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Anthony Ritchie  

24 Preludes

Duration: 49' 00" Year: 2002
preludes for solo piano

  • Programme Note

    It is impossible not to feel inspired when playing some of Bach’s 48 Preludes and Fugues, Chopin’s 24 Preludes, Debussy’s two books of preludes, or Shostakovich’s 24 Preludes and Fugues. As a composer I wanted to make a small mark of respect to these greats with some dedications. I have also taken a cue from Bach and Shostakovich and included contrapuntal forms within these preludes. While not wanting to restrict myself to the form of a fugue, there are several preludes which are close in spirit to fugues: Nos.17 and 19 for instance, are what I would call my ‘prelugues’. There is also a passacaglia (No.16) which owes a debt to Shostakovich. I have conceived these pieces as a unified whole. Within them I have attempted to cover a whole variety of characters and moods, from the improvisational and experimental to the lyrical and gentle, from the wild and gestural to the calm and peaceful, from the quirky and ‘black’ to the light and sunny, from the depressive to the resolved. The extensive technical planning and preparation behind these pieces has been fun for me as the composer, but in the end it is the sound and musical expression that matters. I would like to think this voyage of discovery has led to something new and interesting to listen to.

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Samuel Gray  

Free composition, Oslo

Duration: 30' 09" Year: 2002
solo prepared grand piano and solo voice, both through electronic effects and amplifier; metal and wooden percussive objects

Matthew Suttor  

I Find Comfort in Thunder

Duration: 1h 00' 00" Year: 1997
music for dance

Mike Nock  

Knee Deep in Thin Air

Duration: 1h 15' 00" Year: 1992
for piano and synthesizer (one performer) with dancers

Anthony Ritchie  

Line Dances

Duration: 30' 00" Year: 2010
music for a dance film by Daniel Belton

  • Instrumentation
    piano
  • Programme Note

    This music was commissioned by Daniel Belton and Good Company for his dance film, entitled Line Dances. It was written for performances in the Otago Festival of Arts, October 2010. The recording and first performances were played by the composer, in collaboration with Daniel Belton. The premiere took place in the Metro Cinema, Dunedin. The music is for 6 short films, each informed by an art work by Paul Klee. The music to these dances is intended to be performed as concert music, or prior to a screening of the films. The films themselves contain elements of the music, crafted into a soundscape by Belton. See www.goodcompanyarts.com.

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Samuel Gray  

Live at Jazid

Duration: 41' 32" Year: 2001
an improvisation using upright prepared piano, metal and wooden objects

Margaret Ogilvie  

My Lady of The Cave

Duration: 1h 04' 00" Year: 2001
A film score for piano

Mike Nock  

The Long Fall from Splendour to Splendour

Duration: 1h 30' 00" Year: 1990
for piano and synthesizer (one player) with dancers