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Irish whistle, bodhran, and keyboard.

• Radha: A Celtic Christmas; computer-set 

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• Sahar: A Celtic Christmas; computer-set 

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choir, percussion, Rarotongan drums, guitars (students), Taonga Puoro (koauau), piano, clarinet in B flat, alto saxophone, horn in F, flute, guitar (advanced performer)

Nga Tapuwae o Kupe is a music drama directed by Rangimoana Taylor. It is based on the story of Kupe’s journey from Hawaiki to Aotearoa and his discovery of various landmarks around Whanganui-a-Tara / the Wellington region.

While this work maintains a strong Maori theme, with karanga, haka and waiata, as well it weaves in other Pacific and European elements.

For school choir, instrumentalists, dancers and kapa haka, this work was composed with the financial assistance of a composition grant from Queen Elizabeth II Arts Council, was first performed by 140 students from South Wellington Intermediate School in July 1992 for Artsplash, the Wellington Young People’s Festival.

• Fisher: Nga Tapuwae o Kupe; facsimile 

  Full score | Pdf - facsimile
  

• Fisher: Nga Tapuwae o Kupe; facsimile 

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• Helen Fisher: Works 1  Year: 1992 

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SATB choir of 40; soprano, mezzo and baritone soloists; Maori instruments: pukaea, koauau, putorino, purerehua, putatara, poiawhiowhio, karanga manu; Irish instruments: Irish flute, Uillean pipes, tinn whistles in F and C, bodhran; 2 french horns, 2 trumpets, 1 trombone; percussion: snare drum, conga, bass drum and woodblock; strings

Music drama for choir, kapa haka, orchestra, Maori and Irish instruments and soloists. Directed by Rangimoana Taylor, it includes Maori composition by Wi Kuki Kaa and lyrics by Lauris Edmond. It focuses on Nelson’s Maori-Pakeha history since 1841, stories that have contemporary resonances in Aotearoa/New Zealand.

• Fisher: Taku Wana - the enduring spirit; computer-set 

  Full score | Pdf - computer set
  

• Fisher: Taku Wana - the enduring spirit; computer-set 

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• Taku Wana – the enduring spirit (May 1998) 

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• Taku Wana – the enduring spirit (May 1998) 

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• Fisher: Taku Wana 

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• Ritchie, A.: The Flower of Scotland; computer-set 

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• Ritchie, A.: The Flower of Scotland; computer-set 

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• The Big Sing Finale 1999  Year: 1999 

  CD
  
  $32.00
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• The Big Sing Finale 2004  Year: 2004 

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This setting of Antonio Machado’s poem is intended as a study in atmospheric textures. Little of the music is loud or dramatic, and much of the writing consists of repetitive patterns sung by the singers independently of each other. Machado, a Spanish poet of the early twentieth century, describes the simple image of a beach at night in summer, with a voice singing in the distance. Over the scene hangs the moon. The setting does not present the entire text, but uses only fragments of the poem. From the text the words “la luna” (the moon) are heard most often. A solo voice from within the choir sets the scene with the words “A summer’s night on the beach of Sanlucar…”.

Throughout the work a singing bowl sounds in the background, beginning and ending with the single struck note. At times the bowl disappears into the texture and at times it is clearly audible – steady and unvarying.

Una Noche de Verano was written for conductor Rowan Johnston and his choir Choralation (students of Westlake Girls’ and Westlake Boys’ High Schools, Auckland).

David Hamilton

• Hamilton: Una Noche de Verano; computer-set  Year: 2010 

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• David Hamilton - Music for Mixed Voice Choirs Vol. 1 

  CD
  
  $15.00
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