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This is the second arrangement made of a song written around 1918 by Erima Maewa Kaihau (1879-1941). It follows on from E moe te ra made in 2007 – both pieces arranged at the request of David Gordon of Diocesan School for Girls. Erima Maewa Kaihau was also involved in the complex gestation of the song Now is the hour.

Akoako o te Rangi is also very much in the late Victorian tradition of ‘parlour ballads’ and owes little to traditional Maori song forms or styles. In fact the rather erratic word underlay of the Maori text suggests that the English version (hardly a translation though of the Maori) may have been te first made.

The text is short although there may have originally been further verses (the printed music, published in 1918, contains just the one verse). It is a love song – the scent of a loved one wafting on the breeze to awaken the sleeping lovelorn singer.

• Hamilton: Akoako o te Rangi; computer-set  Year: 2010 

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The Auckland Primary Principals’ Association holds an annual music festival and over the years several of my choral works have been included in the event. In early 2010 I was approached by former student Pip Faulknor who, along with two other conductors, was keen to include something specifically about Auckland in their programmes, and asked if I had anything suitable. I suggested something new might be appropriate and a text was devised by Mary Cornish. The text talks of many of the features of Auckland, but is also a call for the people of the area to listen to, and respect, the children of Tamaki Makaurau (Auckland).

David Hamilton

• Hamilton: Listen Tamaki Makaurau; computer-set  Year: 2010 

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3 flutes, 3 clarinets, 2 alto saxophones, 2 tenor saxophones, 3 trumpets, 2 trombones, euphonium, tuba, violoncello (optional), string bass, timpani, percussion I (high conga, low conga, medium tom, low tom), percussion II (high bongo, low bongo, high tom, medium tom), percussion III (tambourine, high woodblock, low woodblock), percussion IV (suspended cymbal, wind chimes, triangle) and percussion V - xylophone (medium sticks), with piano and SATB choir

Based on the simple idea: “If Lake Taupo was a piece of music, what would it sound like?”

This mass musical work, commissioned especially for the ERUPT Lake Taupo Festival 2010 through the SOUNZ Community Commission, takes its inspiration from the people and places of Taupo.

Featuring lyrics submitted by local writers, Moana Ataahua is a spectacular mix of symphonic, choral and percussive elements that erupts into an exciting finale.

• Youens: Moana Ataahua; computer-set 

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• Youens: Moana Ataahua; computer-set 

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Deep in the bush where there were no cicadas singing, the moist smell of soil, a small stream, dark ferns. The middle of the ponga fern looked as if it would be a perfect bed to curl up in. I half believed there were bush dwelling creatures that did live and sleep there, watching me from the shadows.

• Holmes: Through Coiled Stillness; computer-set 

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• Holmes: Through Coiled Stillness; computer-set 

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• Holmes: Through Coiled Stillness; computer-set 

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