Sub Navigation

Search Music:

Search for music by typing a word or phrase in the box below or by selecting one or more categories from the list on the side.

Or search for products by selecting an option below, and typing a word or phrase in the box above

  • Scores
  • CDs and DVDs
  • Downloads
  • Education Resources

David Hamilton  

A New Zealand Doxology

Duration: 08' 00" Year: 1991
for solo soprano, SATB choir and organ

  • Programme Note

    This work is a setting of a text by Rev. Len Horwood (d.1990), minister of Mt Albert Methodist Church (Auckland) in the 1960’s, and was written at the request of Mervyn Rosser – choirmaster of Mt Albert Methodist Church. This particular hymn of praise to God draws its inspiration from aspects of the New Zealand landscape – especially the plants and trees. References are made to the kauri, the rata, and the kowhai, as well as the lakes, mountains and valleys.

  • Availability

Geoffrey Hinds  

After Midnight

Duration: 05' 00" Year: 1997, r. 1998
for SATB choir and organ

Ronald Dellow  

Benedicte Aotearoa

Duration: 08' 00" Year: 1990
for SATB choir

Dorothy Ker  

Close-up of a Daisy

Duration: 08' 00" Year: 1992, r. 1994
six pieces for SSAA a cappella choir

David Hamilton  

Dance-Song to the Creator

Duration: 06' 00" Year: 1992
for SSA & SATB semi-choruses, SAATB choir, percussion and piano duet

Lyell Cresswell  

De Musica

Duration: 06' 00" Year: 1995
for SATB choir and orchestra

Helen Caskie  

Five Polish Christmas Carols

Duration: 09' 00" Year: 1998
for SATB choir and two horns in F

Ronald Dellow  

Four Christmas Songs

Duration: 08' 00" Year: 1995
for mixed voices

Ronald Dellow  

God of nations

Duration: 07' 00" Year: 1996
community song for unison voices and recorders

Cheryl Camm  

Golden Rain Baby

Duration: 05' 00" Year: 1997
for soloist and/ or 4 part womens choir and melody instrument

  • Instrumentation
    For any available melody instrument such as flute, oboe, violin, recorder, keyboard. The melody part can be sung by group or soloist. The four accompanying parts can be sung (SSAA) or played on tuned metallic percussion instruments (chime bars, glock vibraphone...) or both. Accompanying parts range from easyto tricky and can be omitted with others composed by the performers added. Triangles or finger cymbals required at end.
  • Programme Note

    A lullaby for SSAA choir with soprano soloist and melody instrument. This song uses melodic and rhythmic patterns from a Javanese Gamelan piece, also about golden rain.

  • Availability