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Helen Fisher  

Nga Tapuwae o Kupe (The Footprints of Kupe)

Duration: 20' 00" Year: 1992
a bicultural work for school choir, instruments and dance

  • Instrumentation
    choir, percussion, Rarotongan drums, guitars (students), Taonga Puoro (koauau), piano, clarinet in B flat, alto saxophone, horn in F, flute, guitar (advanced performer)
  • Programme Note

    Nga Tapuwae o Kupe is a music drama directed by Rangimoana Taylor. It is based on the story of Kupe’s journey from Hawaiki to Aotearoa and his discovery of various landmarks around Whanganui-a-Tara / the Wellington region.

    While this work maintains a strong Maori theme, with karanga, haka and waiata, as well it weaves in other Pacific and European elements.

    For school choir, instrumentalists, dancers and kapa haka, this work was composed with the financial assistance of a composition grant from Queen Elizabeth II Arts Council, was first performed by 140 students from South Wellington Intermediate School in July 1992 for Artsplash, the Wellington Young People’s Festival.

  • Availability

Gillian Whitehead  

Outrageous Fortune

Duration: 1h 58' 00" Year: 1998
a chamber opera in two acts

Hirini Melbourne  

Paihuarere

 Year: 1991
For taonga puoro and male voice

Hirini Melbourne  

Porotiti

 Year: 1991
For taonga puoro and male voice

Hirini Melbourne  

Purerehua

 Year: 1991
For taonga puoro and male voice

Wayne Laird  

Rangi and Papa

 Year: 1991
for narrator, actors, koauau and sound effects

Gareth Farr  

Rehu Ma Tangi

 Year: 1999
for four recorders, puoro Maori soli and recorder ensemble

Hirini Melbourne  

Rongomai

 Year: 1991
For taonga puoro and male voice

Helen Fisher  

Takiri Mai Te Awatea

Duration: 30' 00" Year: 1990
for SATB choir and kapa haka group

  • Instrumentation
    Taonga puoro: optional koauau
  • Programme Note

    This work is for SATB choir, for kapa haka performing karanga, waiata, poi, patere and haka, also for contemporary dance and taonga puoro. It is in three sections: Te Ahiahi(Evening), Te Po (Night), Te Atatu (Dawn), and is a parable for the bicultural journey of Aotearoa New Zealand. In 1986 I wrote the lyrics while studying te Reo Maori at the Kuratini with Teariki Mei and in 1990, I completed the music while doing Composition Honours at Victoria University. In the same year ‘Takiri Mai Te Awatea’ was workshopped at Ngake Poneke Young Maori Club, but it is yet to receive a full performance.

  • Availability

Hirini Melbourne  

Taku Putorino

 Year: 1991
For taonga puoro and male voice