Sub Navigation

Search Music:

Search for music by typing a word or phrase in the box below or by selecting one or more categories from the list on the side.

Or search for products by selecting an option below, and typing a word or phrase in the box above

  • Scores
  • CDs and DVDs
  • Downloads
  • Education Resources

Noel Sanders  

Big Dipper and Little Mouse

Duration: 12' 00" Year: 1989
for piano and orchestra

  • Instrumentation
    222(+bs-cl)2;2221;timp,2perc (1. glock,vibes,xylo,5toms,s-dr,ten-dr. 2. marimba,5temple blocks, 3sus cym,sizzle cymbal, sus crash cymbal,2bs-dr,gong);strings.
  • Programme Note

    “Me and him."

    “Title from two showground rides at the Royal Easter Show, Sydney. He wouldn’t come but two of my lesbian buddies took me just the same. Dodgems in the form of a piano concerto. How camp.”

  • Availability

Lyell Cresswell  

Cello Concerto

Duration: 30' 00" Year: 1984
for cello and orchestra

  • Instrumentation
    3+pc,3+ca,3+bs-cl,3+c-bn; 4331;3perc,timp,hp;strs and solo cello.
  • Programme Note

    An essay in tension between soloist and orchestra. In the first movement long cello solos are contrasted with outbursts from the orchestra; in the second movement cello and orchestra merge – the cello sound coloured by various doublings; and the last movement is a moto perpetuo again contrasting soloist with orchestra. Premiered by cellist Alexander Baillie, conducted by Matthias Bamert and the Scottish National Orchestra.

  • Availability

John Elmsly  

Cello Symphony

Duration: 22' 00" Year: 1986
for solo cello and orchestra

Nigel Keay  

Diffractions

Duration: 10' 00" Year: 1987
for piano and orchestra

  • Instrumentation
    1111;1110; tamtam; strings (44321)
  • Programme Note

    This musical analogy to the physical phenomenon of light breaking up is written in a pointillistic style, with sinuous melodic fragments leaping across the piano keyboard in jagged cross-rhythmic dancing. Angular counter- melodies are provided by a chamber orchestra of single winds and brass with 14 strings in this single movement.

    The idea of diffractions is represented in sound by the piano, central and prominent, exploiting an aspect of its technique to which it is ideally suited: rapid changes of direction and wide intervallic leaps with extreme dynamics. The orchestra provides bands of coloured spectra forming an integrated texture. The melody, oscillating and colourful is sometimes pointillistic and at other times it flows into longer continuous phrases.

    Diffractions is essentially an abstract work in one continuous movement.

  • Availability

Denise Hulford  

Evolution

Duration: 18' 00" Year: 1985
for narrator/tenor and orchestra

  • Instrumentation
    2220;2221;timp,2perc (xylo, bell tree, cymbals, gong, bass drum, triangle, tambourine, woodblocks, guiro, snare drum, vibraphone);strs.
  • Programme Note

    This work for narrator, tenor and symphony orchestra highlights the impact on nature of man’s questionable progress. This idea is taken directly from Hone Tuwhare’s poem The Sea! To The Mountains! To The River which is the text for the soloist. Evolution is one continuous movement interspersed with nine vocal sections.

  • Availability

Noel Sanders  

Faust Prologue

Duration: 20' 00" Year: 1987
for bass-baritone and orchestra

Craig Utting  

Horn Concerto

 Year: 1987
for horn and orchestra

Eve de Castro-Robinson  

Peregrinations

Duration: 20' 00" Year: 1987, r. 1990
for piano and orchestra

Anthony Ritchie  

Piano Concerto

Duration: 29' 00" Year: 1982
for piano and full orchestra

  • Instrumentation
    2222;4331;timp (4) , 5perc (on bs-dr, sd-dr,bongos,tamb,hand cym, 2sus cym,h-hat,gong,tri,cast,w-block, xylo,vibra);strs
  • Programme Note

    This work features virtuosic writing for the soloist along with a colourful orchestral part. In four movements, it explores a wide range of moods and styles. It was composed as part of Ritchie’s honours portfolio at Canterbury University, and lasts 30 minutes. The second and third movements were performed in 1984 by Sharon Joy Vogan and the NZSO, and recorded for radio.

  • Availability

Gareth Farr  

Piano Concerto

Duration: 20' 00" Year: 1989
for piano and orchestra