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David Hamilton  

Faithful Choir, Rejoicing Sing

Duration: 06' 00" Year: 2010
for two-part treble choirs (or SSAA choir) and organ

  • Programme Note

    In 2006 I wrote A Christmas Fanfare for a concert involving both Auckland Boys’ Choir and Auckland Girls’ Choir. This work for multiple choirs and orchestra was used successfully several times in annual Christmas concerts. In 2010 these two choirs decided to present their own Christmas concert. Rejecting the initial idea of re-scoring A Christmas Fanfare, I offered to write a new piece tailored to the needs of the two choirs, with organ accompaniment. Faithful Choir, Rejoicing Sing is the result.

    The text, here in a modern English translation, dates from the twelfth century and is attributed to St. Bernard of Clairvaux (1090-1153). I was drawn to the idea of an ancient text being delivered by fresh young voices. The text is a hymn of praise celebrating the birth of Christ.
    Each of the voice parts first presents their own verse of the complete text. This is then followed by the four verses being sung simultaneously during a procession, in a kind of canonic texture. Following the procession the same music is heard once more with the parts coming in successively, and the whole piece ends with a final triumphant ‘Alleluia’.

    David Hamilton

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David Hamilton  

Three Desperadoes

Duration: 09' 00" Year: 2010
arrangements of three American folk songs for SSA choir and piano

  • Programme Note

    When Jane Money brought her choir Boston City Singers to New Zealand, she left me with a copy of American Ballads and Folk Songs (edited by John A. Lomax and Alan Lomax). This collection of songs was originally published in 1934, and collected together songs from various folk traditions from across the USA: railroad sings, songs about outlaws, Creole songs, spirituals, minstrel songs, reels, songs of childhood and so on.

    In choosing three songs to arrange I decided to turn to three songs about desperadoes – those living on the fringes of the law. Each comes to an unfortunate end – two by hanging and the third shot by the law. Of the three, Billy the Kid (who purportedly killed twenty-one men) is the best known.

    Three Desperadoes was written for Boston City Singers and their conductor Jane Money.

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