ; computer-set 

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• Alison Isadora: Selected Works 

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The music should give the impression that parts of it have been airbrushed out. Lost, like intermittent radio reception or a tape partly erased.

Performed by the NZSQ at the ECAT New Music NZ Festival, Greyfriars Kirk, Edinburgh, 29 Nov 2001

• Harris: Ghost Dances (String Quartet No. 2); computer-set 

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• Harris: Ghost Dances (String Quartet No. 2); computer-set 

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• Harris: Ghost Dances; CD  Year: 2002 

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• Hall: in the folds of silence 2; facsimile 

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