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Jack Body  

Aeolian Harp

Duration: 04' 00" Year: 1999
for solo viola

  • Programme Note

    This piece was inspired by the beguiling sounds of the aeolian harp to which I was first introduced by Chris Cree Brown. Said to have been first ‘discovered’ by the ancient Greeks, aeolian harps are intended to be played not by human hands, but by the wind. The strings vibrates through a range of harmonics creating an eerie effect difficult to describe.


    Jack Body

  • Availability

Jack Body  

Aeolian Harp

Duration: 04' 00" Year: 1999
for solo cello

  • Programme Note

    This piece was inspired by the beguiling sounds of the aeolian harp to which I was first introduced by Chris Cree Brown. Said to have been first ‘discovered’ by the ancient Greeks, aeolian harps are intended to be played not by human hands, but by the wind. The strings vibrates through a range of harmonics creating an eerie effect difficult to describe.


    Jack Body

  • Availability

James Gardner  

Charge

Duration: 01' 00" Year: 1997, r. 2000
for solo violin

  • Programme Note

    This short piece was written as a twenty-first birthday present for clarinetist Esther Smaill. The melodic fragment heard at the outset soon skitters over its own unstable surface, mutates into fanfare-like repetitions, is spliced with momentary cantabile inserts, is interrupted by slow motion signposts, and blows itself out in a final burst of energy.

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James Gardner  

Charge

Duration: 01' 00" Year: 1997, r. 2001
for solo viola

  • Programme Note

    This short piece was written as a twenty-first birthday present for clarinettist Esther Smaill. The melodic fragment heard at the outset soon skitters over its own unstable surface, mutates into fanfare-like repetitions, is spliced with momentary cantabile inserts, is interrupted by slow motion signposts, and blows itself out in a final burst of energy.

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Neville Hall  

darilo

Duration: 01' 00" Year: 1999
miniature for two cellos

  • Programme Note

    A short tribute to John Rimmer for his 60th birthday, scored for two cellos. A very compressed and active piece focusing on microscopic modifications of pitch and timbre. Based on a spectral analysis of John Rimmer’s name. Premiered in Auckland by Coral Bognuda and Tom Pierard.

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Dylan Lardelli  

from flying birds

Duration: 01' 00" Year: 1999
for solo cello

Dorothy Buchanan  

From the Spring

Duration: 02' 00" Year: 1991
for violin and piano

Lyell Cresswell  

Lacrimae

Duration: 04' 00" Year: 1994
for solo cello

Craig Utting  

Prelude

Duration: 03' 00" Year: 1999
for violin and piano