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David Hamilton  

Faithful Choir, Rejoicing Sing

Duration: 06' 00" Year: 2010
for two-part treble choirs (or SSAA choir) and organ

  • Programme Note

    In 2006 I wrote A Christmas Fanfare for a concert involving both Auckland Boys’ Choir and Auckland Girls’ Choir. This work for multiple choirs and orchestra was used successfully several times in annual Christmas concerts. In 2010 these two choirs decided to present their own Christmas concert. Rejecting the initial idea of re-scoring A Christmas Fanfare, I offered to write a new piece tailored to the needs of the two choirs, with organ accompaniment. Faithful Choir, Rejoicing Sing is the result.

    The text, here in a modern English translation, dates from the twelfth century and is attributed to St. Bernard of Clairvaux (1090-1153). I was drawn to the idea of an ancient text being delivered by fresh young voices. The text is a hymn of praise celebrating the birth of Christ.
    Each of the voice parts first presents their own verse of the complete text. This is then followed by the four verses being sung simultaneously during a procession, in a kind of canonic texture. Following the procession the same music is heard once more with the parts coming in successively, and the whole piece ends with a final triumphant ‘Alleluia’.

    David Hamilton

  • Availability

Rosemary Russell  

Let us Go in Peace

 Year: 2011
for SATB choir with piano or guitar

  • Programme Note

    A contemporary folk style worship song based on the Nunc Dimittis where Simeon and Anna recognise Jesus as the Messiah when he is presented in the temple by his parents as a baby. Suitable for unison or choral singing, it is in Eb, 4/4 time and in a flowing crotchet = 100. The simple piano accompaniment may be elaborated. Add guitar, bass, drums etc to suit.

  • Availability

Cheryl Camm  

Magical Glass

Duration: 04' 00" Year: 2011, r. 2012
for SSAA or TTBB choir

  • Instrumentation
    also more difficult versions for SATB or ATBB available here
  • Programme Note

    This is a modern folk song about the history of glass-making in Sunderland. It is part of a collection of songs about the River Wear, “Winter Wear”. It can be performed as a Christmas song, or at other times of year. It is not especially religious.

    Glass-making has always played an important role in the cultural and industrial history and soul of Sunderland and the River Wear: Benedict Biscop’s unique use of French glass-makers to fill in the windows of his monastery church, St. Peter’s in the 9th century; the industrial melting pot of the 19th century where the abundant supply of coal from the Durham coalfield, ferried down the River Wear fuelled several industries, most notably steel-making, shipbuilding and glass making; the European monopoly of Joblings Glassworks making heatproof oven-ware out of Pyrex in the mid- 20th century; and the National Glass Centre of today in which students at the University and glass artists from around the country craft enchanting art works. The first people to see each of these phenomena must have been transfixed by the novelty they were witnessing. This song portrays the response to each of these first encounters with the magical glass.

  • Availability

Cheryl Camm  

Magical Glass

Duration: 04' 00" Year: 2011, r. 2012
for SATB choir or ATBB choir

  • Instrumentation
    also simpler versions for SSAA or TTBB available here
  • Programme Note

    This is a modern folk song about the history of glass-making in Sunderland. It is part of a collection of songs about the River Wear, “Winter Wear”. It can be performed as a Christmas song, or at other times of year. It is not especially religious.

    Glass-making has always played an important role in the cultural and industrial history and soul of Sunderland and the River Wear: Benedict Biscop’s unique use of French glass-makers to fill in the windows of his monastery church, St. Peter’s in the 9th century; the industrial melting pot of the 19th century where the abundant supply of coal from the Durham coalfield, ferried down the River Wear fuelled several industries, most notably steel-making, shipbuilding and glass making; the European monopoly of Joblings Glassworks making heatproof oven-ware out of Pyrex in the mid- 20th century; and the National Glass Centre of today in which students at the University and glass artists from around the country craft enchanting art works. The first people to see each of these phenomena must have been transfixed by the novelty they were witnessing. This song portrays the response to each of these first encounters with the magical glass.

  • Availability

Rosemary Russell  

Psalm 19

Duration: 03' 00" Year: 2010, r. 2011
for unison voices and piano or guitar with optional choral harmonies

  • Programme Note

    This contemporary worship song is energetic and a congregation can really get into it.
    It enables us to respond to both the brilliance of God’s creation and his love for his creatures.
    For our church’s 50th Jubilee in July 2011, I added choral parts.
    G major, 4/4 time at a good speed.
    Improvise the piano part based on the guitar chords.

David Hamilton  

The Son of the Virgin

 Year: 2011
for SA choir and piano

David Hamilton  

We Shall Walk Through the Valley

Duration: 04' 00" Year: 2010
for SSA choir and piano