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This is the second arrangement made of a song written around 1918 by Erima Maewa Kaihau (1879-1941). It follows on from E moe te ra made in 2007 – both pieces arranged at the request of David Gordon of Diocesan School for Girls. Erima Maewa Kaihau was also involved in the complex gestation of the song Now is the hour.

Akoako o te Rangi is also very much in the late Victorian tradition of ‘parlour ballads’ and owes little to traditional Maori song forms or styles. In fact the rather erratic word underlay of the Maori text suggests that the English version (hardly a translation though of the Maori) may have been te first made.

The text is short although there may have originally been further verses (the printed music, published in 1918, contains just the one verse). It is a love song – the scent of a loved one wafting on the breeze to awaken the sleeping lovelorn singer.

• Hamilton: Akoako o te Rangi; computer-set  Year: 2010 

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Twice a year we alter the clocks for daylight saving, so twice a year we have to battle with our digital clocks, each having its own particular method of adjustment.

• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set 

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• Parsons: Changing the Clocks - Trials of the Digital Age; computer-set  

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A setting of a poem by Canadian poet Dennis Lee. “Dopey” comes from the 2007 poetry collection “Yesno”, evoking – in the author’s words – “a world in which the demolition derby and the possibility of living more constructively in the natural order are both real. And at once. So, not just no; not just yes; but yesno.”

• Palmer: Dopey; computer set 

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• Palmer: Dopey; computer set 

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Although Robert Louis Stevenson’s poetry is not as well known as it once was, his collection A Child’s Garden of Verses still stands as one of the most important early collections of poetry for young people. This fantastical poem tells of a child’s impressions of nighttime and the “thousands of millions of stars” which appear to be chasing him or her. Even when packed off to bed, the sight of the stars remains in the child’s mind’s eye. Several star constellations are named in the poem.

Escape at Bedtime was commissioned by Sydney Grammar School for the school’s music tour to New Zealand in 2011.

• Hamilton: Escape at Bedtime; computer set 

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This lively spiritual sets a traditional text dealing with the hope of one day being with the Lord and expectation of his imminent arrival.

Rise! Shine! was written for Silver Swans (conductor Fiona Wilson), one of the choirs at Westlake Girls’ High School (Auckland).

• Hamilton: Rise! Shine!; computer-set  Year: 2010 

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“Nurses’ Song” is the name of two related poems by English poet William Blake (1757-1827). While both speak of children playing outside watched by their Nurse, the first version published in 1789’s “Songs of Innocence”, is a positive view of play and innocence, with no hint of the things that night (or life) will bring. The second , and shorter, version published in 1794’s “Songs of Experience” shows the Nurse as someone who is bitter and jealous of the freedom of children’s play.

This setting was written for the inaugural SingDownunder choral festival in Auckland, as a piece for the combined treble-voice choirs to perform.

• Hamilton: The Voices of Children; computer-set  Year: 2010 

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This setting continues a series of pieces using texts from the tradition of the African-American spirituals. It uses typical melodic and rhythmic ideas from pieces in that tradition. The text focuses on the idea, found in Psalm 23, of walking “through the valley of the shadow of death”. If Jesus is our leader, then we need fear nothing, and we shall walk in peace.

• David Hamilton: We Shall Walk Through the Valley - hardcopy score  Year: 2010 

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• David Hamilton: We Shall Walk Through the Valley; audio 

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• The Treble Voice Choral Music of David Hamilton Vol. 4  Year: 2013 

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• van den Broek: Wild Daisies; computer-set 

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• van den Broek: Wild Daisies; computer-set 

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• Alex van den Broek: Wild Daisies  

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