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This work is a setting of a text by Rev. Len Horwood (d.1990), minister of Mt Albert Methodist Church (Auckland) in the 1960’s, and was written at the request of Mervyn Rosser – choirmaster of Mt Albert Methodist Church. This particular hymn of praise to God draws its inspiration from aspects of the New Zealand landscape – especially the plants and trees. References are made to the kauri, the rata, and the kowhai, as well as the lakes, mountains and valleys.

• Hamilton: A New Zealand Doxology; computer-set 

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• David Hamilton: A Song of Ruth - hardcopy score 

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• The Big Sing National Finale 2008 

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• David Hamilton: A Song of Ruth; audio 

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• The Big Sing Finale 2000  Year: 2000 

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• The Treble Voice Choral Music of David Hamilton Vol. 4  Year: 2013 

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This short anthem takes its text from the Old Testament book of Ruth. It is a statement of devotion and loyalty, and I have used the lines “Your people shall be my people and your God my God” as a refrain. To the biblical text I have added a concluding “Amen”.

The original version (for SAB voices) was written for, and is dedicated to, Bruce Baker – a friend and musical colleague.

David Hamilton

• Hamilton: A Song of Ruth; computer set 

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• Baker: Awake; facsimile 

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• Baker: Awake; facsimile 

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This piece originally appeared for unaccompanied SATB voices in the composer’s Four Carols (1991). In a subsequent reworking it was used as the opening movement of the cycle To the Christ Child (1991) written for the Epsom Girls’ Grammar School music tour to the United States.

• Hamilton: Love Came Down at Christmas; facsimile 

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• Hamilton: Love Came Down at Christmas; computer set 

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• Hamilton: O Vos Omnes; computer-set 

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This setting of part of the Liturgy of the Approach is dedicated to the Saint Matthew’s Singers, for whom it was written. Thanks are expressed to the Auckland Community Church, for supplying the text. Its original inspiration came from part of a prayer by Janet Morley.

The piece is written in the style of the French Romantic tradition, with one or two departures into a more chromatic or discordant style.

• Baker, B.: Prayer for Wholeness; computer-set 

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• Baker: Prayer for Wholeness; computer-set 

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This setting of part of the Liturgy of the Approach is dedicated to the Saint Matthew’s Singers, for whom it was written. Thanks are expressed to the Auckland Community Church, for supplying the text. Its original inspiration came from part of a prayer by Janet Morley.

The piece is written in the style of the French Romantic tradition, with one or two departures into a more chromatic or discordant style.

• Baker: Prayer for Wholeness; computer-set 

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• Baker: Prayer for Wholeness; computer-set 

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• Marshall: The Desert Shall Blossom; computer set  

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• The Desert Shall Blossom 

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