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• Nock: Aotearoa; facsimile 

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• Nock: Aotearoa; facsimile 

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• Jazzgroove Mothership Orchestra: The Mothership plays the Music of Mike Nock 

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• Dadson: MAYA; facsimile 

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• Dadson: MAYA; facsimile 

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• Buchanan Dadson Fisher: works 

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• Philip Dadson: Maya 

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• Fanfares for a New Millennium  Year: 2000 

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• Psathas: Saxophone Concerto; computer-set 

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• Psathas: Omnifenix; computer-set  Year: 2006 

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• John Psathas: Omnifenix (part 3 of 3); video 

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• John Psathas: Omnifenix (part 2 of 3); video 

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• John Psathas: Omnifenix (part 1 of 3); video 

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• Omnifenix (Part 2 of 3); Brecker; video 

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• Omnifenix (Part 1 of 3); Brecker; video 

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• Omnifenix (Part 3 of 3); Brecker; video 

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• John Psathas: Omnifenix 

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• John Psathas: View from Olympus (Three Concertos) 

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  $40.00
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• Grenfell and Psathas: Works 

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• Psathas: Omnifenix (Saxophone Concerto) 

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• John Psathas: Various Works 

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The composer writes, “I supply all the musicians with a pitch and alphabet letter scale. Each musician composes their own instrumental part at the rehearsal following a code supplied – they all spell their names and their instruments name, and build the musical material out of the corresponding pitches (that go with the letters)”.

The composer writes, “I supply the musicians 12 music motifs on one page. They need to choose the 12 motifs and arrange them in any order to make their own piece with the motif material. The music is pulsed and the motifs are rhythmic – the scale’s modal”.