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David Farquhar  

A Short Suite from "Ring Round the Moon"

Duration: 15' 00" Year: 1975
for full orchestra

• Instrumentation
  2222; 4230; timp, perc; strs.
• Programme Note

  This music was originally commissioned by Richard Campion for the New Zealand Players’ production of Ring Round the Moon by Jean Ahhouil, translated by Christopher Fry. In the second act there is a ball taking place offstage and demanding a large number of dances which are specified in the text.

  The music was first recorded on acetate discs by a ad hoc orchestra led by Alex Lindsay; these small recordings were then played through speakers for the production, sounding very loud to the cast but filtering out more gently to the audience. At the end of the long national tour, the cast knew the music very well and suggested to me that I should do something with it.

  The result, some years later, 1957, was a suite of nine dances first performed by the Alex Lindsay Orchestra. This rapidly became my most performed piece and was commercially recorded by the Alex Lindsay Orchestra in the 1960s, a recording still available today from Kiwi Pacific Reords.

  Ashley Heenen, through the NZ APRA Committee, commissioned an arrangement for full orchestra for the NZ Youth Orchestra to take on a tour of Europe and China in 1975. This version was shortened to six dances by leaving out the first three numbers. The music has also been used for a ballet, The Wintergarden, choreographed by Arthur Turnbull for the Royal New Zealand Ballet Company – this version included a tenth dance not in the 1957 Suite. Since 1975 two further version have been commissioned: Waltz Suite (1989), for string orchestra (five dances) for the Nova Strings, and an arrangement of the original Dance Suite (1992) for violin and piano (nine dances) for Isador Saslav.

• Availability

  • Farquhar: Short Suite from Ring Round the Moon; computer-set 

    Score and parts | Hardcopy - computer set
    
    • Hire

  • Farquhar: A Short Suite from Ring Round the Moon; computer-set 

    Parts - written | Hardcopy - computer set
    

  • Farquhar: Short Suite from Ring Round the Moon; computer set 

    Full score | Hardcopy - computer set
    
    $20.00
    • • Quantity:
    • Borrow

  • SOUNZ Orchestral 1993 

    DAT
    
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  • New Zealand Composers  Year: 1995 

    CD
    
    $30.00
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Bryony Jagger  

Chitra

Duration: 1h 40' 00" Year: 1978, r. 1980
a lyric opera in 2 acts

• Instrumentation
  for soprano, tenor, coloratura soprano, bass, harpsichord, strings and 2 dancers
• Programme Note

  A lyrical opera based on Tagore’s dramatic poem ‘Chitra’.

Chris Cree Brown  

Dance I

Duration: 07' 00" Year: 1979
electronic music for dance

Douglas Lilburn  

Dance Sequence for Expo '70

Duration: 11' 00" Year: 1970
for tape (sounds of NZ birdsong)

• Availability

  • New Zealand Electronic Music 

    Cassette
    
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  • New Zealand Electronic Music 

    Vinyl (LP or EP)
    

  • Lilburn: Complete Electroacoustic Works 

    CD
    
    $70.00
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David Farquhar  

Fives

Duration: 13' 00" Year: 1971
for 5 dancers and 5 instruments

• Instrumentation
  flute/ piccolo, 2 trumpets, percussion, piano. Five Dancers can be replaced by two percussionists.
• Availability

  • Farquhar: Fives; facsimile 

    Full score | Pdf - facsimile
    

  • Farquhar: Fives; facsimile 

    Score and parts | Hardcopy - facsimile
    
    $35.00
    • • Quantity:

  • Farquhar: Fives; facsimile 

    Full score | Hardcopy - facsimile
    
    $22.50
    • • Quantity:
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Four Recorder Pieces

 Year: 1974, r. 1980
for recorder ensemble

Gillian Bibby  

Lest you be my Enemy

Duration: 06' 00" Year: 1976
ballet music for tape

Noel Sanders  

Sacred to the Memory of Death

Duration: 17' 00" Year: 1974
for amplified clarinet, 2 cor anglais, 2 horns, 4 percussion, 3 dancers

Annea Lockwood  

Tiger Balm

Duration: 20' 00" Year: 1970
for tape (originally for tape and movement)

• Programme Note

  This work was originally created in 1970 as a music theatre piece incorporating live and taped sounds and actions evocative of ancient erotic rituals, traces of which, I believe, still survive in the communal memory, dormant memories which may be evoked by sound. The score of that version was published in Source: Music of the Avant-Garde Issue No.9. I then made this second, longer version for tape alone.

  Over a period of two years I assembled sounds which were, for me, highly sensuous. Rather than consciously working out a structure for them, I let the shape of Tiger Balm emerge on an unconscious level, letting the sounds arrange themselves, as if dreamed, and I found that they moved in a flowing transformation process. Very often a sound merges with its successor, blending together through shared characteristics which are frequently evocative of the tiger’s presence.

  The sound used (a cat purring, a heartbeat, gongs, jews harps, a tiger, woman and plane) are all literal, and with the exception of speed change on the gongs and jews harp, none are modified. I find that the less I manipulate sounds, the stronger is their presence and their power for me. (Notes for the LP release on Opus One in 1981).

• Availability

  • Annea Lockwood: Tiger Balm 

    Digital sound file - wav
    
    $7.50
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  • Ruth Anderson: State of the Union Message 

    Vinyl (LP or EP)
    

Edwin Carr  

Two Tableaux for Orchestra

Duration: 08' 00" Year: 1971
taken from 'The Ordeal', an abandoned ballet.

• Instrumentation
  2222; 4331; timp,perc,hp; strs.