Sub Navigation

Search Music:

Search for music by typing a word or phrase in the box below or by selecting one or more categories from the list on the side.

Or search for products by selecting an option below, and typing a word or phrase in the box above

  • Scores
  • CDs and DVDs
  • Downloads
  • Education Resources

John Rimmer  

Alleluia

Duration: 03' 00" Year: 1987
for SA choir

David Hamilton  

And Music Shall Untune the Sky

Duration: 10' 00" Year: 1987

Andrew Perkins  

Ave Maria, gratia plena

Duration: 02' 00" Year: 1987
for SATB unaccompanied choir

Mark Langford  

...But It Only Makes A Small Shadow

Duration: 06' 00" Year: 1987
for gamelan, three male choir and percussion

  • Instrumentation
    3 male choirs, DX7 synth; percussion installations and percussive haberdashery

David Hamilton  

Darkness

Duration: 07' 00" Year: 1987
For 14-part womens' voices and flute

Peter Godfrey  

Eucharist Responses

Duration: 04' 00" Year: 1987
for womens' voices, cantor and organ

Felicity Williams  

Exultate Jubilate

Duration: 02' 00" Year: 1987
for SATB choir and organ

Dorothy Buchanan  

Five Vignettes of Women

Duration: 18' 00" Year: 1987
for flute and SSA choir

David Hamilton  

Hine e Hine

 Year: 1987, r. 2009
arrangement for SSA choir and piano

  • Programme Note

    The original version of this arrangement was one of several made in 1987 for my choir Opus at Epsom Girls Grammar School. They were intended as straightforward arrangements of well-known Maori pieces for treble voice choirs. A version for mixed-voice choir (SSATB) was made in 1996 for the New Zealand and Australian tour by the St. Olaf Choir of Minnesota (conductor: Anton Armstrong).

    The Maori people were the earliest settlers in New Zealand, arriving in the country about a thousand years ago. This piece belongs to the more recent “concert party” tradition of Maori music, rather than the traditional pre-European musical forms and styles. Before European contact, the music of the Maori people consisted largely of monophonic chants with a very limited range of pitches. The early missionaries brought with them their own musical styles which were soon taken over by the Maori people. Many well-known Maori songs are really a mix of European and early Maori forms.

    Hine e Hine is a gentle lullaby. It was written by Fannie Rose Howie (1868-1916) who performed under the stage name of Princess Te Rangi Pai. Born in the Gisborne area of Maori and European parents, she showed early interest in singing, and after marrying undertook study in Australia and England. Her fine contralto voice, and natural stage presence, lead to a significant recital career both in England and in New Zealand on her return in 1905. Illness dogged the last years of her life, and she is now best remembered for this song.

  • Availability

David Hamilton  

Hine e Hine

 Year: 1987, r. 2012
arrangement for SSA choir and string orchestra

  • Instrumentation
    piano may be added ad lib.
  • Programme Note

    The version for 3-part treble-voice choir with piano was made in 2009 at the request of conduction Stanley Goliath for his choir at McAuley High School in Auckland. It is largely based on a version made not long before, for solo soprano and SATB choir. The string accompaniment was made in 2012 at the request of Epsom Girls’ Grammar School.

  • Availability